Spector judith a (21 Ergebnisse)

Zustand: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Zustand: New. Brand New.

Zustand: New.

Zustand: New. Num Pages: black & white illustrations. BIC Classification: JFCA. Category: (G) General (US: Trade). Dimension: 235 x 159 x 19. Weight in Grams: 363. . 1986. Paperback. . . . .

Paperback. Zustand: Brand New. 260 pages. 9.25x6.25x0.75 inches. In Stock.

Zustand: New. Num Pages: black & white illustrations. BIC Classification: JFCA. Category: (G) General (US: Trade). Dimension: 235 x 159 x 19. Weight in Grams: 363. . 1986. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Softcover. Zustand: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers are clean with light shelf wear. Contents: Manheim, Outside looking in: evidences of primal-scene fantasy in Hawthorne's fiction. Hurry, The use of Freudian dream symbolism in William Carlos Willims' Paterson. Spector, Science fiction and the sex war: a womb of one's own. Cowart, Oedipal dynamics in Jane Eyre. Feldman, The longing for death in O'Neill's Strange Interlude and Mourning becomes Electra. 10.0" tall; 48 pages. …

Paperback. Zustand: New.

Paperback. Zustand: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Paperback. Zustand: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Zustand: New. KlappentextThe essays in Gender Studies explore relationships between gender and creativity, identity, and genre within the context of literary analysis. Some of the essays are psychoanalytic in approach in that they seek to disco.

Paperback. Zustand: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Zustand: New. Satisfaction Guaranteed or your money back.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Zustand: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Zustand: New. Satisfaction Guaranteed or your money back.

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Good. 1.2 cm., 2 cm., 6 mm. of soiling to recto; 7 mm. and 8 mm. tears to top edge of recto; 8 mm. and 9 mm. tears to bottom edge of recto; tears to spine edge measuring 7 mm., 1 cm. (x 2), 3.1 cm., and 7 mm. tears. Yellowing of covers and pages. Contents clean and unmarked. …

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Fair / Good. 9.6 cm. loss to bottom left corner of verso with multiple areas of tearing and loss along length of spine. Light yellowing of covers and contents. Contents clean and unmarked. …

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Poor / Fair / Good. Yellowed brittle pages with multiple tears and areas of loss to covers including 6.5 cm. 3.5 cm., and 2.9 cm. losses. Light chipping and folding of pages, contents otherwise clean and unmarked. Sold "as-is.". …

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Very Good. 6 mm. tear and 1 mm. loss to bottom edge of recto. Tearing along staple binding at spine measuring 6 mm., 5 mm., 1.3 cm., 1.1 cm. tears. Light yellowing of covers and pages. Contents clean and unmarked. …