stephen sustarsic screenwriter (24 Ergebnisse)

Draft typescript for an unproduced television episode. With annotations in manuscript pencil at the top right corners of 16 leaves, noting pagination. A brief comedy about a mad scientist who has been keeping a dead body in his haunted mansion. Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s, most memorably for the television series "Alice" (1976-1985) and "The Jeffersons" (1975-1985). Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" (1998-2004). Lacking wrappers, presumably as issued. Title page present, undated, with credit for Sustarsic. 18 leaves, with last page of text numbered 16. Typescript, rectos only. Pages Near Fine, bound with a single staple at the top left corner.

Draft typescript for an unproduced television episode. With typeovers and whiteout annotations throughout. A brief comedy about a wealthy family's reactions to the loss of their family fortune. Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s, most memorably for the television series "Alice" (1976-1985) and "The Jeffersons" (1975-1985). Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" (1998-2004). Lacking wrappers, presumably as issued. Title page present, undated, with credit for Sustarsic. 19 leaves, lacking page numbers. Typescript, rectos only. Pages Near Fine, unbound.

Draft script for an unproduced television pilot. A black comedy about a working-class family headed by an unsuccessful repo man. Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s, most memorably for the television series "Alice" (1976-1985) and "The Jeffersons" (1975-1985). Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" (1998-2004). Self wrappers. Title page present, dated 6/22/99, with credit for Sustarsic. 84 leaves, with last page of text numbered 82. Xerographic duplication, rectos only. Pages Near Fine, housed in a Very Good plus, generic three-ring black binder.

Zustand des Schutzumschlags: dj. Draft script for the pilot of an uproduced television series. Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s, most memorably for the television series "Alice" (1976-1985) and "The Jeffersons" (1975-1985). Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" (1998-2004). Bill Brenner, a DJ from Crabapple, Ohio, begins his new job as a DJ at the Seattle talk radio station KPUK, whose manager appears more concerned with the football game against radio station KZAP than the operations of the station. Clear mylar front wrapper, black rear wrapper. Title page present, with credits for screenwriter Stephen Thomas Sustarsic II. 39 leaves, with last page of text numbered 38. Mimeograph duplication, rectos only. Pages Near FIne, wrapper Very Good plus, bound internally with three metal brads.

Draft script for the pilot of an unproduced television series. Bound in preceding the script is a one-page treatment, a "Suggested Casting" page, a "Set" page, a two-page description of the primary characters , an "Occasional Characters" page, and a two-page description of "Guest Characters." Attached to the title page by a paper clip is a business card for agent Judy McHugh of John La Rocca and Associates. Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s, most memorably for the television series "Alice" (1976-1985) and "The Jeffersons" (1975-1985). Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" (1998-2004). A sitcom about a small local bar, "Screwdriver Heaven," in San Diego, where a wide variety of customers seek refuge from their life's troubles and the advice of the crusty but endearing bartender Albert. Clear mylar front wrapper, orange rear wrapper. Title page present, with credits for screenwriter Stephen Thomas Sustarsic II. 54 leaves, with last page of text numbered 44. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with three metal brads.

Draft script for an unproduced short film. A woman who receives a lifesaving heart transplant is haunted by the ghost of the man whose heart she received. White titled self wrappers, lacking rear wrapper, with credits for screenwriter Stephen Sustarsic. Title page integral with front self wrapper. 25 leaves, with last page of text numbered 25. Mimeograph duplication, rectos only. Pages Near Fine , wrapper Near Fine, bound with a paper clip at the top left corner.

Draft script for an unproduced short play. A group of criminals get stuck inside a bank vault with the owner and two bank employees. White titled self wrappers, lacking rear wrapper, with credits for screenwriter Stephen Sustarsic. Title page integral with front self wrapper. 30 leaves, with last page of text numbered 29. Mimeograph duplication. Pages Near Fine, wrapper Near Fine, bound with a paper clip at the top left corner.

Draft script for an unproduced short film. A man is trying to get his heart checked but his doctor will only speak to him in riddles. White titled self wrappers, lacking rear wrapper, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 20 leaves, with last page of text numbered 19. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, unbound.

Draft script for an unproduced episode of the 1975-1984 television series. The series followed a divorced career woman and single mother as she tried to raise her two teenage daughters in an apartment building in Indianapolis, with frequent visits from the building's nosy superintendent. In this episode, the eldest daughter wants to move out into her own apartment to her mother's dismay. Set in Indianapolis. White titled self wrappers, lacking rear wrapper, with credits for screenwriter Stephen Thomas Sustarsic II. Title page integral with front self wrapper. 36 leaves, with last page of text numbered 35. Xerographic duplication, rectos only, with one white revision page, undated. Pages Near Fine, wrapper Near Fine, unbound.

