Serota david (60 Ergebnisse)

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Very Good. No Dust Jacket. 0.5 x 10.6 x 8.5 Inches; 128 pages.

208pp. Profusely illustrated in color and black and white 1st edition. Nice clean tight bright copy: Fine/Fine dj.

Paperback. Zustand: Fine. Qto., 64 pages, colour illustrated. Unused, a Fine crisp copy.

Hardcover with dustjacket, 136 pages, very good condition; except light rubbing and scattered scuffs to dj; no internal marks. Foreign shipping may be extra.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Very good book and dustjacket. 256pp with colour illustrations.

dj. First Edition. First edition. Hardcover. First printing. 256 pages. Text by Melvyn Bragg, Michael Craig-Martin, Christopher Frayling, Martin Harrison, David Hockney, Nicholas Serota, David Sylvester and with an introduction and commentaries by Michael Raeburn. Includes 270 illustrations. A near fine copy with some slight bumping to the bottom corners in a near fine dust jacket with the same slight bumping.…

Softcover, 112 pages, in English and German; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Publisher: Thames & Hudson, 1999. VERY GOOD hardcover book in VERY GOOD mylar-protected dust-jacket. This is a minimally marked ex-library copy. First Edition, First Printing.

Oversize Hardback. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. A clean, unmarked book with a tight binding. 10"w x 11"h. 136 pages. Many color photos. 2.

Hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. The dust jacket has a little wear. 256 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Soft cover. Zustand: Very Good. 1st Edition. One of 1000 copies. 4to. Stapled wrappers with dust jacket affixed. Unpaginated (24pp.). Illustrated catalogue for this exhibition which ran from 21 September to 28 October 1979. Rubbed and shelfworn, and thinly faded at the spine, though towards Very Good overall. A price list is loosely inserted.…

SOFTCOVER. Zustand: Fine. 1st Edition. Exhibition built aroun the art historian and curator David Sylvester. Large square 4to in colour printed stiff glossy card covers, 63pp colour plates, bibliography, etc . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (merest hint of tanning to covers) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Zustand: Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Large 4to. in stiff card covers, 80pp, colour plates, illustrations in text, etc . [CONDITION: A well preserved almost AS NEW unmarked copy in a tanned and slightly soiled but otherwise VERY GOOD complete Dust Jacket ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS. …

SOFTCOVER. Zustand: Fine. 1st Edition. 4to in colour printed stiff card covers, unpaginated, approx. 24pp on stiff art paper, b/w illustrations in text, etc . [CONDITION: A well preserved near FINE clean and tight unmarked copy (covers lightly edge-rubbed, slight sunning to rear cover) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Soft cover. Zustand: Very Good. No Jacket. 50 pp. with B/W and full-colour illustrations. Catalogue of an exhibition from March 14 to April 12, 1985 at Fischer Fine Art Limited in London, England. Usual ex-library markings. Slight curl to upper corner. "This is the first major Bomberg exhibition for more than half a century that has not depended directly on the inspiration or determination of Lilian Holt. David and Lilian met as painters, but throughout her life Lilian subsumed her own talent in service of his art. In the thirties it was Lilian who sought to break his moods of depression, brought on by neglect and its consequent financial pressures, by urging him to paint her portrait. In the forties she tried to do the same by setting up arrangements of flowers. During this period, it was also Lilian who overcame the practical difficulties and hardships involved in their regular painting expeditions to distant parts of England, Cyprus and Spain. At the time of Bomberg's death in 1957, the Tate owned only two small watercolors, bought in the twenties and a flower painting, presented by Lilian in 1952. It again fell to Lilian to persuade others to look at work which had long lain rolled up in furniture repositories. Initially the revival of interest in early 20th-century British art encouraged a re-examination and then a rediscovery of the early masterpieces: The Mud Gath, In the Hold and The Vision of Ezekiel. But gradually a sequence of exhibitions, each crucially dependent on Lilian 's enthusiasm, at Marlborough Fine Art (1964), the Tate (1967), Fischer Fine Art (1973), Whitechapel (1979) and Jerusalem (1983) have revealed the range and power of Bomberg's art." - Nicholas Serota.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 112 pp. Red hardback in illustrated jacket. Very minor dents to edges of boards; small tears and wear to jacket edges; pen across front panel ' Counter Copy'. Internally bright and clean with textured paper and 40 full-size colour plates. This is the accompanying book to Hodgkin's exhibition of paintings representing Britain at the 1984 Venice Biennale, with an interview of the artist by David Sylvester. 4to. Exhibition Catalogue.…

