shannon ebner (17 Ergebnisse)

Softcover, 244 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Softcover. Zustand: Very good. Great condition. Spine is lightly sunned but readability is not affected. Cover edges are slightly worn. Inside is clean and unmarked.

Soft cover. Zustand: As New. As new, still shrink wrapped. This book was published after Shannon Ebner's exhibition A Public Character, held at the Institute of Contemporary Art, Miami. Ebner's work is an extended mediation of language that often takes the form of photography.

Soft cover. Zustand: Very Good. 1st Edition. Staple bound first edition of 500 in paper wraps, unpaginated with 16 black and white / color plates. Clean, unmarked, and well bound. This artist's book documents Shannon Ebner's "do-it-yourself alphabet of handmade letters and signs temporarily placed and strategically displaced in public contexts", published by Wallspace gallery, Los Angeles. Bottom outer corner of wraps and first page curled slightly, otherwise near imperceptible shelfwear. Very Good.

Hardcover. Zustand: New.

Hardcover. Zustand: New.

Hardcover. Zustand: Brand New. 178 pages. 0.94x0.64x1.00 inches. In Stock.

Paperback. Zustand: Brand New. 520 pages. French language. 10.00x8.00x1.00 inches. In Stock.

Hardcover. Zustand: Brand New. 178 pages. 0.94x0.64x1.00 inches. In Stock.

Soft cover. Zustand: Very Good. 246 pp. Los Angeles artist Shannon Ebner extends her exploration of photography, sculpture and language in this remarkable book, The Sun as Error. In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey), The Sun as Error re-investigates the meaning and language of photographs, creating both an open-ended reading of her practice and also rethinking the idea of an artist's monograph. Far from straightforward, the book interweaves her bodies of work, previously unseen one-off pieces, with the language of technical diagrams, optical illusions, and graphic design. One of the persistent motifs through the book's sequence is an asterisk and, specifically, one imbued with the legacy of the graphic designer Muriel Cooper. As the first design director for MIT Press and the cofounder of the Visible Language Workshop, Cooper's legacy for reorienting and repositioning the direction of an artist's monograph is imaginatively explored in the creative partnership of Dexter Sinister and Shannon Ebner. This 2011 reprinted bootleg version of the original monograph is printed in a black and white paperback book. Edition of 1000.

Zustand: Good. 4to. 176 pp. Soft Cover. Very Good+. Printed pictorial paper wraps with French folds. Color plates throughout. ISBN: 9780917493423 0917493427.

Hardcover. Zustand: New. 1st Edition. First edition, first printing. Hardcover. Black matte paper covered boards with tipped-in four-color plate and title stamped in gray on cover, with light gray cloth-covered spine, no dust jacket as issued. Photographs, text, editing and design by Stephen Shore. Additional photographs by Shannon Ebner, Jamie O'Shea and Laura Gail Tyler, selected by Shore from among his recent students at Bard College. Essay "11 Interesting Photography Books About Which Very Little is Known," by Martin Parr. Conversation with Shore by Jeff Rosenheim. Includes an illustrated overview of JGS activities in the arts. Unpaginated (72 pp.), with 23 four-color plates and three black and white plates plus numerous additional color illustrations. 12 x 9-1/2 inches. New in publisher's shrink-wrap. From Nazraeli Press: "Magazines and books are generally edited and designed by unseen hands, hands that are often limited by the ideas and agendas of the publisher. What if, we thought, an artist was not only the primary focus of each issue in this biannual series, but as 'guest editor' was also responsible for the design of its cover and much of its contents as well? Stephen Shore is currently creating a series of small, limited edition books that will serve as 'visual time capsules.' As Shore himself is exploring the basic ideas of what a book is, he was the ideal choice for Witness Number One. The title for the series is borrowed: Daido Moriyama and Michael Kenna gave a joint presentation in Tokyo earlier this year on their mutual passion for, and work made on, Japan's northernmost island, Hokkaido. During the presentation, Moriyama described himself as a 'witness' rather than a participant in the events that he captures on film. The idea of being a witness -- of transcending the importance of Self and instead focusing on what one sees in one's surroundings -- has deep roots. Daido Moriyama will be the subject and guest editor of Witness Number Two.".