Draft script for an unproduced short play. A innocent man is arrested for crimes against the State. White titled self wrappers, lacking rear wrapper, with credits for screenwriter Stephen Thomas Sustarsic II. Title page integral with front self wrapper. 37 leaves, with last page of text numbered 36. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a paper clip at the top left corner.

Draft script for an unproduced short film. A down-on-his-luck man flirts with a waitress at a run down restaurant. Set in the Bronx, New York City. White titled self wrappers, lacking rear wrapper, with credits for screenwriter Stephen Thomas Sustarsic II. Title page integral with front self wrapper. 15 leaves, with last page of text numbered 15. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, unbound.

Draft script for an unproduced film. Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s, most memorably for the television series "Alice" (1976-1985) and "The Jeffersons" (1975-1985). Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" (1998-2004). Irving, master swordsman Zorro's youngest son, who's a bleeder and just wants to be a florist, is chosen to be the next generation's Zorro upon his father's demise. Told in the vein of Monty Python and Mel Brooks. Generic green wrappers with a titled label, with credits for screenwriter Stephen T. Sustarsic II. Title page present, with credits for screenwriter Stephen Thomas Sustarsic II. 106 leaves, with last page of text numbered 105. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with a prong binding.

Draft script for an unproduced television series with manuscript marker annotations on one page. Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s, most memorably for the television series "Alice" (1976-1985) and "The Jeffersons" (1975-1985). Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" (1998-2004). An outrageous satire of a soap opera wherein a half dozen characters fall in and out of love with each other and cheat on each other. Front wrapper integral with goldenrod title page, with credits for screenwriter Stephen Sustarsic. 20 leaves, with last page of text numbered 19. Xerographic duplication, rectos only. Pages Near Fine, bound with two gold brads.

Draft script for an unproduced television series, a ribbon typescript copy, with manuscript white-out annotations throughout, and one manuscript ink annotation on the second to last page. Screenwriter Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s, most memorably for the television series "Alice" (1976-1985) and "The Jeffersons" (1975-1985). Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" (1998-2004). Two sets of newlyweds compete in a game show, where the hosts asks each member of each couple a series of questions pertaining to their marriage while attached to a lie detector. Front wrapper integral with title page, with credits for screenwriter Stephen T. Sustarsic II. 27 leaves, with last page of text unnumbered. Ribbon typescript copy, rectos only. Pages Near Fine, bound with a single staple to the upper left corner.

Draft script for an unproduced radio play, ribbon typescript copy with manuscript white-out annotations throughout. Screenwriter Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s, most memorably for the television series "Alice" (1976-1985) and "The Jeffersons" (1975-1985). Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" (1998-2004). A "Pro-Life" radio show, wherein Dr. Riever, who performs abortions as part of his regular practice, is taken into the eighth dimension after strangling a fetus to death with his hands during an abortion, and is judged by the spirits of the people he aborted. Classic Reagan-era "Pro-Life" agitprop. Front wrapper integral with the title page, with credits for screenwriter Stephen Sustarsic. 47 leaves, with last page of text numbered 46. Ribbon typescript copy, rectos only. Pages Near Fine. Unbound.

One Recording script, two Draft scripts, and two Treatment scripts for part 2 of Season 2 Episode 2 of the 1988-1991 television series. Originally aired September 16, 1989 on ABC. One treatment script here under working title "Pooh's Farewell". Also included in this collection is one separately bound correction page. Based on the books by A. A. Milne and E. H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this episode, Tigger starts a rumor that Pooh is leaving the Hundred Acre Wood. Set in the fictional Hundred Acre Woods. Recording script: White titled self-wrappers, lacking rear wrappers, production No. 4W88-171, dated November 23, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 21 leaves, with last page of text numbered 20. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Draft script 1: Title page integral with first page of narrative text, production No. 4W88-171. 19 leaves, with last page of text numbered 19. Xerographic duplication, rectos only. Very Good plus, bound with a paperclip at the top left corner. Draft script 2: White titled self-wrappers, lacking rear wrappers, production No. 4W88-171, dated October 31, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 21 leaves, with last page of text numbered 20. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Correction Pages: Distribution page bound as outer wrapper. Pink titled self-wrappers, lacking rear wrapper, production No. 4W88-171, dated November 8, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 3 leaves, with last page of text numbered 19. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Printed on pink stock. Treatment script 1: Title page integral with first page of narrative text, dated 10/14/88, with credits for screenwriter Stephen Sustarsic. 2 leaves, with last page of text numbered 2. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 2: Title page integral with first page of narrative text, production 4W88-171. 11 leaves, with last page of text numbered 11. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner.