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

SOFTCOVER. Zustand: As New. Zustand des Schutzumschlags: Fine. 1st Edition. 1st printing. Large Quarto size (4to). in stiff card covers with integral dust jacket, 111pp, plates etc. Dual text in English and German . [CONDITION: A well preserved AS NEW very clean and tight unmarked copy in an almost AS NEW complete Dust Jacket (few spots of slight shelf rub to wrapper edges) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

288 pp.; 31 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Tate Modern, London, United Kingdom, February 5 - April 25, 2004 . Traveled to K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany, June 19 - September 5, 2004 and Kunstmuseum Basel, Switzerland, October 2, 2004 - January 9, 2005. Essays by Rudi Fuchs, Richard Shiff, David Batchelor, David Raskin, Nicholas Serota, and writings by Donald Judd. Also includes chronology, selected reading, selected exhibitions, and exhibition checklist. Very Good. 27 cm. crease across height of recto and light rubbing of cover edges. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.…

328 pp.; 29.8 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Large-scale monograph edited and with text by Marianne Stockebrand. Additional texts by Donald Judd, Rudi Fuchs, Thomas Kellein, Nicholas Serota, Richard Shiff, and Rob Weiner. "This handsome publication is the first comprehensive presentation of the Chinati Foundation''s collection in more than twenty years. The book describes how Judd developed his ideas of the role of art and museums from the early 1960s onward, culminating in the creation of Chinati (and including its two predecessors--his buildings in New York and his residence in Marfa). The individual installations at Chinati are presented in chronological order with stunning photography these include work by John Chamberlain, Dan Flavin, David Rabinowitch, Roni Horn, Ilya Kabakov, Richard Long, Carl Andre, Claes Oldenburg, and Coosje Van Bruggen, as well as Judd himself. His installations at Marfa include 15 outdoor works in concrete and 100 aluminum pieces housed in two carefully renovated artillery sheds. The book also features writings by Judd relating to Chinati and Marfa, and a complete catalogue of the collection." --publisher''s statement. Fine. In publisher's issued shrink wrap, clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders. …

Hardcover. Zustand: Very Good. Hardcover. 4to. D. A. P. /Tate, New York. 2004. 284 pgs. Fully illustrated in colour & b&w. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. One of the most influential American artists of the post-war period, Donald Judd changed the course of modern sculpture. Beginning as an art critic and then a painter, Judd moved into three dimensions with the box-like structures he produced in the early 1960s, either arranged on the gallery floor or mounted on the wall. Initially constructed by hand, the sculptures were later industrially manufactured in galvanized iron, steel, Plexiglas, and plywood. His use of vibrant color, polished and reflective metals, and brightly hued lacquer confounded and continues to confound expectations of what "minimalist" sculpture should look like. This lavishly illustrated survey features 41 works from collections around the world, many of them large scale, each illustrated with full catalogue entries alongside many other major works by Judd. Contributors Nicholas Serota (Director of the Tate) , Rudi Fuchs (former Director of The Stedelijk Museum, Amsterdam) , American critics Richard Schiff and David Raskin, and British artist and critic David Batchelor explore the conflicts between previous critical interpretations of Judd and his own philosophical, political, and moral understanding of his work. Judd's critical response to the work of other artists is examined, as is the importance of color to his work, and his reaction to new man-made materials and artificially generated color in the late-20th-century environment. A section on Judd's installations at Marfa in Texas, and an extensive new chronology, compiled by Judd's assistant, Jeff Kopie, are also included. Donald Judd compromises the most thorough and up-to-date publication on Judd in print today. E-088; 11.8 X 9.8 X 1.0 inches; 288 pages.…

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New.