Stage designer (27 Ergebnisse)

Zustand: Very Good. 4 pages, with illustrations. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. The Studio: An Illustrated Magazine of Fine and Applied Art was a pioneering British art periodical published in London from 1893 to 1964. Founded by Charles Holme, a former silk merchant with a deep interest in international aesthetics, the magazine became a vital platform for the Art Nouveau, Arts and Crafts, and later Modernist movements. Size: 18 x 24 cms. Category: The Studio Magazine; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Zustand: Very Good. 6 pages, illustrated. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: Quarto. Category: Apollo Arts Magazine; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

ONE: Christmas card. 12mo bifolium, with coloured illustration of Christmas candle on cover. Pearson writes: 'FOR [corrected from 'from'] | Edward. A. Carrick | from his old inspirer | George Pearson | 1970'. The association between the two men was warm. In the acknowledgments to his 'Designing for Moving Pictures' (1941) Craig writes that chief among those in the film industry who helped him was 'George Pearson, who gave me my first job as Art Director to his film company in 1927 and who has encouraged me ever since.' In the acknowledgments to the revised edition, 'Designing for Films' (1947), Pearson's name is the only one given in block capitals, as Craig writes: 'To GEORGE PEARSON, as friend and teacher, a special debt of gratitude is owed, for his encouragement at all times has made the future of the films seem worth striving for.' Craig's entry in the Oxford DNB describes his 'first break into the film world. In 1927 Edward Carrick, as he was to be known professionally for the rest of his film career, began working for the enlightened film-maker George Pearson at the Welsh-Pearson-Elder company, at Stoll Studios, Cricklewood.' See also Pearson's entry in the Oxford DNB. TWO: 'Photographic Journal' article. 4pp., 4to. Extracted from magazine. 'This paper, illustrated by films, was read by Mr. Pearson at the Western Conference on 29 February 1948.' In fair condition, with slight discoloration to one corner. Accompanied by a slip of paper with typed cutting from the end of a letter::'PS . . . And here is the shade of the palm into which I have had to withdraw from the dazzling light of the highway. GP'. From the Edward Carrick papers.…

Zustand: New. Steven Louis Shelley has worked in theatre for over 40 years as a lighting designer, production manager, and stage manager in New York City, throughout the United States, and on four continents. His lighting designs are included in the repertories of man.

ZUSE MEYER Gedichte, Zeichnungen, Bilder. (japanisch-deutscher Kunstkatalog) Übertragung ins Japanische Hiroomi Fukuzawa. Kunstkatalog zur Einzelausstellung in der Galerie Gala in Tokyo 1997, 64 SS. farbig illustriertes Pb. kl. 4 to, schön erhalten, limitierte Auflage 600 Exemplare. - von Zuse Mayer in Tinte mit Datum eigenhändig gewidmet und signiert für Christian - mit Dank für weiße Wände- herzlichst ZUSE 5.12.99.…

Album Page (extracted), 20.5 x 16cm, very good condition. A full page headed "What is Happiness", continuing, "Happiness in the abstract is indefinable - but it is also something for which everyone in their lives seems to be consciously or unconsciously searching - I think one should be humble in this search" enjoying "simple" thins" rather than "wild escapades". She then lists some rules starting "One should have a true sense of values (9 lines), concuding "Probably if we could achieve any one of these one would be happy - but I think very few people do.".…

British stage designer (died 1971), painter, writer and lecturer. Both items one page, octavo, and very good, though lightly creased. Both signed 'Maxwell Armfield'. LETTER ONE (docketed and bearing R.S.A. stamp): He has read the lecture by 'Mr. Davis', 'with great interest [.] our opinions on the subject seem to be identical! I should like to meet him some time if he is an accessible sort of person. [.] a series of such lectures issued as pamphlets with attractive titles would do a great deal towards a better understanding of the problem'. He will 'try to get something done for your competitions. I generally adopt a pseudonym for designing.' A statement of accounts 're the Everyman season' will be forthcoming. LETTER TWO: He is sending two photos as requested (not present). 'I have been looking through the specification of your competition for designers [.] if they were done full size to show the effeect of repeat they would be impossibly large to pack flat etc. Probably 1/2 scale is intended with a detail full size?'.…