One Final Draft script for "To Catch a Hiccup", and one Final Draft script, one Draft script, and four treatment scripts for "Me and My Shadow", together presented as Season 2 Episode 1 of the 1988-1991 television series. Originally aired September 9, 1989 on ABC. Based on the books by A. A. Milne and E. H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this episode, Piglet 'loses' his shadow in one segment and in the next the gang tries to rid him of hiccups. Set in the fictional Hundred Acre Woods. Final script "To Catch a Hiccup": White titled self-wrappers, lacking rear wrapper, noted as Final on the front wrapper, production No. 4W88-151, dated December 1, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 22 leaves, with last page of text numbered 21. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Final script "Me and My Shadow": White titled self-wrappers, lacking rear wrapper, noted as Final on the front wrapper, production No. 4W88-131, dated October 24, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 19 leaves, with last page of text numbered 19. Xerographic, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Draft script "Me and My Shadow": Title page integral with first page of narrative text, production No. 4W88-131. 19 leaves, with last page of text numbered 19. Xerograophic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script "Me and My Shadow" 1: White titled self-wrappers, lacking rear wrapper, production No. 4W88-131, dated September 14, 1988, with credits for screenwriter Stephen Sustarsic. Title page integral with front wrapper. 12 leaves, with last page of text numbered 12. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Treatment script "Me and My Shadow" 2: Title page integral with first page of narrative text, production No. 4W88-131. 12 leaves, with last page of text numbered 12. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script "Me and My Shadow" 3: Title page integral with first page of narrative text, production No. 4W88-131. 13 leaves, with last page of text numbered 13. Xerographic duplication, rectos only. Near Fine, bound with a staple at the left corner. Treatment script "Me and My Shadow" 4: Title page integral with first page of narrative text, production No. 4W88-131, dated 9/9/88, with credits for screenwriter Stephen Sustarsic. 3 leaves, with last page of text numbered 3. Xerographic duplication, rectos only. Near Fine, bound with a staple at the left corner.

Four draft scripts, 6 treatment scripts, and some ephemera related to an unproduced pilot episode of a television series, set to air on MTV. Set to star former MTV VJ Ed Marqus, this series would have followed a laid-back Pulitzer Prize winning journalist who takes a job teaching a journalism class at a stuffy private high school. Set in Chapel Hill, North Carolina. Fourth Draft script: White titled self wrappers, lacking rear wrapper, noted as FOURTH DRAFT on the front wrapper, dated March 1, 1994, with credits for screenwriters David Silverman and Stephen Sustarsic. Title page integral with front wrapper. 53 leaves, with last page of text numbered 53. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound in binder. Third Draft script: White titled self wrappers, lacking rear wrapper, noted as THIRD DRAFT on the front wrapper, dated February 20, 1994, with credits for screenwriters David Silverman and Stephen Sustarsic. Title page integral with front wrapper. 56 leaves, with last page of text numbered 56. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound in binder. Draft script 1: White titled self wrappers, lacking rear wrapper, dated January 12, 1994, with credits for screenwriters David Silverman and Stephen Sustarsic. Title page integral with front wrapper. 52 leaves, with last page of text numbered 52. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound in binder. Draft script 2: White titled self wrappers, lacking rear wrapper, dated January 5, 1994, with credits for screenwriters David Silverman and Stephen Sustarsic. Title page integral with front wrapper. 51 leaves, with last page of text numbered 51. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound in binder. Treatment script 1: Lacking wrappers. 4 leaves. Xerographic duplication, rectos only. Near Fine, unbound. With manuscript ink annotations to each page. Treatment script 2: Lacking wrappers. 2 leaves. Xerographic duplication, rectos only. Near Fine, bound with staple at top left corner. Treatment script 3: Lacking wrappers. 3 leaves. Xerographic duplication, rectos only. Near fine, bound with staple at top left corner. With manuscript ink annotation to each page. Treatment script 4: Lacking wrappers. 8 leaves. Xerographic duplication, rectos only. Near Fine, bound with paperclip at top left corner. Treatment script 5: Lacking wrappers. 13 leaves. Xerographic duplication, rectos only, printed on gray stock. Near Fine, unbound. Treatment script 6: Lacking wrappers. 8 leaves. Xerographic duplication, rectos only. Very Good plus, bound with paperclip at top left corner. 1 Deal proposal to screenwriter Stephen Sustarsic: 2 leaves, Near Fine. Housed in a Major Clients Agency envelope, Very Good plus, with some tearing from opening and with manuscript ink annotation on the verso. 1 set of handwritten notes: 11 leaves, rectos only, unbound. Very Good plus. All materials housed in a generic three-ring binder.

