schnittke (272 Ergebnisse)

Hardcover. Zustand: New. All orders ship by next business day! This is a new book. We are a small company and very thankful for your business!

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Paperback. Zustand: new. Paperback. (String Ensemble). For 2 violins or violin and tape. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: Brand New. 7 pages. 12.00x8.00x0.04 inches. In Stock.

hardcover. Zustand: Very Good. Binding tight.Cover clean.Hardcover.Dust jacket included and in fair condition.Minor wear to page edges and corners. No writing, highlighting, or marks in text.

Paperback. Zustand: Brand New. sik8544 edition. 8 pages. 11.75x8.25x0.06 inches. In Stock.

Zustand: Gut. B4012-163 7318590004678 Sprache: Englisch Gewicht in Gramm: 80 Audio CD, Maße: 14.22 cm x 12.45 cm x 1.02 cm.

Soft cover. Zustand: Fine. 1st Edition. Amsterdam, De Nederlandse Opera Stichting, 1991. Geïllustreerd. Paperback. 8vo. 112 pp. Programmaboek van de Nederlandse Opera. Inhoud: 1. Enkele essays m.b.t. de uit te voeren opera, 2. De korte inhoud van de opera; 3. Het libretto. (Mooi exemplaar). (booknr: 17506). Bright orange cover with stiff fold over boards, paperback. Unmarked, fine condition. Color illustrations of costumes. Also Laid In: A dutch newspaper article apparently about Alfred Schittke.

Zustand: very good. Zustand des Schutzumschlags: very good. Hbk royal 8vo, 268pp, illustr throughout music scores, dj shelfworn with a small closed tear now in protective sleeve, light spotting for foredges, otherwise a very good clean tight unmarked text.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Paperback. Zustand: Very Good. Copyright 1977. Piano score and violin part. Slight wear. Only some of my sheet music and scores are listed on ABE, visit my website to view all of my stock.

Zustand: new. Pages: 92 Language: Russian, English. Collected Works. Series VI. Chamber Works. Volume 6. Book 3. 9790352216853.

Zustand: new. Pages: 40 Language: Russian, English. Kontsertnaja polifonicheskaja pesa odnogo iz krupnejshikh kompozitorov vtoroj poloviny KHKh veka, napisannaja v 1965 godu. V nej organichno sochetajutsja dodekafonnaja tekhnika, forma fugi i elementy dzhazovoj improvizatsii. Dlja studentov muzykalnykh uchilisch (kolledzhej) i konservatorij, a takzhe kontsertirujuschikh ispolnitelej. 9790660063842.

Zustand: new. Pages: 48 Language: Russian, English. For students of conservatories and professional performers. 9790660060667.

Paperback. Zustand: new. Paperback. (String). (piano reduction) Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Softcover. Zustand: Very Good. Octavo. Wrappers. 247 pp. Inscribed by author to musicologist Stanley Boorman.

Zustand: Sehr gut. 1 CD, 48:45 Min. CD sehr gut erhalten. LÄUFT! TOP!! Sprache: Englisch Gewicht in Gramm: 550 14,1 x 12,6 x 1,4 cm, Audio CD.

Zustand: Sehr gut. 1 CD, 62:17 Min. CD sehr gut erhalten. LÄUFT! TOP!! Sprache: Englisch Gewicht in Gramm: 550 14,1 x 12,6 x 1,4 cm, Audio CD.

Soft cover. Zustand: Very Good. UE 15125. Previous owners name on title page, otherwise a Very Good unmarked copy of the Full Score in slightly faded soft covers. 25 pages. Shipping Category: Sheet Music.

Zustand: new. Pages: 56 Language: Russian, English. Alfred Schnittke. Collected works on the materials of the composer's archive. Series III. Compositions for solo instruments with an orchestra or instrumental ensemble. Volume 9 The collected works of Alfred Schnittke are a joint project of the publishing house Composer St. Petersburg and the Ivashkin Archive - Schnittke at Goldsmiths College, University of London. The texts of the compositions are verified with autographs and previous editions and edited by leading performers of music by Schnittke. The first violin sonata by Alfred Schnittke was written at the request of Mark Lubotsky in 1963. The premiere took place in the concert hall of the Gnesins State Music and Pedagogical Institute (now the Gnesins Russian Academy of Music) on April 28, 1964 performed by Mark Lubotsky (violin) and author (piano). In May 1969, the sonata was printed on a glass scanner by the Muzfond Production Plant in the amount of forty copies. Later that year, it was released by the Music publishing house in Moscow, and in 1972 by the Peters publishing house in Leipzig. For performers and researchers. Contents I. Andante II. Allegretto III. Largo IV. Allegretto (Scherzando) 9790352211544.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New.

Hardback. Zustand: New. This compilation assembles previously published and unpublished essays by Schnittke and supplements them with an interview with cellist and scholar Alexander Ivashkin. The book is illustrated with musical examples, many of them in Schnittke's own hand. In A Schnittke Reader, the composer speaks of his life, his works, other composers, performers, and a broad range of topics in 20th-century music. The volume is rounded out with reflections by some of Schnittke's contemporaries.

Zustand: new. Pages: 40 Language: Russian, English. Collected Works. Critical edition based on the composer's archive materials. Series VI. Chamber Works. Volume 1. Works for Violin and Piano, Solo Violin and Solo Viola. Part 5. 9790660000786.

Zustand: new. Pages: 76 Language: Russian, English. Collected Op. Series 4, Volume 9 9790352211636.

Zustand: new. Pages: 52 Language: Russian, English. Collected Works. Critical edition based on the composer's archive materials. Series VI. Chamber Works. Volume 1. Works for Violin and Piano, Solo Violin and Solo Viola. Part 4. The publication of Alfred Schnittke's Collected Works is a joint project of the Compozitor Publishing House Saint-Petersburg and the Alfred Schnittke Archive at Goldsmiths College, University of London. This critical edition is intended for performers, scholars and music lovers interested in Schnittke and his music. Its main purpose is to provide them with access to his scores, which are not readily available in Russia or elsewhere. All the scores have been checked against Schnittke's manuscripts and existing publications of his music and have been edited by leading performers who collaborated with the composer. Schnittke's late compositions - both chamber and orchestral - represent a search for a new style, in which a limited lexicon of musical elements is used with utmost economy. The composer reappraises the nature and meaning of intervals, chords and clusters. He also comes to a new understanding of how diatonic, chromatic and quarter-tone intervallic structures can function as primary resources for musical language and form. The emotional level, always significant in Schnittke's music, is here expressed through the deep meaning afforded to very simple musical ideas as they appear in various incarnations. The composer invites us to watch and to listen as these musical elements are "cleaned" and presented anew through radical decontextualisation. Schnittke took a great interest in the music and ideas of Josef Matthias Hauer (1883-1959), who devised a twelve-tone technique that pre-dated Schoenberg's and that worked in a different way. Hauer's music has a clear, crystalline quality that is also apparent in the musical textures of Schnittke's final works including: Violin Sonata No. 3, Cello Sonata No. 2, Piano Sonata No. 3, Variations for String Quartet, Symphony No. 9 and Concerto No. 2 for viola and orchestra. Schnittke wrote of his first impressions of Hauer's music: ".I had a feeling that I had encountered - in a different way - something that is also found in Webern's music. I encountered a sense of calm, organic in nature and based on the music's crystallized and well-balanced structure. there is, of course, something symbolic about this music, it lives on the border between the real and the unreal, the point at which positive and undoubtedly real things. meet those that cannot be implemented in the real world." 9790352205093.