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263 S., orig. Leinen, illustriert ; Sprache: englisch ; Reihe: European Views of the United States, Band 9 ; sehr guter Zustand ;

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Zustand: Neu. Women's Networks Across Europe and the Americas. Edited by Julia Nitz, Sandra H. Petrulionis & Theresa Schön. 14 papers trace 19th-century women's networks inside and outside historical movements and literary texts, in diverse genres, at various historical moments, and from different vantage points. They demonstrate the potential of a woman-centered approach to transatlantic historiographical, cultural, and literary studies. The volume is structured by three chapters: I. Transatlantic Networks of Cooperation; II. Transatlantic Conceptual Networks in Fiction; III: Pan-American, Transatlantic, and Transpacific Agents. - First presented at the conference "Intercontinental Cross-Currents: Women's (Net-)Works across Europe and the Americas (1789-1939)" in Wittenberg, Germany, in December 2013, the papers assembled in this volume trace nineteenth-century women's networks inside and outside historical movements and literary texts, in diverse genres, at various historical moments, and from different vantage points. Considered together, the contributions attest to the potential of a woman-centered approach to transatlantic historiographical, cultural, and literary studies. Very much like the people, texts, and objects they examine, they are transatlantic in scope and perspective. Truly inspired by the idea and concept of the Atlantic Crosscurrents, these essays confirm and emphasize interdisciplinarity and methodological variety in (trans-)Atlantic studies. - Contents: Julia Nitz, Sandra H. Petrulionis, Theresa Schön: Introduction. -- I. Transatlantic Networks of Cooperation: Daniela Daniele: Toward a Genealogy of Jo March: Charlotte Cushman as a Crossdressed Icon of the Victorian Stage. - Mihai Mindra: Shtetl to the Hub. Mary Antin's Networking Palimpsest. - Joanne Paisana: "Do Everything" or "Single Issue". Lady Henry Somerset, Frances Willard, and the 1890s Policy Dispute in the British Women's Temperance Association. - Charlotte Purkis: Velona Pilcher's Promotion of an Intercontinental Theatrical Avant-Garde. - Pia Wiegmink: "Friends of Freedom". Transatlantic Dimensions in the Work of Boston's Women Abolitionists. - II. Transatlantic Conceptual Networks in Fiction: Jutta Gsoels-Lorensen: Untoward Homecomings. Network, Gender, and Ideology in Luis Trenker's "The Prodigal Son" (1934). - Bahar Gürsel: Delineating Stereotypes for Children. The Discourse on Race, Ethnicity, and Otherness in the Works of Laura Elizabeth Howe Richards. - Khristeena M. Lute: Between Grace and Grit. Grace King's American Heroine and Her Transatlantic Foremothers. - Julia Nitz: Transatlantic Negotiations of the Female Bildungsroman. Mary Johnston's "Hagar" (1913) and the New Global Woman. -- III: Pan-American, Transatlantic, and Transpacific Agents: Magdalena Gehring: "Old Europe will be rejuvenated by the invigorating sunrays of Young America". Considering the U.S. in Louise Otto-Peters's Woman's Journal "Frauen-Zeitung" (1849-1852). - Carrie Khou: Thinking outside the Box. The Woman Question in Meiji Japan (1868-1912) and Kishida Toshiko's "Daughters in Boxes". - Anitta Maksymowicz: For the Sake of Abandoned Heroes. Agnes Wisla's Work for Polish Veterans in the U.S. and in Europe, 1917-1939. - Carme and Montserrat Sanmarti Roset: The American Civil War Correspondence of Felisa Costa (1859-1862). The Gradual Conversion to the Unionist Cause of a Spanish Woman Residing in New York City. - Margaret Vining: "A Friend of International Welfare". Sophonisba Preston Breckinridge and Welfare Reform in the Early Twentieth-Century Americas. XIII,263 Seiten mit 25 Abb., gebunden (European Views of the United States; Vol. 9/Universitätsverlag Winter 2016). Früher EUR 36,00. Gewicht: 419 g - Gebunden/Gebundene Ausgabe.