Zustand: Near Fine. First edition hard back binding in publisher's original blue cloth covered boards, blocked and lettered yellow back and yellow design to the front board, colour photographic lining papers. Sm. 4to. 10½'' x 9''. Contains (xvi), 248 pp with 365 illustrations of which 315 are in colour. Near Fine condition book in near Fine condition dust wrapper. Member of the P.B.F.A. ART [British].…

Zustand: Very Good. First edition hard back binding in publisher's original lemon cloth covers, scarlet title and author lettering to the spine. 8vo. 8'' x 5½''. Author's second book. Contains [xvi] 196 printed pages of text with 55 portraits in colour. Very Good condition book in scarce Very Good condition dust wrapper with minor nicks to the edges, not price clipped 5s. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. We currently hold in stock 10 other titles by this author. Member of the P.B.F.A. ENGLISH HISTORY.…

Zustand: Good. First edition publisher's original wire stitched cream card wrap covers (soft back). Landscape. 8¼'' x 11¾''. Contains 16 pp with 14 monochrome plates throughout, descriptive text alongside. Covers marked and in Good condition, no dust wrapper as issued. Related press cuttings loosely inserted. Customs duty applies for orders shipped into the EU from outside the EU, Delivered Duty Paid (DDP), our shipping price includes DDP. Member of the P.B.F.A. ART [British].…

136 x 109 mm. To the book dealer and theatre historian Ifan Kyrle Fletcher in Wimbledon. Includes a photocopy of the formerly enclosed letter.

ONE: Letter: 1p., 4to. In fair condition, on lightly aged and worn paper. He asks Duncan to look out for books in a number of fields, beginning with ones 'on old-time stagecraft giving technical data & information on trick effects, transformation scenes, etc, with particular reference to pantomime'. TWO: Advertisement. Printed in black on one side of a 14 x 26.5 cm piece of blue card. Folded twice to make three 14 x 8.5 cm pages in concertina. In stamped postmarked envelope, with his device printed in red on cover, addressed to Duncan at the Thule Gallery, St Martin's Court. The cover (left-hand) page ('Introducing | Erik | Designer | Décor . Costumes . Lighting') has a caricature portrait drawing of Nordgreen, with moustache and pointy beard; second (middle) page is headed 'Very briefly!', boasts of 'over Five Years' Pre-War Continental Experience', and sets out his claims in 'Décors', 'Costumes' ('I began my career as a Costume Designer and am considered something of an Expert on Historic Costume.') and 'Lighting'; the third (right-hand) page is headed 'Since returning to civilian life two years ago I have successfully provided | "Décor and/or Costumes by Erik" | for many First-class Productions'. A list of 'Plays', 'Revue' and 'Pantomime' follows, with his 'Present Address' in Blackpool given in manuscript above his printed permanent York address. THREE: Handbill, headed 'ERIK | DÉCOR . COSTUMES . LIGHTING'. 1p., 12mo. In good condition, lightly aged. It gives 'A few opinions on "'Décor by Erik" since returning to civilian and professional life two years ago'. The six opinions include assessments of his work on 'Ivor Novello's "Sunshine Sisters"', 'Emlyn Williams' - "The Light of Heart"', 'Frederick Lonsdale's "Spring Cleaning"' and 'Jack Taylor's No. 1 "Cinderella," Christmas, 1945'. At the foot of the page is the note: 'N.B. With five years' pre-war Continental experience, I also specialise in COSTUMES; modern, spectacular, or period, that are original, distinctive and practical. Leading producers are recognising the worth of "COSTUMES BY ERIK," . . would you care to see some sketches? They may well be just what you have been looking for! | Erik'. …

