Schibille (55 Ergebnisse)

Hardback. Zustand: New. Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. located on a hilltop above the Wadi el-Hasa near Khirbet edh-Dharih, 70 km north of Petra along the King's Highway. In 1937, Nelson Glueck excavated Khirbet et-Tannur on behalf of the American Schools of Oriental Research and the Department of Antiquities of Transjordan, but died before completing a final report. Now, in two extensively illustrated volumes, the results of Glueck's excavations are finally published, based on previously unstudied excavation records and archaeological materials in the ASOR Nelson Glueck Archive at the Semitic Museum, Harvard University. Volume 2 offers a systematic reorganization of Glueck's original excavation records and presents detailed specialist analyses of the Khirbet et-Tannur faunal and botanical remains, metal, glass, lamps and pottery collected by Glueck in 1937 and now preserved in Semitic Museum's ASOR Nelson Glueck Archive, along with fresh examinations of the Nabataean inscriptions and altars from the site. Annual of ASOR 68.…

OBroschur. Zustand: Sehr gut. Konzert vom 9. Dezember 1953. 8 S., ungeheft. OBroschur, 8°, Werbeannoncen. Auf dem Titel Fotoportrait Erna Berger. Mit Vorwort v. Dr. Karl Forster u. vollständigen Liedtexten. Lose beiliegt 1 Zeitungsrezension der Zeit (gefaltet) v. Erwin Kroll. Programm gering berieben, leichte horizontale Faltspur. Sehr gutes Exemplar. Broschüre.…

Zustand: New. Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. In 1937, Nelson Glueck excavated the site on behalf of the American Schools of Oriental Research but died before completing a report. Now, in two extensively illustrated volumes, the results of Glueck's excavations are finally published. Editor(s): Greene, Joseph A. Series: Annual of ASOR. Num Pages: 329 pages, 153 b/w illustrations. BIC Classification: 1FBJ; 3D; HDDC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 223 x 284 x 23. Weight in Grams: 1350. . 2013. Hardback. . . . .…

Hardback. Zustand: New. Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. located on a hilltop above the Wadi el-Hasa near Khirbet edh-Dharih, 70 km north of Petra along the King's Highway. In 1937, Nelson Glueck excavated Khirbet et-Tannur on behalf of the American Schools of Oriental Research and the Department of Antiquities of Transjordan, but died before completing a final report. Now, in two extensively illustrated volumes, the results of Glueck's excavations are finally published, based on previously unstudied excavation records and archaeological materials in the ASOR Nelson Glueck Archive at the Semitic Museum, Harvard University. Volume 1 is devoted to the architecture of the temple, the dating of its successive phases, its sculptural decoration and iconography,and to a discussion of Nabataean religion, including the evidence for its connections with the religion of Iron Age Edom and its continuation at the temple of Khirbet et-Tannur well into the Christian era, before the A.D. 363 earthquake brought an end to the site. The volume closes with observations about iconoclasm at Khirbet et-Tannur, Khirbet edh-Dharih and Petra. Annual of ASOR 67.…

Zustand: New. Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. In 1937, Nelson Glueck excavated the site on behalf of the American Schools of Oriental Research but died before completing a report. Now, in two extensively illustrated volumes, the results of Glueck's excavations are finally published. Editor(s): Greene, Joseph A. Series: Annual of ASOR. Num Pages: 329 pages, 153 b/w illustrations. BIC Classification: 1FBJ; 3D; HDDC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 223 x 284 x 23. Weight in Grams: 1350. . 2013. Hardback. . . . . Books ship from the US and Ireland.…

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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Paperback. Zustand: new. Paperback. Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium. Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplato Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Zustand: New. pp. 320.

Zustand: New.

Zustand: New. Idioma/Language: Español. Este libro presenta textos con objetivos y propósitos diversos que utilizan diferentes tipos de fuentes y métodos de estudio para mostrarnos cómo la sociedad de al-Andalus produjo, distribuyó, comercializó, consumió y disfrutó de cerámicas, vidrios, marfiles, metales y tejidos. No están aquí representadas todas las artes del Islam, ni podrían estarlo ya que, como decía Ibn Jaldun, "son tantas como trabajos existen en la civilización" *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla. …

Zustand: New. pp. 320.

