Such david (24 Ergebnisse)

- Softcover
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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

- Softcover
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Paperback. Zustand: Good. . Satisfaction 100% guaranteed.

- Softcover
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Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

- Softcover
- Erstausgabe
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Zustand: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

- Softcover
- Erstausgabe
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
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Zustand: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

- Softcover
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paperback. Zustand: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

- Softcover
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Soft cover. Zustand: Very Good. No Jacket. Slight curl to the side edge. Otherwise no discernible flaws to this copy.

- Softcover
Anbieter: BookHolders, Towson, MD, USABookHolders
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Zustand: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: University of Iowa Press Pub Date: 10/1/1993 Binding: Paperback Pages: 206 First edition.

- Softcover
- Erstausgabe
Anbieter: Second Site Books, Chicago, IL, USASecond Site Books
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Soft cover. Zustand: Near Fine. 1st Edition.
Verlag: University of Iowa, Iowa City IA, 1993
- Erstausgabe
Anbieter: Second Life Books, Inc., Lanesborough, MA, USASecond Life Books, Inc.
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In den WarenkorbFirst printing. 8vo, pp. 206. Paper wraps. Illustraated with photographs and drawings. As new.

- Hardcover
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

LIBRO II: EL SER HUMANO PERSONA Y SOCIEDAD (DIÇLOGO)
Archiles, Alejandro; Miravet, Maite; Sanjuán, Loles; Such David; Vilana, Vicente
- Softcover
Anbieter: Antártica, Madrid, M, SpanienAntártica
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Rústica. Zustand: New. Zustand des Schutzumschlags: Nuevo. 1. LIBRO.

LIBRO III: FILOSOFÊA MORAL I POLÊTICA (DIÇLOGO)
Archiles, Alejandro; Miravet, Maite; Sanjuán, Loles; Such David; Vilana, Vicente
- Softcover
Anbieter: Antártica, Madrid, M, SpanienAntártica
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Rústica. Zustand: New. Zustand des Schutzumschlags: Nuevo. 1. LIBRO.

- Softcover
Anbieter: SHIMEDIA, Brooklyn, NY, USASHIMEDIA
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Zustand: New. Satisfaction Guaranteed or your money back.

- Softcover
Anbieter: YESIBOOKSTORE, MIAMI, FL, USAYESIBOOKSTORE
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paperback. Zustand: As New.

- Softcover
Anbieter: Antártica, Madrid, M, SpanienAntártica
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Rústica. Zustand: New. Zustand des Schutzumschlags: Nuevo. 01. LIBRO.

- Softcover
Anbieter: BennettBooksLtd, Los Angeles, CA, USABennettBooksLtd
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EUR 110,44
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paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

- Softcover
Anbieter: Buchpark, Trebbin, DeutschlandBuchpark
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EUR 37,99
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Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

