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Paperback. Zustand: New. Illustrated. Concerto Grosso no. 1 is one of Alfred Schnittke's best-known and most compelling works, sounding the surface of late Soviet life while resonating with contemporary compositional currents around the world such as postmodernism. It marked a decisive point in Schnittke's development of the approach he called polystylism, which aimed to contain in a single composition the wide range of contemporary musical styles, including "jazz, pop, rock, or serial music." Thanks to it and his other similar compositions, Schnittke became one of the most-performed and most-recorded living composers at the end of the twentieth century.Peter J. Schmelz's Alfred Schnittke's Concerto Grosso no. 1 represents the first accessible and comprehensive study of this composition. The novel structure of the book engages with the piece conceptually, historically, musically, and phenomenologically, with the six movements of the composition framing the six chapters. Augmenting and complicating the insights of existing English, Russian, and German publications on the Concerto Grosso no. 1, the book adds new information from underused primary sources, including Schnittke's unpublished correspondence and his many published interviews. It engages further with his sketches for the piece, and with contemporary Soviet musical criticism, resulting in a more objective, historical account of this rich, multifaceted composition, its influences, and its impact on music making in the USSR and worldwide.…

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Paperback. Zustand: Brand New. 176 pages. 8.25x5.50x0.75 inches. In Stock.

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Paperback. Zustand: new. Paperback. Music has always been profoundly transnational, transcending language barriers and crossing borders in ways that few other cultural artifacts can. In Unpredictable Encounters, leading scholars from around the world examine how Russia's musical culture has undergone this process, interrogating its engagement with other cultures from the 19th century to the present.Dedicated to the memory of the late Richard Taruskin, a leading scholar of Russian and East European music, Unpredictable Encounters considers how individuals, organizations, and cultural artifacts crossed seemingly immutable and impenetrable borders. Its contributors address several fundamental questions: about music as an activity operating along complex transnational networks, including what roles composers, performers, critics, and others played in the exchange of musical information; about music's roles in Russia's ongoing sociocultural and sociopolitical development; and, most broadly, about the methodological and ethical implications of studying Russia's engagement with the world and vice versa both musical and otherwise.Written against the backdrop of Russia's full-scale invasion of Ukraine in 2022, the essays in Unpredictable Encounters aim to confront Russia's colonial power and assess the effects of these events on the creation, performance, and reception of Russian music and musicians today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Zustand: New. 2026. paperback. . . . . .

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Paperback. Zustand: Brand New. 352 pages. 9.25x6.12 inches. In Stock.

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Paperback. Zustand: New. Illustrated. Concerto Grosso no. 1 is one of Alfred Schnittke's best-known and most compelling works, sounding the surface of late Soviet life while resonating with contemporary compositional currents around the world such as postmodernism. It marked a decisive point in Schnittke's development of the approach he called polystylism, which aimed to contain in a single composition the wide range of contemporary musical styles, including "jazz, pop, rock, or serial music." Thanks to it and his other similar compositions, Schnittke became one of the most-performed and most-recorded living composers at the end of the twentieth century.Peter J. Schmelz's Alfred Schnittke's Concerto Grosso no. 1 represents the first accessible and comprehensive study of this composition. The novel structure of the book engages with the piece conceptually, historically, musically, and phenomenologically, with the six movements of the composition framing the six chapters. Augmenting and complicating the insights of existing English, Russian, and German publications on the Concerto Grosso no. 1, the book adds new information from underused primary sources, including Schnittke's unpublished correspondence and his many published interviews. It engages further with his sketches for the piece, and with contemporary Soviet musical criticism, resulting in a more objective, historical account of this rich, multifaceted composition, its influences, and its impact on music making in the USSR and worldwide.…

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Taschenbuch. Zustand: Neu. Unpredictable Encounters | Reconsidering Russian Music | Pauline Fairclough (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2026 | Indiana University Press | EAN 9780253075437 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.…

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Hardcover. Zustand: new. Hardcover. Music has always been profoundly transnational, transcending language barriers and crossing borders in ways that few other cultural artifacts can. In Unpredictable Encounters, leading scholars from around the world examine how Russia's musical culture has undergone this process, interrogating its engagement with other cultures from the 19th century to the present.Dedicated to the memory of the late Richard Taruskin, a leading scholar of Russian and East European music, Unpredictable Encounters considers how individuals, organizations, and cultural artifacts crossed seemingly immutable and impenetrable borders. Its contributors address several fundamental questions: about music as an activity operating along complex transnational networks, including what roles composers, performers, critics, and others played in the exchange of musical information; about music's roles in Russia's ongoing sociocultural and sociopolitical development; and, most broadly, about the methodological and ethical implications of studying Russia's engagement with the world and vice versa both musical and otherwise.Written against the backdrop of Russia's full-scale invasion of Ukraine in 2022, the essays in Unpredictable Encounters aim to confront Russia's colonial power and assess the effects of these events on the creation, performance, and reception of Russian music and musicians today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…