Draft script for an unproduced episode of the 1975-1984 television series. The series followed a divorced career woman and single mother as she tried to raise her two teenage daughters in an apartment building in Indianapolis, with frequent visits from the building's nosy superintendent. In this episode, the eldest daughter wants to move out into her own apartment to her mother's dismay. Set in Indianapolis. Front wrapper integral with title page, with credits for screenwriter Stephen Thomas Sustarsic II. 38 leaves, with last page of text numbered 37. Xerographic duplication, rectos only. Pages Near Fine, bound with two gold brads.

Draft treatment script for an unproduced television series, with manuscript pencil annotations throughout. Screenwriter Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s, most memorably for the television series "Alice" (1976-1985) and "The Jeffersons" (1975-1985). Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" (1998-2004). The Stoned Ranger and his sidekick Wanto attempt bring outlaws Burt, Bart, and Burp to justice for stealing a diamond ring, a charm bracelet, and panties from siblings Tim and Shelly. Set in Wakka Nukka Pooka Wooka City. Front wrapper integral with title page, with credits for screenwriter Stephen Sustarsic. 28 leaves, with last page of text numbered 27. Xerographic duplication, rectos only. Pages Near Fine overall, unbound.

Archive of vintage treatments and proposals for 16 unproduced sitcom television series. All material housed together in a generic three-ring binder, with a manuscript label on the binder spine, noting "1995 Pilot Pitches," in the hand of screenwriter Stephen Sustarsic. Stephen Sustarsic wrote frequently for sitcom television throughout the 1980s and 1990s, most memorably for the television series "Alice" (1976-1985) and "The Jeffersons" (1975-1985). Sustarsic was also one of the creators of the children's animated series "The Wild Thornberrys" (1998-2004). Lacking title page, presumably as issued. Approximately 150 leaves. Pages Very Good plus, with light discoloration on the bottom edge of the first leaf, and faint foxing on the page edges. Binder Very Good plus.

Script wherein series creator notes several different story ideas for the second season of the 1988-1991 television series. Season 2 originally aired from September 9, 1989 to December 2, 1989 on ABC. Based on the books by A.A. Milne and E. H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. Set in the fictional Hundred Acre Woods. Title page integral with first page of narrative text, dated 12/21/88, with credits for screenwriter Stephen Sustarsic. 12 leaves, with last page of text numbered 12. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner.

Three gatherings of vintage treatment and draft material relating to the 1999-2000 primetime animated television series. Includes: 1. A gathering of brief treatments for episodes, dated February 3, 1999, and credited to screenwriters David Silverman and Stephen Sustarsic. 2. A treatment script for an unproduced episode entitled "The Dil 1.0," credited to Silverman and Sustarsic, dated February 8, 1999. 3. A five-page gathering of story ideas, dated March 7, 1999, credited to Silverman and Sustarsic. Based on the successful 1989-2023 comic strip by Scott Adams, about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. All materials 8.5 x 11 inches, bound with a single staple at the top left corners. Near Fine to Very Good plus.

Vintage press kit for the 2004 film. The press kit was produced in 2002 following the film's screening at the 2002 NoDance Film Festival in Park City, Utah, where the film won the "Best Director" jury prize. The press kit, referred to as a "Media Pack" on the label on the enclosing folder, includes a gathering of 24 pages which include film reviews, synopses, statements, and bios of the cast and crew, a two page review by Michael Edwards, a March 2002 issue of "Entertainment Showcase," a CD of image files from the film, six color promotional flyers and collages on photographic paper promoting the film, and four flyers promoting the films screening at the 2002 NoDance Film Festival. A surprisingly disturbing and entertaining black comedy. Millard Mudd, a struggling alcoholic cartoon writer with writer's block, finds himself at the end of his rope, until he accidentally hits a stray dog, Lucky, while out on a liquor run. While nursing Lucky back to health, Lucky begins talking, teaching Mudd how to craft award winning scripts, and to kill. Folder and contents, Near Fine overall.