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Paperback. Zustand: New. Print on Demand. Centuries-old practices have proven that preserving corn as silage presents countless benefits to farmers. This book provides a comprehensive analysis of silos and silage, focusing on improved livestock operations. The author emphasizes the efficiency of silage in providing a nutritious and palatable feed for all types of animals, reflecting a radical shift from traditional storage methods. By utilizing this innovative approach, farmers can maximize their crop yields, reduce waste, and enhance the quality of feed for their livestock. This book offers a wealth of practical knowledge and insights into the advantages of silage, making it an invaluable resource for farmers seeking to optimize their operations. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

72 pp.; 27.5 x 21.3 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; September/October 1983 issue of Journal. Edited by Cindy Berry. Contents include:"Guy de Cointet, In Memorium," by unattributed artists; "History Repeats Itself, Part II," by unattributed artists; "Why I Go to the Movies Alone," by Richard Prince; "Representational Drawing Today," Phyllis Plous; "After the Revolution, Cuba in Photographs," by Emily Hicks; "Big Folks," by Suzanne Muchnic; "Is It Curtains for the T.V. Window?," by Beverly O'Neill; "The Rocket Ship Tree," by John Beach; "Gordon Wagner: Magician and Mythmaker," by Judith Hoffberg "Vortex," by unattributed artists. Cover: William Brice. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 271. Very Good / Fine. Very light bumping of top and bottom edges of publication. Additional very light edgewear. Contents clean and unmarked.