- Hardcover
Anbieter: Mispah books, Redhill, SURRE, Vereinigtes KönigreichMispah books
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EUR 163,19
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Hardcover. Zustand: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.
Verlag: Published by Edition Peters; Augener's Editions no date given c1966; 1966; 1967, Leipzig; London, 1966
- Softcover
- Noten
Anbieter: Keoghs Books, Skipton, Vereinigtes KönigreichKeoghs Books
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EUR 48,00
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In den Warenkorb, 56 pages; 9 pages; 38 pages Later editions , spine split on Breval but front cover still attached, rubbing to spines and edges, occasional pencil marks to first volume, good condition , printed paper wraps , 31 cm x 23 cm Paperback ISBN.
Weitere BilderSouthwest Review No.1-4 Vol. XXXVII, 37, Winter 1952 - Autumn 1952
Allen Maxwell (Ed.); Margaret L. Hartley, Mody C. Boatright, Jerry Bywaters, J. Frank Dobie, Wiggs N. Babb and authors such as J. Frank Dobie, Ernest Kroll, Elizabeth Coatsworth, William Goyen, David Cornel DeJong, Walter Prescott Webb, Paul Bartlett, David Lefkoqitz, John Chapman, Peter Viereck, Charles L. Glicksberg, Martin Staples Shockley, Herbert Gambrell, Jane Mayhall, Paul F. Boller, Jr., Mitchell Smith, and many more
Verlag: Southern Methodist University, 1952
- Hardcover
- Erstausgabe
Anbieter: Best Books And Antiques, Chandler, TX, USABest Books And Antiques
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In den WarenkorbHardcover. Zustand: Fine. 1st Edition. HC, Orig. Red cloth and gilt stamping to spine. A quartley collection from SMU combined in one volume for the year with B/W photography, ads, illustrations, and stories by many true, beloved southwest authors. 4to. xxi (each quarter differs here) and 352pp w/ 4 page Index to all quarters, W…inter-Autumn, 1952. Fine, Clean, with no markings or writings, never read. Mint Interior with only very light rubbing to exterior edges. Includes stories by J. Frank Dobie, Ernest Kroll, Elizabeth Coatsworth, William Goyen, David Cornel DeJong, Walter Prescott Webb, Paul Bartlett, David Lefkoqitz, John Chapman, Peter Viereck, Charles L. Glicksberg, Martin Staples Shockley, Herbert Gambrell, Jane Mayhall, Paul F. Boller, Jr., Mitchell Smith, and many more. RARE. Hard to find in such good condition. RARE. Collectible. --BR Box 149.
Verlag: 1837 1838 1839. All written from Kensington, 1832
- Softcover
- Signiert
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
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EUR 263,98
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In den WarenkorbSee his entry, and that of George Doo, engraver, in the Oxford DNB. The four items are in good condition, lightly aged and worn The items of 1832 and 1838 are in the third person; those of 1837 and 1839 are signed, 'D. Wilkie' and 'David Wilkie' respectively. The 1832 letter, accepting a dinner invitation from 'Dr and Mrs Bailli…e', is 1p, 16mo; the other three items are each 1p, 12mo. In 1838 he writes to 'Capt Seymour' to ask for 'the present address of Sir William Knighton'. The other two letters, in the first person, are on bifoliums, each addressed on reverse of second leaf with remains of wax seal. In 1837 he writes a postmarked letter to the engraver George Doo of 29 Bayham Terrace, Camden Town, arranging to 'look over the Proof of Knox' (i.e. his portrait of John Knox). In 1839 he writes to Alexander Fraser of Seymour Street, Somers Town, asking for a 'verbal answer' to an invitation.
[Sir David Wilkie, Scottish genre painter.] Autograph Letter in the third person to 'the Director Waagen' [Gustav Friedrich Waagen], arranging a visit to 'the house of the Duke of Wellington.
Sir David Wilkie (1785-1841), Scottish painter noted for genre pieces such as 'The Chelsea Pensioners' [Gustav Friedrich Waagen (1797-1868), Director of the Berlin Gemäldegalerie; Duke of Wellington]
Verlag: '7 Terrace Kensington / July 19th ', 1835
- Manuskript//Papierbasiertes Sammlerstück
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
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In den WarenkorbSee his entry in the Oxford DNB. Wilkie was in a good position to assist Waagen, who was touring England making notes on significant art collections, for use in his 'Kunstwerke und Künstler in England und Paris' (3 vols, Berlin, 183739), which formed the basis for his influential 'The Treasures of Art in Great Britain' (translat…ed by Lady Eastlake, 4 vols, London, 1854 and 1857). Wilkie had strong connections with Wellington. His 1822 painting 'The Chelsea Pensioners reading the Waterloo Dispatch' had been commissioned by the Duke, and was sold to him for the unheard-of sum of 1,200 guineas. 1p, 12mo. In good condition, lightly aged. Folded. Reads: 'Mr Wilkie presents his compts. to the Director Waagen, and as he finds the house of the Duke of Wellington, will be most conveniently seen at Eleven oclock, he will have the pleasure of calling upon the Director, somewhat earlier than proposed that is about 1/4 before eleven, on Tuesday morning.'.