Hardcover. Zustand: New. 1st Edition. First edition, first printing. Signed in black ink on the title page by Shore. Hardcover. Black matte paper covered boards with tipped-in four-color plate and title stamped in gray on cover, with light gray cloth-covered spine, no dust jacket as issued. Photographs, text, editing and design by Stephen Shore. Additional photographs by Shannon Ebner, Jamie O'Shea and Laura Gail Tyler, selected by Shore from among his recent students at Bard College. Essay "11 Interesting Photography Books About Which Very Little is Known," by Martin Parr. Conversation with Shore by Jeff Rosenheim. Includes an illustrated overview of JGS activities in the arts. Unpaginated (72 pp.), with 23 four-color plates and three black and white plates plus numerous additional color illustrations. 12 x 9-1/2 inches. New in publisher's shrink-wrap (slit open for signature). From Nazraeli Press: "Magazines and books are generally edited and designed by unseen hands, hands that are often limited by the ideas and agendas of the publisher. What if, we thought, an artist was not only the primary focus of each issue in this biannual series, but as 'guest editor' was also responsible for the design of its cover and much of its contents as well? Stephen Shore is currently creating a series of small, limited edition books that will serve as 'visual time capsules.' As Shore himself is exploring the basic ideas of what a book is, he was the ideal choice for Witness Number One. The title for the series is borrowed: Daido Moriyama and Michael Kenna gave a joint presentation in Tokyo earlier this year on their mutual passion for, and work made on, Japan's northernmost island, Hokkaido. During the presentation, Moriyama described himself as a 'witness' rather than a participant in the events that he captures on film. The idea of being a witness -- of transcending the importance of Self and instead focusing on what one sees in one's surroundings -- has deep roots. Daido Moriyama will be the subject and guest editor of Witness Number Two." Signed by Author.

Hardcover. Zustand: New. 1st Edition. SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). 2006-2013. First edition, first printing. Witness #1 is signed by Stephen Shore; Witness #7 is signed by Todd Hido. Eight volumes, sharing the following format: Hardcover. Black paper-covered boards with tipped-in plate on cover; no dust jacket as issued. Approximately 88 pp., with numerous four-color and black-and-white plates. 12 x 9-1/2 inches. All volumes New in publisher's shrinkwrap (volumes #1 and #7 slit open for signature). Witness #1: Signed by Stephen Shore. Photographs, text, editing and design by Stephen Shore. Additional photographs by Shannon Ebner, Jamie O'Shea and Laura Gail Tyler, selected by Shore from among his recent students at Bard College. Essay "11 Interesting Photography Books About Which Very Little is Known," by Martin Parr. Conversation with Shore by Jeff Rosenheim. Witness #2: Photographs, text and editing by Daido Moriyama. Additional photographs by Emi Anrakuji and Ken Kitano. Witness #3: Photographs, text and editing by Martin Parr. Additional photographs and text by Rob Hornstra, Mark Neville and Bart Sorgedrager. Additional photographs by Keizo Kitajama, Kohei Yoshiyuki and Osamu Kanemura. Essay by Susie Parr. Interview with Martin Parr by Gerry Badger. Witness #4: Photographs, text and editing by Eduardo del Valle and Mirta Gómez. Additional photographs and text by Tony Mendoza and Abelardo Morell. Additional text by Guillermo Cabrera Infante. Witness #5: Photographs, text and editing by Joseph Mills. Additional photographs by Mary DelPopolo and Norman Carr. Text by Paul Roth. Witness #6: Photographs by Lee Friedlander. Afterword by Maria Friedlander. Witness #7: Signed by Todd Hido. Photographs and text by Todd Hido. Additional photographs by Leon Borensztein. Witness #8: Photographs and text by Ed Kashi. Additional text by Julie Winokur. Signed by Author.

96 pp.; 33 x 25.4 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; July - August 2007 issue of Modern Painters. Edited by Roger Tatley. Contents include: "Editor's Letter," by Roger Tatley; "Provision;" "Hairy Man Attacks Society's Falseness: Memories, dreams, and reflections regarding stuff I did last week," by Matthew Collings; "Truth or Dare: The State of Design: a cautionary tale," by Aric Chen; "Underdogs and Also-Rans: Six blind items from a reliable source," by Domenick Ammirati; "Artifice and Old Lace: The green screen is film's new tabula rasa," by Michael Atkinson; "Introducing: Shannon Ebner," by Dan Torop; "Introducing: Demetrius Oliver," by Nick Stillman; "This is How It Was," texts by Robert Gober and Elisabeth Sussman; "Karen Kilimnik: Vanity Project," by Wayne Koestenbaum; "Sol LeWitt" introduction and interview by Sarah Kent; "David Ohle: 'Stinkers,' a novel excerpt," introduction by Ben Marcus; "Reviews;" "Books;" "Index" and "Working Practice: David Goldblatt," by Jeff Byles. Also includes Richard Prince's review of the exhibition "Fugitive Artist : The Early Work of Richard Prince, 1974 - 77." Prince's review features image of Canadian Artist Richard Prince. Opening sentences of review read "This was a complete show of crap. I had nothing to do with the show and didn't want it to happen because, one, it's bullshit/student work that most artists do when they're starting out, and two, a lot of the work was stolen ." Cover by Robert Gober. Good. 3.4 cm. dog-ear to bottom right corner of recto and bumping of bottom right corner of pages. Rubbing, bumping and handling wear to covers. 3 mm. tear along spine edge wrapping around to recto with additional 3 mm. tear. Contents clean and unmarked. Due to large size of this publication additional shipping charges will be required for international orders.

Hardcover. Zustand: Near Fine. No Jacket. Limited to 1000 copies. in a mylar sleeve. Shipped from the Calico Cat Bookshop, a brick and mortar bookshop established in 1975. Size: Folio - over 12" - 15" tall. Book.

Zustand: Good.