Royal folio. In later years mounted onto uniform backing boards by Geyling himself and laid into two simple portfolios, both of which contain his autogr. table of portraits. All leaves numbered throughout by the artist (1-24; Schnitzler's letters on their own backing are no. 23) and captioned with the name and dates of the person portrayed. The earliest portrait dates from 1897, the year in which the Vienna Secession and the artistic periodical "Ver Sacrum" were founded. According to his inscription, it was for the latter that Geyling drew the present portrait of the Secessionist sculptor Rudolf Bacher. Many of the pictures collected in these two portfolios were created several years later, in 1905, during the heyday of the Wiener Werkstätte (for which Geyling designed postcards) and a year after Geyling and his partner Otto Prutscher closed their joint studio for furnishings and décor. "Although a member of the conservative 'Künstlerhaus', Geyling always was close to the Vienna Secession" (cf. AKL LII, 462). For Geyling, "Klimt, Hoffmann, Roller, Olbrich were not only my colleagues, but also my friends, and many a night did we debate about the 'new and pure art'" (cf. Remigius Geyling erzählt, aufgezeichnet von Gerald Szyszkowitz. In: Nebehay/Krug, pp. 5-8, here: p. 7). These nights apparently offered numerous opportunities for Geyling's portrait studies: apart from the portraits of the aforesaid, the present collection contains a picture of the frequent Tivoli patron Egon Schiele (from the year of his death) as well as a portrait of Adolf Loos, drawn in the famous Café Museum. It was probably here where also Karl Kraus (entitled "Fackl-Kraus" by the artist) sat for Geyling. The great painter enjoyed an especially close relationship to Gustav Klimt: for many years he belonged to the circle of those who shared breakfast with Klimt at the Tivoli (cf. Nebehay/Krug, p. 3). In that legendary restaurant at the Green Hill in Vienna's Meidling district, he drew the two portraits of Klimt in May 1905. Together with Peter Altenberg and Otto Wagner, Klimt is one of the few persons whom Geyling sketched in more than one portrait only (all on a single page). It was upon Klimt's recommendation that Geyling was hired as head of decorations at the "Neue Wiener Bühnen" in 1910; his first production was the premiere of Schnitzler's "Undiscovered Country". It was during the rehearsals for this production, on 14 October 1911, that Geyling produced the present portrait of Schnitzler. Schnitzler's two letters to Geyling concern their joint project of a "Medardus movie". Geyling had worked as decorator for the most important Austrian film productions. So successfully had he transferred the stylistic devices of the Wiener Werkstätte into historical tragedy that in 1924 Fritz Lang used Geyling's designs for his great silent "Nibelungen" series (cf. AKL LII, 462). - Provenance: From a Viennese private collection, to which the artist himself sold both portfolios. - Nos. 6-8 and 18, 21 and 22 are each illustrated in full-page size in: Ch. M. Nebehay & H. Krug (eds.). Remigius Geyling. Künstler und Literaten. Gezeichnet in Wien um 1900. Wien 1974. (= Jahresgabe der Wiener Bibliophilengesellschaft). This work does not describe the present collection; all other drawings are unpublished.…

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1827 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 70 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 70 Volume 602 Language: Italian.…

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1830 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 44 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian. …

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1781 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 48 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian. …

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1827 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 74 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 74 Volume 601 Language: Italian.…

2pp, 12mo; and 1p, 8vo. On a bifolium, with the 8vo page written lengthwise across the central pages. In good condition, lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night, and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter. He continues: 'As I implied to you in my last letter it seems almost impossible for me to give you details of the costumes to be worn in "Joan of Arc." | Period Charles XII of France ( he reigned from 1403 to 1461.) The dresses are of necessity tremendously fantastic & in designing them I have endeavoured to make them historically correct. Therefore what else can I say about them?' Were the dresses 'fanciful' it would be easy for Anderson to describe them, but 'as it is they must be rather on conventional lines'. He concludes: 'I hate to appear discourteous & if I cld. be of any use to you or to Mr. Eyles I wld. but I think you will readily understand the difficulty'.…

Oblong-8vo. (100 : 150 mm). 1 p. Signed and inscribed card of the German stage and costume designer, with a portrait image affixed. From the collection of the late Kurt Schimmelpfennig, Düsseldorf.

Oblong 8vo (postcard). 1 page. Inscribed to the German dermatologist Alwin Scharlau. - Best known for his illustrations of popular works including the fairy tales of Hans Christian Andersen, poems by Nikolaus Lenau and Gustav Meyrink's novel "Der Golem", Steiner-Prag was the artistic director of the Propyläen publishing house in Berlin, directing the section of modern book art at the 1914 "Internationale Ausstellung für Buchkunst und Grafik" ("Bugra") in Leipzig. He founded the artists' school "Officina Pragensis" in Prague in 1933. - Traces of postmarks; small ink stains; small crease near upper left corner. Self-addressed by the collector on the reverse. The Mecklenburg physician Scharlau (b. 1888) assembled a collection of artists' autographs by personal application.…

