Sergeant ryan (12 Ergebnisse)

Zustand: Good. Good condition.

Zustand: New. Sergeant, Ryan (illustrator).

Paperback. Zustand: Brand New. 2006 edition. 64 pages. 9.75x6.50x0.25 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware. Sergeant, Ryan (illustrator).

Zustand: New. Sergeant, Ryan (illustrator).

Hardback. Zustand: New. How does music manifest through time and, simultaneously, how does time manifest through music?For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continue to be the subject of ongoing debate in philosophy: is time linear? What are past, present and future? What is duration and what makes a perceptual present, or moment? For the performer, musical time can exist as a subjective vehicle of expression. Although any of the three could be chosen as a starting point, the order presented in the text's structure offers a journey from empiricism to application, via contemplation. This volume deals with the complex relationship between music and time. It presents a staunchly interdisciplinary perspective defined by the terms Psychology, Philosophy and Practice. The text is divided into sections concerning "experience", "enactment" and "meaning", as points of intersection between the three primary methodologies of the title. As such, this is a book for the scholar, the student of music, and the interested reader. For the scholar, it offers new interconnections and comparisons. For the student, its pluralistic approach presents the most comprehensive overview available to date regarding the topic. For the interested reader, the volume offers answers to questions which concern us as listeners and audiences at concerts, gigs, and festivals.…

Hardback. Zustand: New. How does music manifest through time and, simultaneously, how does time manifest through music?For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continue to be the subject of ongoing debate in philosophy: is time linear? What are past, present and future? What is duration and what makes a perceptual present, or moment? For the performer, musical time can exist as a subjective vehicle of expression. Although any of the three could be chosen as a starting point, the order presented in the text's structure offers a journey from empiricism to application, via contemplation. This volume deals with the complex relationship between music and time. It presents a staunchly interdisciplinary perspective defined by the terms Psychology, Philosophy and Practice. The text is divided into sections concerning "experience", "enactment" and "meaning", as points of intersection between the three primary methodologies of the title. As such, this is a book for the scholar, the student of music, and the interested reader. For the scholar, it offers new interconnections and comparisons. For the student, its pluralistic approach presents the most comprehensive overview available to date regarding the topic. For the interested reader, the volume offers answers to questions which concern us as listeners and audiences at concerts, gigs, and festivals.…

Hardback. Zustand: New. How does music manifest through time and, simultaneously, how does time manifest through music?For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continue to be the subject of ongoing debate in philosophy: is time linear? What are past, present and future? What is duration and what makes a perceptual present, or moment? For the performer, musical time can exist as a subjective vehicle of expression. Although any of the three could be chosen as a starting point, the order presented in the text's structure offers a journey from empiricism to application, via contemplation. This volume deals with the complex relationship between music and time. It presents a staunchly interdisciplinary perspective defined by the terms Psychology, Philosophy and Practice. The text is divided into sections concerning "experience", "enactment" and "meaning", as points of intersection between the three primary methodologies of the title. As such, this is a book for the scholar, the student of music, and the interested reader. For the scholar, it offers new interconnections and comparisons. For the student, its pluralistic approach presents the most comprehensive overview available to date regarding the topic. For the interested reader, the volume offers answers to questions which concern us as listeners and audiences at concerts, gigs, and festivals.…

Hardback. Zustand: New. How does music manifest through time and, simultaneously, how does time manifest through music?For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continue to be the subject of ongoing debate in philosophy: is time linear? What are past, present and future? What is duration and what makes a perceptual present, or moment? For the performer, musical time can exist as a subjective vehicle of expression. Although any of the three could be chosen as a starting point, the order presented in the text's structure offers a journey from empiricism to application, via contemplation. This volume deals with the complex relationship between music and time. It presents a staunchly interdisciplinary perspective defined by the terms Psychology, Philosophy and Practice. The text is divided into sections concerning "experience", "enactment" and "meaning", as points of intersection between the three primary methodologies of the title. As such, this is a book for the scholar, the student of music, and the interested reader. For the scholar, it offers new interconnections and comparisons. For the student, its pluralistic approach presents the most comprehensive overview available to date regarding the topic. For the interested reader, the volume offers answers to questions which concern us as listeners and audiences at concerts, gigs, and festivals.…

Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. Sergeant, Ryan (illustrator).

FIREFIGHT Century London, 1. Auflage 2008, ERSTAUSGABE, 343 SS. gebunden (Oln. 8°), schön erhalten - von Chris Ryan eigenhändig signiert.

[LITTLE BIG HORN BATTLE]. Four-page typed letter from John Ryan, a survivor of the Little Big Horn Battle to a former member of the 7th Cavalry reminiscing about the battle, fellow soldiers, and his memories of old times at Fort Rice and Fort Lincoln. The letter is dated March 12, 1912, and was addressed from West Newton, Massachusetts and signed in type by John Ryan, Captain of Police, West Newton, Massachusetts. First Sergeant John Ryan enlisted during the Civil War and was wounded four times. He joined Company M, 7th U. S. Cavalry on November 23, 1866. Rising through the ranks he was appointed Sergeant and receiving his "blood stripes" after Sergeant Erwin Vanousky was killed during the Battle of Washita River. Ryan participated in the Yellowstone and Black Hills Expeditions of 1873-1874. He was promoted to First Sergeant in 1874, but was reduced to Private after a court martial found him guilty of abusing a prisoner. Approximately one month later Major Marcus A. Reno, who commanded Fort Abraham Lincoln and the Seventh Cavalry during Custer?s absence, reappointed him as First Sergeant. He participated in the Battle of Little Big Horn as a member of Reno's Battalion. He left the army later in 1876 returning to his home in West Newton, where he married, raised a family and joined the police force. Eventually he was promoted to police captain and he retired in 1913. Some old uniform folds and light wear to the extremities, else very good. Accompanied by a 7-page article from 2018 specifically in regard to Ryan, entitled "Benteen vs. Ryan: Personalities Matter" by C. Lee Noyes. A noteworthy LBH participant.…