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104 pp.; 26.4 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 6 of the periodical Neue Bildende Kunst, published in 1995. Contents include "Editorial;" "In Bewegung," by András Zwickl; "Zsigmond Károly, György Jovánovics, Imre Bukta, Csaba Nemes, Róza El-Hassan;" "Berlin-Moskau/Moskau-Berlin," by Hiltrud Ebert; "Erhard Monden," by Eugen Blume; "Jana Milev," by Bernd Rosner; "Wolfram Adalbert Scheffler," Künstlerseiten; "Jürgen Schön," by Ralph Lindner; "Maria Eichhorn," by Annelie Lütgens; "Paul Thek," by Friedrich Meschede; "Hadrian Pigott," by Michael Freitag; "John Latham," by Hans-Ulrich Obrist; "Cy Twombly," by Peter Herbstreuth; "Verdorrt die ostdeutsche Museumslandschaft?," by Anke Petermann; "Wovon lebt der Künsterler?," by Olaf Zimmermann; "Der Österreich-Schwerpunkt auf der Frankfurter Buchmesse," by Verena Kuni; "Subrealismus: Eine neue Kunstgattung aus dem Osten," by Viola Michely; "Open House 1995 in Marfa," by Sabine Russ; "Herbstsaison in New York," by Paul Dickerson/Bettina Munk; "Sehnsucht nach dem Paradies," by Peter Nesweda, Sandra Crawford; "Jana Sterbak in Saint-Etienne," by Anna Mohal; "Grenzenlos - Polnische Kunst in Berlin," by Andreas Quappe; "Fragen an die Malerei in der Galerie Wohnmaschine, Berlin," by Nikola Henze; "Martin Rosz im 'Museum," by Karin Bettina Müller; "Clownpower im Haus der Kunst, München," by Michael Glasmeier; "James Lee Byars in Bremen," by Katrin Wittneven; "Pina/Via Lewandowsky: Die Krise als Material in Leipzig," by Meinhard Michael; "Eine Sculptur von Magdalena Jetelová," by Pavel Liska; "Kunst und Gedächtnis: Sarkis in der Bundeskunsthalle," by Thomas Fechner-Smarsly; "Beate Terfloth," by Peter Herbstreuth; "Geschichte en détail. Der Fotograf Stefan Hunstein; "All Work and No Play: Eine Gruppenausstellung im Festspielhaus Hellerau," by Gerrit Gohlke; "Bildsturz und Sequenz: Fotografie im Kunstverein Elsterpark," by Peter Herbstreuth; "Max Matter im Aargauer Kunsthaus," by Annelise Zwez; "Verkehrte Welt: Peter von Wattenwyl in Burgdorf," by Christoph Doswald; "Der Intime Blick: Frauenporträts von Katrin Freisager," by Annelise Zwez; "Schluß mit.," by Marius Babias; Rezensionen; Impressum; Nachrichten and Galerienkalender. Text in German. Good. Rubbing of cover edges, light scratching of covers, 2.5 cm. mark from removed sticker on recto, and 2 mm. tear to top edge of spine. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Zustand: new. Hardcover. First presented at the conference 'Intercontinental Cross-Currents: Women's (Net-)Works across Europe and the Americas (1789-1939)' in Wittenberg, Germany, in December 2013, the papers assembled in this volume trace nineteenth-century women's networks inside and outside historical movements and literary texts, in diverse genres, at various historical moments, and from different vantage points. Considered together, the contributions attest to the potential of a woman-centered approach to transatlantic historiographical, cultural, and literary studies. Very much like the people, texts, and objects they examine, they are transatlantic in scope and perspective. Truly inspired by the idea and concept of the Atlantic Crosscurrents, these essays confirm and emphasize interdisciplinarity and methodological variety in (trans-)Atlantic studies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Zustand: New. 2016. Hardcover. . . . . .

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Zustand: New. 2016. Hardcover. . . . . . Books ship from the US and Ireland.

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Hardcover. Zustand: new. Hardcover. First presented at the conference 'Intercontinental Cross-Currents: Women's (Net-)Works across Europe and the Americas (1789-1939)' in Wittenberg, Germany, in December 2013, the papers assembled in this volume trace nineteenth-century women's networks inside and outside historical movements and literary texts, in diverse genres, at various historical moments, and from different vantage points. Considered together, the contributions attest to the potential of a woman-centered approach to transatlantic historiographical, cultural, and literary studies. Very much like the people, texts, and objects they examine, they are transatlantic in scope and perspective. Truly inspired by the idea and concept of the Atlantic Crosscurrents, these essays confirm and emphasize interdisciplinarity and methodological variety in (trans-)Atlantic studies. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

220 x 170 mm. 1. 200 Seiten Ungelesenes Exemplar in fast neuwertigem Zustand. Als Mängelexemplar gekennzeichnet. 9783752839883 Sprache: Deutsch Gewicht in Gramm: 360.

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