SKIZZEN EINES BÜHNENBILNERS von Theo Otto, mit Texten von Max Frisch, Kurt Hirschfeld und Oskar Wälterlin, mit 33 Zeichnungen. Die Quadrat-Bücher Band 35, Tschudy-Verlag St. Gallen und Stuttgart, 1. Auflage 1964, ERSTAUSGABE, gebunden (quadratisches Halbpergament, ca. 18 x 18 cm), schön erhalten - VORZUGSAUSGABE, im Impressum von Max Frisch und Theo Otto eigenhändig signiert und nummeriert # 48 (100). …

Total of 7pp, 12mo. All in good condition, lightly aged and worn. Each folded once. All signed 'Percy Anderson'. ONE: 12 March 1912. Begins: 'Your properties are quite splendid.' He thanks Clarkson and his assistant for the trouble they have taken 'over the "M[?]"'. Ends: 'I thought everything as good as it cd be I refer to yr work of course'. TWO: 31 December [1912]. He thanks him for his 'delightful' card, and for 'yr. good wishes & for the tickets you so kindly send me for The Miracle. It was most thoughtful of you.' He ends in the hope that 1913 will be a crowning success you for [sic] & that you will have a very happy time'. THREE: 19 January [no year]. He is seeing 'Mr. Simmons' at 11 am the following day, and will 'look in' on Clarkson afterwards. He thanks him 'for all the good work' on 'The Country Girl', adding: 'I want you to put all yr "guts" please into the "Ulysses" wigs'. FOUR: 10 September [no year]. 'It is too kind of you to send me those lovely figs. There's nothing I like better, & I am most grateful.' FOUR: 31 December [1912]. The recipient William Clarkson was the owner of Clarkson's Wigs, Wellington Street, London. James Morton, in his 'Gangland Soho' (2012), alleges that Clarkson (who has a blue plaque to his name at 41-43 Wardour Street) was not only a repeated insurance fraudster, but a notorious homosexual blackmailer, after whom the public lavatory in Dansey Place was named 'Clarkson's Cottage'. RE Anderson & G & S: "The artist and costume designer Percy Anderson (1851-1928) was based in London where he exhibited watercolours at the New Water Colour Society in 1886. He designed costumes for the original productions of the last four Gilbert and Sullivan operas at the Savoy Theatre - The Yeomen of the Guard (1888), The Gondoliers (1889), Utopia, Limited (1893), and The Grand Duke (1896), and for several D'Oyly Carte revivals including that for Utopia, Limited considered by Rupert D'Oyly Carte in 1926 and but never realised. Given Gilbert's exacting attitude to his productions it is an accolade to Anderson that he worked with Gilbert on so many, including Gilbert and Edward German's Fallen Fairies (1909), when Gilbert said Anderson: 'surpassed himself'".…

Each 216:298 mm. (Opaque) watercolor and pencil on solid cardboard, monogrammed. Finely executed drawings, showing some female allegories (a red rose, a bellflower and red weed). - Decorative gouaches by the artist Stern, who emigrated to Hollywood via Paris in 1933.

Leather Bound. Zustand: New. Language: Italian. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2016, utilizing the invaluable guidance of the original edition published many years ago in 1830. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Vol:- Volume 666, Pages:- 42, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 666 42.…

Leather Bound. Zustand: New. Language: ita. Language: ita. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1827. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - ita, Vol:- Volume 602, Pages:- 70, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 602 70 70.…

Leather Bound. Zustand: New. Language: ita. Language: ita. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1827. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - ita, Vol:- Volume 601, Pages:- 74, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 601 74 74.…

Full Leather Bound. Zustand: New. Language: Italian. {Size: 14.60 x 22.86 cms} A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine, front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED, GREEN, BLUE, MAGENTA, TAN, PURPLE DEEP BROWN, BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in [1830] and this unique edition is Reprinted in 2016 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life, professionally processed without changing its contents. As these are old books, we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Italian, Vol: - Volume 666, Pages 42, Print on Demand. Product Disclaimer: Please be aware that because leather is a natural material, slight discoloration or change in texture may be visible. {FOLIO EDITION (Size 12x19 Inches) IS ALSO AVAILABLE ON REQUEST}. Volume 666 42.…