Weitere BilderThe London Stage;
LONDON STAGE, The; CRUIKSHANK, George William Congreve, George Farquhar, Henry Fielding, Oliver Goldsmith, Richard Brinsley Sheridan, and Samuel Foote, alongside important theatrical figures such as David Garrick and John Philip Kemble
Verlag: London: Sherwood, Jones and Co., 1825, 1825
- Erstausgabe
Anbieter: David Brass Rare Books, Inc., Calabasas, CA, USADavid Brass Rare Books, Inc.
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In den WarenkorbFirst Edition. A Library of the English Stage in Four Volumes - A Regency Theater in Miniature The London Stage - From Garrick to Sheridan, Printed from Acting Copies LONDON STAGE. The London Stage; A collection of the most reputed tragedies, comedies, operas, melo-dramas, farces and interludes. Accurately printed from acting co…pies, as performed at the Theatres Royal, and carefully collated and revised. London: Sherwood, Jones and Co., [1825-27]. First edition. Four octavo volumes (8 1/2 x 5 3/8 inches; 216 x 137 mm.). Each volume with title-page printed in black and pale blue, a multi-portrait engraved frontispiece, and an early manuscript "index" leaf. Profusely illustrated throughout, each play with a woodcut vignette by Byfield, Dodd, Williamson, and others. Six of the woodcuts are by George Cruikshank, viz. "Dragon of Wantley," "Tom Thumb," and "The Lord of the Manor" in the second volume, and "Monsieur Tonson," "Crononhotonthologos," and "The Recruiting Sergeant" in the third volume. That to the "Lord of the Manor" is the only one signed, but I have them all signed by the artist in ink." (Cohn #507 p. 150). ** In the present copy, the woodcuts by George Cruikshank are in volume IV. Bound ca. 1825 in full dark blue diced calf. Covers bordered in gilt, spines with five shallow raised bands, decoratively tooled and lettered in gilt in compartments, marbled endpapers. Each volume with the ink name "Fiske" on a front blank leaf, volume one with a neat ink inscription "Jane Martha Hicks Beach/August 7th 1827". Some rubbing to joints, but still a sound and attractive contemporary set. Housed in an early blue cloth slipcase. Each volume with the armorial bookplate of the Dyne family on the front paste-down, depicting three goats and a bird on a fess, with a crest of a bearded figure in a checkered cap and the motto "Terrere nolo timere nescio" ("I do not wish to terrify; I do not know how to fear"). A substantial and highly engaging anthology of the English stage at the close of the Regency period, The London Stage gathers together a remarkably broad dramatic canon, drawn "from acting copies" as performed at the Theatres Royal. The importance of this claim cannot be overstated: these texts reflect theatrical practice-cuts, adaptations, and stage-ready dialogue - rather than purely literary versions, offering a rare and practical insight into early nineteenth-century performance culture. The collection encompasses works by many of the principal dramatists of the seventeenth and eighteenth centuries, including William Congreve, George Farquhar, John Gay, Henry Fielding, Oliver Goldsmith, Richard Brinsley Sheridan, and Samuel Foote, alongside important theatrical figures such as David Garrick and John Philip Kemble. The range extends from Restoration comedy through sentimental drama and ballad opera to late Georgian melodrama, with additional contributions by Susanna Centlivre, Hannah Cowley, Thomas Holcroft, Matthew Gregory Lewis, and Elizabeth Inchbald, among many others. In effect, the work functions as a compact theatrical library, bringing together over a century of dramatic literature as it lived in performance rather than on the printed page. The inclusion of multi-portrait frontispieces further situates the work within the living theater of its day, celebrating the actors and personalities who defined the London stage. The manuscript index leaves - clearly the work of an early owner - suggest active consultation and practical use, perhaps by a reader engaged in recitation, amateur theatricals, or dramatic study. Sets preserved in contemporary diced calf are increasingly scarce, particularly when retaining their original structure and accompanied by early provenance. The Dyne armorial bookplates lend the present set an added note of distinction and continuity, enhancing both its aesthetic appeal and historical resonance. A handsome and evocative survival-at once a working theatrical compendium and a remarkably complete snapshot of the Eng.