Stradanus joannes (8 Ergebnisse)

Zustand: en bon état. Joannes Stradanus Anvers Florence entre 1578 et 1582. Une gravure Originale à l'eau-forte et au burin en noir : Format : 20,4 centimètres de haut par 27 centimètres de large, sur papier crème vergé ligné , Inscriptions / marques - Lettre dans la cuvette au centre : "turdior est phriisiis, equus educatus in aruis curribus aptus, et attrito sub vomere rastus - dentalis pingnes doctus conuellere glebas densa cui destro iuba semper pendet ab armo", à gauche : Joannes Stradanus inuen. Phls. Gall?us excud., titre : PHRISO, en haut au centre dans la gravure, petit manque de papier à l'angle droit en haut, à l'angle gauche en bas et en bas au centre, entre 1578 et 1582 Anvers Florence Editeur, en bon état Adam-François Van der Meulen, baptisé le 11 janvier 1632 à Bruxelles et mort le 15 octobre 1690 à Paris, est un peintre baroque flamand d'origine bruxelloise. Se spécialisant dans la peinture de bataille et de chasse, il vient renforcer en 1665, l'équipe chargée d'immortaliser l'image du roi et est pensionné dès 1667. Il accompagne Louis XIV dans tous ses voyages, dans toutes ses résidences, et dans toutes ses guerres. Il réalise également de nombreux cartons pour la manufacture de Gobelins . SUPERBE ET RARE EAU-FORTE . en bon état malgré les defauts signalés(good condition in spite of the defects indicated).…

(. pictore Iohanne Stradano Belga Brugensi, et a Ioanne Galleo editi. ) ( Ohne Erscheinungsjahr - um 1580 erschienen, Erste Ausgabe - first edition - bitte beachten: Hier liegt nur das in Kupfer gestochene Titelblatt des Werkes vor ). Blattmaß ca. 21 x 27,5 cm ( Höhe x Breite ). Das Blatt mit Titelei, Wapppenkartusche, dekorativer Umrahmung und untenstehender Bildlegende. Das Blatt ist gering fingerfleckig, am Oberrand auf Karton montiert. Von guter und dekorativer Erhaltung. The copper engraving in good condition. ( Lagerort AZ- Regal )( Weitere Bilder auf Anfrage ) / Artikel 22691 /// (. pictore Iohanne Stradano Belga Brugensi, et a Ioanne Galleo editi.) (No year of publication - published around 1580, first edition - please note: only the copper-engraved title page of the work is available here). Sheet size approx. 21 x 27.5 cm (height x width). The sheet includes the title page, coat of arms cartouche, decorative border, and caption below. The sheet has minor finger marks and is mounted on cardboard at the top edge. In good and decorative condition. The copper engraving is in good condition. (Storage location: AZ shelf) (Further images available upon request) / Item 22691 /// (. pictore Iohanne Stradano Belga Brugensi, et a Ioanne Galleo editi.) (Année de publication inconnue - publié vers 1580, première édition - veuillez noter: seule la page de titre gravée sur cuivre est disponible ici). Dimensions de la feuille: environ 21 x 27,5 cm (hauteur x largeur). La feuille comprend la page de titre, le cartouche aux armoiries, une bordure décorative et la légende. Elle présente de légères traces de doigts et est montée sur carton en haut. Bon état général. La gravure sur cuivre est en bon état. (Emplacement de conservation: étagère AZ) (Images supplémentaires disponibles sur demande) / Article 22691.…

Hardcover. Oblong folio (10 4/8 x 13 4/8 inches). Engraved frontispiece containing the dedication to Duke Cosimo de'Medici and 104 engraved plates (lacking engraved title-page, dedication page cut down and mounted, some repairs on versos of plates, plate 7 with tear affecting plate, occasional marginal staining or soiling). 17th-century Flemish vellum gilt, (a few ink marks on covers, small hole near head of spine, some wear at edges). Provenance: partial title written in mss on the front cover in an early hand; armorial bookplate of Francis Greville, as 1st Earl Brooke, later Earl of Warwick (1719 - 1773) on rear pastedown (removed from the front paste-down), and his small ink library stamp in the margin of each plate; tipped-in letter dated Sept. 27th, 1849 from Elizabeth Edwards; armorial bookplate of John Richard Baggallay Weeding on front pastedown; early typewritten English translations of the Latin phrases for each plate mounted to lower margins. AN EXCEPTIONALLY RARE AND VERY EARLY EDITION of Stradanus's celebrated work on hunting, published from the 1560s. The plates are numbered 1-104, and correspond to the plates listed in Schwerdt, although they are not bound in the same order. Born in Bruges, Jan van der Straat soon moved to Antwerp where he was apprenticed in the workshop of Dutch painter of historical works Pieter Aertsen (1508-1575). He arrived in Florence in or about 1550 and from 1557 worked as cartoonist in the Arazzeria Medicea along with Francesco Salviati, receiving numerous commissions from the Medici court. In particular he designed a series of tapestries for Cosimo de'Medici representating elaborate Renaissance and fanciful scenes of hunting, fowling, and fishing to hang in 20 rooms of the Palace of Peggio-a-Caiano. These designs are commemorated in the "Venationes". As a painter Stradanus also collaborated with Giorgio Vasari and Francesco Salviati on the decorative programs in the Palazzo Vecchio in Florence and with Francesco Salviati in the Belvedere in the Vatican. His contemporary Raffaello Borghini refers to the artist as the first among 'the valentuomi forestieri'. From the distinguished library of the Earls Brooke and later Warwick (fourth creation). Probably acquired by Robert Greville, second Baron Brooke of Beauchamps Court (1607-1643), whose father Fulke Greville (1575-1632) had been game-keeper to his first cousin, the first Baron Brooke, from whom Robert inherited his title. See Schwerdt, pp. 226-28 ("We have come to the conclusion, after long study and much comparison, that there is a great deal of uncertainty about the various issues, because they were published gradually, as many as were ready being issued at the time with or without numerals."); Thiebaud p. 856-858; Groeningemuseum, Musea Brugge online. Catalogued by Kate Hunter.…

