steven paul scher (61 Ergebnisse)

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1968, Yale Univ. Press, HB 181pp, Near Fine/VG (dj very lightly worn at edges, interior clean and unmarked, binding tight).

Hardcover. Zustand: Very Good. Has a name stamped on front free endpaper else book is LIKE NEW. Very Clean. No writing or tears.

Zustand: Good. Not Indicated. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Zustand: Very Good. Not Indicated. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

hardcover. Zustand: near fine. Zustand des Schutzumschlags: very good. viii + 181pp., 8vo, cloth, d.w.; dust wrapper price clipped. New Haven: Yale University Press, 1968. Yale Germanic Studies, 2. A near fine copy in a very good dust wrapper.

hardcover. Zustand: Very Good. Not Indicated. Used - Very Good.

HARDCOVER. Zustand: Acceptable. First. Cambridge University Press. HARDCOVER. 1992. 0521401585 :Dust jacket is soiled and scuffed and has a long cut across the front, repaired with tape. Pages are sunned/soiled. From the personal collection of poet/publisher/photographer, Jonathan Williams (1929-2008) at Skywinding Farm, Scaly Mountain North Carolina. 327pp. . Acceptable. First.

Broschiert. Zustand: Wie neu. 160 Seiten. Kaum Lagerspuren. Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 218.

Broschiert. Zustand: Sehr gut. 159 Seiten. Kaum Lagerspuren. Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 317.

Broschiert. Zustand: Wie neu. 176 Seiten. aum Lagerspuren. Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 258.

Hardcover. Zustand: Very Good. 8vo, hardcover. Near fine condition in mildly scuffed, else vg dj. 181 pp.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Highlighting & underlining to text; binding tight; minor wear to dustjacket. 327 pages. Illustrated. Size: 6" x 9".

broschiert/Taschenbuch. 16 x 23,5 cm., 168 S. Broschur mit Bildbeilage. Sehr gut erhalten.

broschiert/Taschenbuch. 16 x 23,5 cm., 160 S. Broschur. Sehr gut erhalten.

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Soft Cover. Zustand: Good. No Jacket. Reprint. From an academic library with the usual stamps etc. Covers have been laminated.

Hardcover. Zustand: Good. No Jacket. Good used condition, no dust wrapper, owners signature inside, light wear & marks, small paper label sellotaped onto base of spine.

Paperback. Zustand: new. Paperback. Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music and the role of aesthetic, historical and cultural understanding in concepts of text/music convergence. These fourteen essays - united here not by a common ideology but by common subject matter - demonstrate how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White locates this ambitious enterprise of contemplating 'music and text' in the larger context of intellectual history. Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music and the role of aesthetic, historical and cultural understanding in concepts of text/music convergence. These fourteen essays - united here not by a common ideology but by common subject matter - demonstrate how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White locates this ambitious enterprise of contemplating 'music and text' in the larger context of intellectual history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

broschiert/Taschenbuch. 16 x 23,5 cm., 159 S. Broschur mit Bildbeilage. Sehr gut erhalten.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Hardcover in dust jacket. Endpaper clipped. Penciling. Otherwise clean and tight. Illustrated. A sound and handsome copy, very neat. Size: 8vo - over 7¾ - 9¾" tall. Book.

PF. Zustand: New.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Not Indicated. First edition. Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music and the role of aesthetic, historical and cultural understanding in concepts of text/music convergence. These fourteen essays - united here not by a common ideology but by common subject matter - demonstrate how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White locates this ambitious enterprise of contemplating 'music and text' in the larger context of intellectual history.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. Hardcover with printed baords in very good conditon. Ex-medical library copy. discreet stamps and label residue. Text clean, tight and bright. Tightly bound. Page block discoloured on the bottom corner. Used.

Hardcover. Zustand: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Hardback. Zustand: VG+. Zustand des Schutzumschlags: VG- DW. 1st Edition. Minor pencil scoring. Owners name etc on front endpaper. Book is in very good plus condition with very minor signs of wear and/or age. Dustwrapper/dustjacket is in very good minus condition with minor but noticeable signs of wear and/or age.

Hardcover. Zustand: New. shrinkwrapped copy without a dust jacket.

Zustand: new.

Soft cover. Zustand: Very Good. 1st Edition. 25x17cm, 105p. With Symposium on Slavic and Western Literary theories in contact; Study of Medieval Styles, Aesthetic Gothic horror etc.[novas].

Taschenbuch. Zustand: Gut. 160 S. Buch ist in gutem Zustand, geringe Gebrauchs- Alters- oder Lagerungsspuren. ISBN: 3503079300 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 314.

Zustand: Sehr gut. 327 Seiten Leichte Lese- und Gebrauchsspuren, gelegentlich Randanstreichungen mit Bleistift. Exemplar aus dem Vorbesitz des Philosophen Albrecht Wellmer. Ab 1974 bis 1990 war Albrecht Wellmer Ordentlicher Professor für Philosophie an der Universität Konstanz, von 1985 bis 1987 Professor an der New School for Social Research in New York und seit 1990 Ordentlicher Professor für Philosophie (Lehrstuhl für Ästhetik, Hermeneutik und Human Sciences) an der Freien Universität Berlin; Professor emeritus seit September 2001. Gastprofessuren: Haverford (USA), Stony Brook (USA), Collège international de philosophie (Paris, 1988), New School for Social Research (New York, 1995), Universiteit van Amsterdam (1996). / List of figures -- List of contributors -- page -- Preface -- STEVEN PAUL SCHER -- Acknowledgments -- Part I Institutional dimensions and the contexts of listening -- 1 Music and literature: the institutional dimensions JOHN NEUBAUER (University of Amsterdam) -- 2 Privileging the moment of reception: music and radio in South Africa -- CHARLES HAMM (Dartmouth College) -- 3 Chord and discourse: listening through the written word PETER J. RABINOWITZ (Hamilton College) -- Part II Literary models for musical understanding: music, lyric, narrative, and metaphor -- 4 Lyrical modes -- PAUL ALPERS (University of California, Berkeley) -- 5 Origins of modernism: musical structures and narrative forms -- MARSHALL BROWN (University of Washington) -- 6 Metaphorical modes in nineteenth-century music criticism: image, narrative, and idea -- THOMAS GREY (Stanford University) -- 7 Narrative archetypes and Mahler's Ninth Symphony ANTHONY NEWCOMB (University of California, Berkeley) -- Part III Representation, analysis, and semiotics -- 8 Music and representation: the instance of Haydn's Creation -- LAWRENCE KRAMER (Fordham University) -- 9 Musical analysis as stage direction -- DAVID LEWIN (Harvard University) -- 10 Poet's love or composer's love? -- EDWARD T. CONE (Princeton University) -- 11 The semiotic elements of a multiplanar discourse: John Harbison's setting of Michael Fried's "Depths" -- CLAUDIA STANGER (Berklee School of Music) -- Part IV Gender and convention -- 12 Whose life? The gendered self in Schumann's Frauenlieb songs -- RUTH A. SOLIE (Smith College) -- 13 Operatic madness: a challenge to convention -- ELLEN ROSAND (Rutgers University) -- 14 Commentary: form, reference, and ideology in musical discourse -- HAYDEN WHITE (University of California, Santa Cruz) -- Index. ISBN 9780521401586 Sprache: Englisch Gewicht in Gramm: 630 Orig.-Pp.; Orig.-Schutzumschlag.