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Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 320.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Gebunden. Zustand: New. Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. In 1937, Nelson Glueck excavated the site on behalf of the American Schools of Oriental Research but died before completing a report. Now, in two.

Gebunden. Zustand: New. Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. In 1937, Nelson Glueck excavated the site on behalf of the American Schools of Oriental Research but died before completing a report. Now, in two.

(ca. 21 x 15 cm). 4 S. zum Aufklappen. Original-Programmzettel mit typografisch gestaltetem Deckeltitel. Einband gering berieben und fleckig, innen noch gut erhalten. Zettel wurde gelocht. Bleistiftnotiz über Konzertbesuch (1947) auf dem Deckel. Insgesamt guter Zustand. Original-Programmzettel aus dem Jahr 1947 für ein Konzert in der Stadtmissionskirche Berlin mit Werken von Felix Mendelssohn-Bartholdy. Das Konzert zum 100. Todestag des Komponisten beinhaltet Orgelstücke, Baritonsoli und Chorstücke sowie auch Violinsoli. Der Programmzettel enthält genaue Vortragsfolge und Texte zu Chorstücken. Original-Programmzettel aus den direkten Nachkriegsjahren.…

Paperback. Zustand: Brand New. reprint edition. 282 pages. 8.75x6.00x0.75 inches. In Stock.

Zustand: Gebraucht - Gut. original Heft, nicht paginiert, 12 Seiten, einige Fotos ( 1. Celist, 1. Bratschist, etc., Chelibidache nach Schallplattenaufnahme ). Zustand: sehr gut, obere rechte Ecke etwas angestoßen Vortragsfolge: Joseph Haydn: Symphonie Nr. 104 ( Londoner ) / Edward Elgar: Introduktion und Allegro für Streichorchester und Streiquartett / Gustav Theodor Holst: Ballettmusik The Perfect Fool / Ludwig van Beethoven: Ouvertüre zu Goethes Egmont, Symphonie Nr. 7 A-Dur op.92 ------- London Philharmonic Orchestra Concert, January 18, 1951, Titania Palace - Original booklet, unpaginated, 12 pages, some photos (1st cello player, 1st violist, etc., chelibidache after a record recording). Condition: very good, upper right corner slightly bumped. - Program: Joseph Haydn: Symphony No. 104 (London) / Edward Elgar: Introduction and Allegro for String Orchestra and String Quartet / Gustav Theodor Holst: Ballet Music The Perfect Fool / Ludwig van Beethoven: Overture to Goethe's Egmont, Symphony No. 7 in A major, Op. 92 deu. …

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: new. Paperback. Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium. Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplato Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Einband - flex.(Paperback). Zustand: New. Dr Nadine Schibille is a Lecturer in Art History at the University of Sussex, UK.Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice f.

Taschenbuch. Zustand: Neu. Neuware - Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium.…

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: New. Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. located on a hilltop above the Wadi el-Hasa near Khirbet edh-Dharih, 70 km north of Petra along the King's Highway. In 1937, Nelson Glueck excavated Khirbet et-Tannur on behalf of the American Schools of Oriental Research and the Department of Antiquities of Transjordan, but died before completing a final report. Now, in two extensively illustrated volumes, the results of Glueck's excavations are finally published, based on previously unstudied excavation records and archaeological materials in the ASOR Nelson Glueck Archive at the Semitic Museum, Harvard University. Volume 2 offers a systematic reorganization of Glueck's original excavation records and presents detailed specialist analyses of the Khirbet et-Tannur faunal and botanical remains, metal, glass, lamps and pottery collected by Glueck in 1937 and now preserved in Semitic Museum's ASOR Nelson Glueck Archive, along with fresh examinations of the Nabataean inscriptions and altars from the site. Annual of ASOR 68.…