Editae A Philippo Gallao: Carmine illustratae A C. Kiliano Dufflaeo. Engraved title leaf + 44 fine engraved plates, which are trimmed and laid down. Oblong folio, old gilt paneled calf, expertly rebacked retaining the original spine. First edition; Part II. Schwerdt II, p. 226-7. There is scuffing and wear to the calf binding; impressions very fine.…

Couverture rigide. Zustand: Très bon. Normal 0 21 false false false FR X-NONE X-NONE First issue of the edition printed in Antwerp circa 1585 before the printing on the title of the address "Antverpiae, apud Joannem Gallacum", illustrated with a frontispiece and 104 plates mainly dedicated to hunting numbered from 1 to 104. The hunts represented take place in various continents, with animals as exotic as panthers, leopards, elephants, but also more traditional types of hunts such as hunting with hounds, pigeons, deer. The hunting scenes are also mythological, dragons, aquatic monsters are tracked on land and sea. "They are signed Joan. Stradanus ivent., Joan. Collaert sculp., Joan. Galle excud. Some plates are engraved by Carol. De Mallery, Cornelius Galle, Theodorus Galle; quite a few do not bear the name of an engraver. All are accompanied by legends in Latin verse (four or two verses depending on the plates)." J. Thiébaud. "Jan van der Straet, better known under the name of Stradanus, is the author of a set of drawings representing various hunting methods. The project of frontispiece, dedicated to Cosimo I de' Medici, indicates that these drawings, based on his tapestry projects for the decoration of the Villa de Cosimo in Poggio a Caiano and executed at the Arazzia Medicae, were to be engraved at a later date. The first edition dedicated to Cosimo I de' Medici, a group of forty engravings executed by Philippe Galle in 1578, is not entitled, like the smallest previous editions. The first one, a series of four plates with decorative framings known as "Tapestry", was engraved by Herman Jansz. Muller and published by Hieronymus Cock (HolI 512-15) in 1570. Several editions of Aux Quatre Vents followed, each with six plates, edited and perhaps also engraved by Adrien Collaert from 1574 to 1576. The success of its untitled edition of 1578 undoubtedly prompted Philippe Galle to follow it up with a larger edition, 104 plates, intended for the Dutch market, with for the first time a title-page, but unfortunately undated. The authors of these plates, several of which had already previously been used, are probably the brothers Cornelis and Theodor Galle, Adriaen and Hans Collaert, as well as Karel de Mallery. Each plate bears an inscription in popular Latin composed by Cornelis Kiliaan, proofreader at Plantin Editions. These are often inaccurate and it is obvious that they are not based on indications communicated by the artist. Philippe's grandson, Joannes, eventually published other editions and the complete series was reengraved on new plates after 1612 for the Amsterdam editor, Claes Jansz. Visscher who had acquired the rights of the Galle family. An edition even dates from 1634. The edition of the engravings spreading over a period of at least thirty years, the date of execution of these drawings is difficult to establish precisely. It would be possible to suggest that some drawings of this group, comparable in technique and style to a drawing by the same author dated 1556 preserved at the Fitzwilliam Museum in Cambridge, were executed before 1560 (see New York, European Drawings from the Fitzwilliam Museum , 1976-7, p. 58, no.91, rep .; engraved by Karel de Mallery and n ° 23 of the Venationes .). It is more likely, however, that most of these drawings were made after completion of the tapestries from Poggio a Caiano, which were woven around 1568. Jan van der Straet (1523-1605), better known as Stradanus, worked most of his life in Italy as an engraver and designer for tapestry factories. From 1553 to 1571, at the service of Cosimo I de' Medici, he set about creating hunting and fishing representations for tapestries to decorate the palace of Poggio a Caiano. The Venationes commemorate the tapestries executed by Stradanus and showing the traditional hunting methods of the Renaissance. "Jan van der Straet was born in Bruges, probably in 1523. He learned the basics of his profession in this city before going to Antwerp, in the studio of Pieter Aertsen where he stayed.…

