schmelling michael (76 Ergebnisse)

Hardcover. Zustand: NEW. Zustand des Schutzumschlags: NEW. HAR/DWN.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition Limited Edition.

hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover with dustjacket, 224 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Zustand: Very good. Hardcover. First Edition. Very good hardback bound in publisher's photo illustrated orange cloth and issued without a jacket. Signed by Schmelling on the copyright page.

Zustand: New. 2010. hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New. 2010. hardcover. . Not a first edition copy. . . .

Zustand: As New. Unread book in perfect condition.

No Binding. Zustand: Very Good. photograph poster by James Hamilton: volume One, Issue Nine; titled "During This long week 2017"; designed by Michael Schmelling; edition size is unknown, it is not signed; in VERY GOOD COND.

Hardcover. Zustand: As New. 1st Edition. 1st Printing. Signed. 48 pages. Published in 2002. Retrospective collection of color photographs, presented as an Artist Book. One of the cult art photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Michael Schmelling: Oversize-volume format. Orange cloth boards with white titles embossed on the cover and spine and dazzling photographic cutout of the subject, as issued. Photographs by Michael Schmelling. Brief Epigraph by James Holloway, who gets to have the last word. Printed on pristine-white, thick coated stock paper in Korea to the highest standards. The reproduction quality is exemplary in every respect. Without DJ, as issued. Presents Michael Schmelling's "Shut Up Truth". Being photographs of a regular guy, James Holloway, a middle-aged bachelor and projectionist living in El Paso, Texas, befriended by the photojournalist. "A document of Michael Schmelling's friendship with James Holloway, a Texas native and union projectionist. The project began in 1996, when Schmelling met Holloway at a film screening while on assignment in Texas for Associated Press. An unflinching and intimate portrait of a single, white middle-aged man. The photographs, taken in El Paso, constitute a documentary of contemporary American life. Michael Schmelling lives in New York City and is a regular contributor to The New York Times Magazine, New York Magazine, The Fader, and Details" (Publisher's blurb). Deliberately mundane and matter-of-fact, the collection enjoys a cult following as a photography book in the same vein as Stephen Shore and Joel Sternfeld, and in the way it evokes American life, the un-celebrated kind, in this case, that of a "lowly" - in our view, which says a lot about us - worker. Who is typically viewed and presented by mass media as lonely (being single) and unworthy of a photographer's, or anyone else's attention. The book asks, "Who deserves to be photographed and to be looked at by us?". An absolute "must-have" title for Michael Schmelling collectors. This copy is very boldly and beautifully signed in black ink-pen on the title page by Michael Schmelling. It is signed directly on the page itself, not on a tipped-in page. This title is a cult art photography title. As far as we know, this is the only such signed copy of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. Please note: Copies available online have serious flaws. This is surely an accessible and lovely alternative. A rare signed copy thus. Lavishly illustrated with color plates. One of the most brilliant photographers of our time. A fine copy. ISBN 0970165633. Signed by Author.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Near Fine. Michael Schmelling, dj art (illustrator). 1st Edition. Signed; Inscribed by Author(s). The book has several dogeared pages. The dust jacket is unclipped ($23.95) 1 3 5 7 9 10 8 6 4 2 number line. Inscribed by the author on the title page.

Paperback. Zustand: Fine. First Edition, First Printing. Large octavo. 8 x 11 in. Unpaginated. Profusely illustrated with color reproductions of photographs. Fine in original pictorial blue wrappers. Signed by Schmelling on title page. Signed.

Hardcover. Zustand: new. Hardcover. In the winter of 2007, photographer Michael Schmelling--known for his previous books Shut Up Truth and The Plan--photographed the USA National Memory Championships in New York City. Roughly 100 competitors gathered in a modest conference hall in the Con Edison building to compete in a series of mnemonic tests. Schmelling's photographs from that day are primarily of the competitors, all intensely engaged in recalling and reciting lists of information. Schmelling returned to the championships in 2008, photographing many of the same competitors as the year before. Building a book of short, interrelated stories, Schmelling has combined these images of mnemonists with a series of similar, overlapping narratives. Traveling through a North American landscape of neutral interiors, the viewer of Land Line encounters an array of subjects in the midst of thinking, forgetting, questioning and interpreting. Photographs of professional mnemonists, teenagers in an algorithmic code competition, entrepreneurs, a Hollywood actor, prisoners and English language students dressed up as historical figures coalesce into a larger narrative about cognition, memory and information. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: New.

Paperback. Zustand: As New. BLIND SPOT Issue 35 photos by Jason Evans, Hans-Peter Feldmann, Jason Fulford, Ron Jude, Hee Jin Kang, Rinko Kawauchi, David La Spina and Michael Schmelling. Brief text by Carlo McCormick. Unpaginated, paper with stiff cover. Like new condition.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Brand New. 224 pages. 10.25x8.00x1.00 inches. In Stock.

Zustand: New.

Hardcover. Zustand: New.

Zustand: Neuf.

Zustand: New.

Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.

Buch. Zustand: Neu. Neuware -In Dreams. Scenes from the Archive adds to our understanding of Dennis Hopper's personal vision as an artist by tracing the threads of Hopper's life through photography, and connecting his roles as an actor, husband, father, and photographer. In Dreams eschews Hopper's iconic stand-alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper's photographic output was especially concentrated in the '60s, a period in which his film career had cooled off. During these years Hopper's primary creative outlet was his photography. The Nikon camera his wife Brooke Hayward gifted him hung so prominently around his neck that friends jokingly called him 'the tourist.' While In Dreams, which references Roy Orbison's song by the same name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper's peripatetic life and his everyday use of the camera. Hopper was very much an insider - at ease with celebrities and artists of his day - but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it's this unique duality that allowed Hopper to view the world in his unique way. 132 pp. Englisch.

Buch. Zustand: Neu. Neuware -In Dreams. Scenes from the Archive adds to our understanding of Dennis Hopper's personal vision as an artist by tracing the threads of Hopper's life through photography, and connecting his roles as an actor, husband, father, and photographer. In Dreams eschews Hopper's iconic stand-alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper's photographic output was especially concentrated in the '60s, a period in which his film career had cooled off. During these years Hopper's primary creative outlet was his photography. The Nikon camera his wife Brooke Hayward gifted him hung so prominently around his neck that friends jokingly called him 'the tourist.' While In Dreams, which references Roy Orbison's song by the same name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper's peripatetic life and his everyday use of the camera. Hopper was very much an insider - at ease with celebrities and artists of his day - but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it's this unique duality that allowed Hopper to view the world in his unique way. 132 pp. Englisch.

Zustand: As New. Unread book in perfect condition.

Buch. Zustand: Neu. Neuware -In Dreams. Scenes from the Archive adds to our understanding of Dennis Hopper's personal vision as an artist by tracing the threads of Hopper's life through photography, and connecting his roles as an actor, husband, father, and photographer. In Dreams eschews Hopper's iconic stand-alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper's photographic output was especially concentrated in the '60s, a period in which his film career had cooled off. During these years Hopper's primary creative outlet was his photography. The Nikon camera his wife Brooke Hayward gifted him hung so prominently around his neck that friends jokingly called him 'the tourist.' While In Dreams, which references Roy Orbison's song by the same name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper's peripatetic life and his everyday use of the camera. Hopper was very much an insider - at ease with celebrities and artists of his day - but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it's this unique duality that allowed Hopper to view the world in his unique way.