Steffi roettgen (134 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Revised. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Revised. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Standard-sized.

Paperback. Zustand: Very Good.

Paperback. Zustand: Acceptable. This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Standard-sized.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. large hardback in fine condition with very good dust jacket.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. large hardback in very good+ condition with very good dust jacket.

Paperback, some traces of use to the cover, else in good condition. Text in English. Richly illustrated in black and white and colour. Please see description or ask for photos.

Paperback. Zustand: As New. Prompt Shipment, shipped in Boxes, Tracking PROVIDED*.

Soft cover. Zustand: Very Good. Numerous full page reproductions in color and black-and-white. English language text. Minor wear to covers. No marks to inside pages. No reading crease to spine. Binding is firm. 160 pages. s229.

Zustand: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Zustand: Fine. Autoren- / zusammenhängende Unterschrift; Leichte Gebrauchsspuren.

372 (1) p. Paperback (In good condition.).

Soft cover. Zustand: Very Good. Price is for 2 books; one shipping price. No marks in text. Not a library book. Ships in a cardboard enclosure. Tim's Used Books, open shop in Provincetown USA, buying and selling good books at fair prices on the same spot since 1991. Thank you.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Rome, 1982; Italian text; gray cloth covered boards; mild shelf wear; illustrated jacket, good+ condition with edge and corner wear; 8vo, 7 3/4" to 9 3/4" tall; very mild foxing on front end papers; interior is clean and unmarked; 338 pages; From the library of Thomas Willette, University of Michigan professor.…

Paperback. Zustand: New.

Zustand: New. Satisfaction Guaranteed or your money back.

Hardcover. Zustand: VG. Black cloth boards with gilt lettering on spine, color illustrated dust jacket, 160 pp. with approximately 50 color and bw images. Catalogue from the exhibition of 61 works. Many were paintings and drawings, but some were books, letters, etc. (not pictured). With an introduction covering several topics including Sir Charles Hanbury Williams, The Raphael copy for Northumberland House, Paintings for British Patrons, British Commissions and Contacts in Rome, and much more. WIth a chronology of Meng's life and the catalogue of works, annotated. " During his lifetime Anton Raphael Mengs (1728-79) was considered one of the most important painters in Europe, but his reputation declined with the rise of Romanticism and has only begun to recover in recent years. Born in Aussig, and brought up in Dresden, he became Principal Painter to the royal courts of Saxony and Madrid, but his main base was to be Rome. He never visited Great Britain, refusing, out of loyalty to his King, the invitations he received to come and work here. Through the diplomat Sir Charles Hanbury Williams in Dresden, Mengs was introduced to key members of the British circle in Florence, such as the ambassador Sir Horace Mann, who provided a crucial link between British travellers and the artistic circles of Rome. This was, of course, the heyday of the British Grand Tour, and in many ways, it was unnecessary for Mengs to go to Britain - Britain, in the wealthy form of its youthful aristocracy, came to him. As the Seven Years' War cut off Mengs's official source of income from the Elector of Saxony, he was probably grateful to be able to turn to the lucrative field of Grand Tour portraiture. Mengs quickly became one of the central figures of the Neoclassical 'set' that gathered round the great German antiquarian Winckelmann. His studio was open to all, and this period saw figures like Richard Wilson (a friend, whose portrait Mengs painted), Robert Adam, Allan Ramsay, Robert Wood, James 'Athenian' Stuart, Piranesi, and of course, Mengs's great rival in the field of Grand Tour portraits, Pompeo Batoni, all at work and sharing ideas and tastes. Thomas Jenkins, artist and the most famous dealer of the time, was another friend. In this intellectual climate, Mengs produced works for like-minded British patrons which were to have a strong influence on art in this country, like the enormous copy after Raphael's School of Athens for Northumberland House (now in the Victoria and Albert Museum) and Augustus and Cleopatra, (finished in 1761) for Henry Hoare of Stourhead - one of the crucial foundation works of Neo-classicism. Encouraged by Winckelmann, Mengs committed his theory of art to paper, and through works like his Gedanken uber die Schonheit, which was to be translated into every major European language, including English (in 1792), his fame and influence spread. During the long eclipse of Mengs's reputation, many of his paintings lay hidden in British collections, to survive and finally be rediscovered; in some cases these works had been considered lost. This catalogue to accompany the exhibition 'Anton Raphael Mengs and his British Patrons' at the Iveagh Bequest, Kenwood, illustrates such works and it is hoped that, as a result of it, more 'lost' works will be unearthed." -website.…

Paperback. Zustand: New.

Paperback. Zustand: Very Good. No Dust Jacket. Paperback. Several creases along the spine. Pages are clean and unmarked.

Broschiert. Quart. 372 S. Broschur. Mit zahlr. farb. und schw.-w. Abb. Einband etwas berieben, Kopfschnitt minimal fleckig, Papier an den Rändern leicht gebräunt.

Brossura. Zustand: new. Roma, 2025; br., pp. 96, ill., cm 20,5x25,5. (Arte e Cataloghi). In questo volume, la grande studiosa tedesca Steffi Roettgen prende in esame - critico e storico artistico - il ritratto di papa Clemente XIII Rezzonico di Anton Raphael Mengs, (Il «più bel quadro forse mai dipinto da Mengs»), oggi in collezione Fondazione Marignoli di Montecorona, a Spoleto. Sin dal Cinquecento il ritratto del papa ricopre un ruolo essenziale ed eccellente nella percezione dell'autorità e dell'onnipresenza del successore di S. Pietro. Tuttora ne danno testimonianza i ritratti della quasi ininterrotta serie della basilica romana di San Paolo fuori le mura, basati su una tradizione iconografica risalente al Medioevo. Il ritratto ufficiale era un atto programmatico sia artistico che politico. Per merito di Raffaello e di Tiziano si affermò nel '500 una tipologia per il ritratto ufficiale del pontefice che rimase valida per tutto il '600 e il '700 in modo tale da renderlo distinguibile da qualsiasi altro ritratto di un dignitario ecclesiastico o profano. Un ruolo decisivo nell'aggiornamento barocco del ritratto pontificio spetta a Diego Velázquez che nel 1650 ha immortalato Innocenzo X Pamphilj in un dipinto di straordinaria bellezza e bravura pittorica. Il famoso Anton Raphael Mengs, il nuovo Raffaello, fu chiamato dopo la metà del Settecento, a fare il ritratto ufficiale di papa Rezzonico, Clemente XIII. Libro.…

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

hardcover. Zustand: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

h/c + d/j, 26.5x22cm, profusely illustrated, d/j has light scrathches and light general wear, quite decent. Foreword by Julius Bryant; chronology of Mengs's life; bibliography. Though Mengs never visited Britain, he received numerous commissions from British patrons during his residencies in Rome, Naples and Madrid.Scarce in hardcover. …

Softcover. Zustand: Gut. 376 S. Bibliotheksexemplar mit entsprechenden Merkmalen in gutem Zustand. 02-391 Sprache: Deutsch Gewicht in Gramm: 550.

Zustand: new.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:9780302006238.…