Folio (full-sheet leaves), 265 x 360 mm. (1), 104 engraved ff. With an engraved title-page and 104 numbered engraved prints (image size 205 x 295 mm), each with a verse caption in 2 columns in the foot of the plate. Half vellum (ca. 1880?). Rare complete set of Jan van der Straet's magnificent series of 104 large hunting prints, including falconry, fishing and even bee-keeping, engraved in the years 1578 to ca. 1596 by Philip Galle and others associated with him. It includes scenes of catching birds of prey and of hunting with them, not only hawks or falcons, but also owls. The other hunting prints show the hunting of elephants, various wild cats, wild boars, bears, crocodiles and other big game, apes (putting on boots!), smaller animals such as rabbits, badgers and porcupines, but also unicorns, fauns (playing pan-pipes!), giant snakes, dragons (or are they komodo dragons?), sea monsters and other mythical creatures. Some scenes are certainly disturbing for anyone who cares about animals: one shows a live elephant with its trunk cut off. The title-print has scroll-work and other cartouches with about 30 animals in or looking out of them, and the arms of the dedicatee, the jurist Henricus van Osthoorn, at the foot (3 horns quartered with 3 fleurs-de-lis, helmed, mantled and crested with a hand holding a horn). - Philips Galle (1537-1612) published 43 prints in the present series with a different title-print in 1578, engraving most himself but with a few by Antonius Wierix II. Galle published the complete series with the present title-print in its earliest state ca. 1596 with 61 additional prints engraved by his son, sons-in-law and pupils Cornelis Galle, Adriaen Collaert, Jan Collaert II and Karel van Mallery. At least some of the original 43 plates became rather worn and were therefore replaced by very close copies, apparently before Philips Galle's death in 1612. - Johannes Galle (1600-76), was the grandson of Philips Galle and son of Theodore Galle (1571-1633). He took charge of the family print publishing firm when his father died in 1633 and continued it until his own death in 1676. Nicolaes Visscher in Amsterdam sold much of Galle's stock of prints and copper plates in 1677, but also sold the present series under his own name, so any set bearing Johannes Galle's name on the title-page must have been published between 1633 and 1676. We have found no exact matches in the literature, but the paper certainly dates from the second half of the 17th century and the most similar examples date from the years 1658-91. - With a ca. 1900 armorial bookplate of C. M. Wakefield (motto "spero") and the modern armorial bookplate of the Verne d'Orcet family at Château du Veuillin in Apremont-sur-Allier (Nivernais), whose great library on the subject of hunting was begun by Joseph du Verne d'Orcet (1865-1933) and his son Pierre (1892-1960), both hunters, and continued by the latter's daughter Nicole, Countess Charles de Bernis. With numerous mostly marginal tears (about 18 repaired with tape), a few running into the caption and about 5 into the print image, one leaf with browned margins and the last sheet cut down close to the plate at the head, fore-edge and foot, stitching holes from a previous binding in the gutter. Each leaf is a full sheet, but about 20 have been backed with half-sheets of 19th-century laid paper (watermarked: shell above CM or GM, apparently in both halves of the sheet, probably a few decades older than the binding). A rare complete set of a magnificent hunting print series, including falconry, printed ca. 1665/75 from the plates engraved 1578-ca. 1596. - New Hollstein . Johannes Stradanus 422-464 copy ed. 2 & 465-526 ed. 7 (dated "1634") (3 copies, 1 with our title-page, 1 "1634" & 1 lacking title-page), . Philips Galle 519-562 ed. 4 (dated "1634") (7 copies incl. at least 1 incompl.), . Collaert dynasty 1491-1529 ed. 3 ("after 1636") (2 copies, at least 1 incompl.); Thiébaud col. 858 (mis-dated ca. 1585); cf. Schwerdt, pp. 226-228 (ca. 1596 & post-1676 eds., misdated 1578 & ca. 1580); Souhart, col. 446 (ca. 1596 ed., mis-dated 1580); Sotheby's (Marcel Jeanson coll.), lot 542 (1633/1676? ed. without imprint, mis-dated ca. 1585) not in Harting, Bibl. accipitraria.…

2. Bruxelles, M. Hayez, imprimeur de l'Académie Royale, 1855, in-8°. Article of 20 pp published in the '' Bulletin de l' Académie Royale des Sciences , des Lettres et des Beaux-Arts de Belgique, Issue N° 5 Tome XXII, Bulletin de la Séance du 8 mai 1855 ''. Here on offer is the complete issue, as published, in original imprint. Pagination of the issue is 358-470 (with other articles). Unopened copy, sewn, with original wrapper (wrapper dustsoiled, discolored and torn, some loss of paper at backwrapper).…

Fight among a Lion, Horse, Bull and Dogs, within a room with barred, arched windows behind them, and two spheres on the floor among them.Signed at bottom left of center:'Ioes Stradanus inuen.'and towards the right:'Ioan. Galle excu.'.Below four lines of Latin text:'Sic Leo. Latratibus iras'. Number on the bottom left corner erased. Engraving on paper with small margins; total: 211 x 291mm; state IV/4, New Hollstein 542.…