sheeler john (15 Ergebnisse)

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Zustand: Near Fine. First Edition. 8vo., ill. in bw, 81 pp. Sharp copy, artists last name written in pen along spine, light tanning to wraps. ; Well packaged in a box, ships with tracking.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Like New. Dust jacket condition: Like New. Appears as new and unread. When Duchamp moved from Paris to New York in 1915, he was disappointed by the predominantly nature-based abstraction he observed, publicly proclaiming that American artists were too dependent on outmoded European traditions and had overlooked their greatest subjects--the skyscraper and the machine. Meanwhile, the artists associated with Alfred Stieglitz and his "291" gallery remained loyal to their belief in nature as a source of ongoing renewal for visual culture, and emphasized the crucial role that intuition and spirituality played in their creation of art. The crossfire between Duchamp and Stieglitz and their respective circles defined a critical moment in early twentieth-century American art. Debating Modernism includes reproductions of work by artists from both camps, from Charles Demuth, Georgia O'Keeffe, and Paul Strand to Man Ray, Francis Picabia, and Marsden Hartley. An essay by curator Debra Bricker Balken traces the threads of the debate through the 1910s and 20s, and also addresses the appearance of sexualized imagery in nearly all of these artists' works, a phenomenon that ironically unifies the two seemingly opposed camps. Jay Bochner's essay focuses on the artists' respective violations of American expectations about art. 172 pages. Stieglitz, Alfred, 1864-1946--Exhibitions, Duchamp, Marcel, 1887-1968--Exhibitions, Modernism (Art)--United States--Exhibitions, Stieglitz Circle (Group of artists)--Exhibitions.

Paperback. Zustand: Very Good. Light shelfwear to the cover, otherwise a clean, tight copy.

First Edition. Paperbound, 9Ó x 10 1/4Ó. 51 pages. An illustrated catalogue issued to accompany an exhibition of paintings by Marsden Hartley, Gaston Lachaise, Elie Nadelman, Georgia OÕKeeffe, Chalres Sheeler, and John Storrs. With a preface by Susan E. Menconi and James L. Reinish. Fine in printed wrappers.

hardcover. Zustand: Like New. Zustand des Schutzumschlags: Like New. First Edition. Publisher: D.A.P./A.F.A., New York, 2003. FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. As new. Pristine.

Softcover. Zustand: Very Good. Exhibition catalog. Small quarto. Illustrated in both color and black and white. Printed wrappers. The text block neatly re-glued to the wraps, light rubbing on the wraps, very good or better. Published on occasion of the exhibition in New York at the Andrew Crispo Gallery, October 17 to November 17, 1973, featuring work by Oscar Bluemner, Stuart Davis, Charles Demuth, Arthur Dove, John Marin, Georgia O'Keeffe, Charles Sheeler, Joseph Stella, and Max Weber.

Hardcover. Zustand: New. In shrink wrap. Looks like an interesting title!

Zustand: Good. 8vo. 81 pp. Soft Cover. Very Good. Illustrated paper wraps. B&W plates throughout.

Zustand: New. Satisfaction Guaranteed or your money back.

Softcover. First Edition. 8vo. 81 pp. Illustrated paper wraps. 20 black and white plates throughout. Issued in conjunction with several 1974 exhibitions of drawings rendered by American artist Charles Sheeler [1883-1965]. With an essay by John P. Driscoll, a bibliography, and an exhibition history. The catalogue illustrates, then annotates, all 62 works. Uncommon. Very Good in black and white wraps.

No Binding. Zustand: Near Fine. 1st Edition. Simple Typed List Of 100 Painters, 50 Sculptors, 50 Graphic Artists. A Terrific List Of 1944 Artists, From Andrew Wyeth, Thomas Hart Benton, Milton Avery, Lyonel Feininger, George Grosz, Peter Hurd, Reginald Marsh, Charles Sheeler, Millard Sheets, Joseph Stella, Alexander Archipenko Wanda Gag Rockwell Kent And John Sloan To A Virtual Who's-Who Of Leftist And Far-Leftist American Artists. With The Titles Of Their Works; The Graphic Art Is Priced And Shows The Method. We Could Locate No Specific Information About This Exhibition On-Line; Worldcat Showed No List Or Catalog; There Is Information " In March Some Of [Joe] Jones'S Eskimo Subjects Were Shown At Grand Central Art Galleries In New York As Part Of The American-British Goodwill Art Exhibition, Organized By Artists For Victory. The Show Traveled To London In June Of 1944." [See: A Restless Regionalist: The Art Of Joe Jones, 2017].

Single Issue Magazine. Zustand: Good. First Edition. 172 pages. Reproductions of black and white photos. Text almost exclusively in English plus a bit in French. Contents include: Glass Used in Canada - A Survey from the Early Nineteenth Century to 1940 using primarily Ontario evidence; Factors Affecting Attribution - The Burlington Glass Works; Bottles in the Place Royal Collection; Art Glass Window Design in Vancouver - The Role of the Pattern Book; Glass in Canada - An Annotated Bibliography . Last page loose but present. Prior owner's name atop front cover. Average wear. A good working copy.

Wrappers. Zustand: Near Fine. 174 pages. Paperback journal. Texts in English. Mild shelfwear to the edges, with some vertical creasing to the spine. #261 in a limited edition of 300 copies. Binding is secure with no internal markings. Bound in stiff printed gray paper covers.

Zustand: Very Good. Allen Saalburg, Herbert Bayer, John F. Wilson, Petruccelli, Joep Nicolas, Charles Sheeler (illustrator). First Edition. Half blue grained morocco over blue beveled boards. Occasional signs of usage. Gilt particulars to spine. Marbled endpapers; five raised bands. C.P. Hall to foot of spine. Smyth sewn with covers nicely tabbed in. Retains all ads. Nice clean copy. Please expect possible extra postage as this is a heavy book. 11.25 x 14 in.