Sullivan david allen (26 Ergebnisse)

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Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Paperback. Zustand: Very Good. No Jacket. Cover is in good condition, save for some rubbing. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Size: 8vo - over 7¾" - 9¾" tall.

Paperback. Zustand: Used-Very Good. Pap. Slight shelf wear.

Zustand: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Zustand: New.

dvd. Zustand: Used - Good.

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Hardcover. Zustand: Fine. Very large book, children's format, glossy red borders to front, red spine and back, blue-tinted illustration of street vendor and child on front, peach color inside covers and adjacent end papers. Fine. Bryson, Laura Allen (illustrator).

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40 pp.; 20 x 22.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 21, 1981 - January 21, 1982. Text by Marcia Tucker. Artists in exhibition include Terry Allen, Glen Baxter, Robert Colescott, Steven Cortright, Steve Gianakos, Louie Grenier, J.P. Hutto, Pamela Kelly, John Malpede, Linda Montano, Tony Oursler, Richard Ross, Erika Rothenberg, Nina Salerno, Michael Smith, Terry Sullivan, Mark Tansey, David Troy, and William Wegman. Includes artists' biographies and bibliographies. Very Good. Stickers on recto cover. Contents clean and unmarked.…

Hardback. Zustand: very Good. No Dust Jacket. red Fabric spine, picture cover. (diamond shaped pictures in a collage, fencing, hockey, rugby, elephant, etc) First story; Sentence to Victory , only light edge rubbing, inscription dated 1955. Various (illustrator).

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Paperback. Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

[8] pp. (folded); 20.3 x 22.8 cm. (folded); black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Folded exhibition booklet published in conjunction with show held October 8 - November 27, 1983. Organized by Lynn Gumpert, Ned Rifkin, and Marcia Tucker. Includes text by Marcia Tucker. Artists include Vito Acconci, John Baldessari, Douglas Davis, Eleanor Dube, Lauren Ewing, John Fekner, Howard Finster, Vernon Fisher, Alfred Jensen, Brad Melamed, Claire Moore, Adrian Piper, Earl Ripling, Allen Ruppersberg, Ed Ruscha, Irvin Tepper, Anne Turyn, Lawrence Weiner, William T. Wiley, Nicholas Africano, John Ahearn, Rigoberto Torres, Terry Allen, Joan Brown, Claudia Fitch, James Hill, Joseph Hilton, Luis Jimenez, Barry LeVa, Linda Montano, Ree Morton, Howardena Pindell, Mike Roddy, David Saunders, Pat Steir, Terry Sullivan, Jamie Summers, William Wegman, Grace Williams, Mr. Apology, Dara Birnbaum, Bruce Charlesworth, Robert Cumming, Jamie Davidovich, Keith Haring, Donald Lipski, Steve Miller, Richard Prince, Erika Rothenberg, Al Souza, Mark Tansey, Nancy Arlen, Lynda Benglis, Tom Butter, Ed Flood, Ron Gorchov, Al Held, Bill Jensen, Steve Keister, Brice Marden, Elizabeth Murray, David Reed, Dorothea Rockburne, Joel Shapiro, and Gary Stephan. Good. Rubbing of covers and edgewear. Sticker and sticker residue on recto cover.…

Hardback. Zustand: New.

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126 pp.; 24.9 x 19.9 cm.; sewn bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Winter 2001 issue of Cabinet Magazine based around the theme of "Evil." Edited by Sina Najafi. Contents include : "The Clean Room," by David Serlin; "Leftovers," by Sara Harris; "Colors," by Frances Richard; "Ingestion," by Allen Weiss; "The Acoustics of War," by Daria Vaisman; "What's in a Name," by David E. Brown; "Raw and Processed Data;" "Walter Pitts," by Keller Easterling; "Imported Nationalism," by Jesse Lerner; "The Pigment Connoisseur," by Gregory Williams; "The Portrait Connection," by Peter Rostovsky; "The Traveling Interview : Part II," by Lucy Lippard and Kathy Vargas; "Two Postcards," by Aris Fioretos; "The Emergence of Social Inequality Among Robots, by Luc Steels; "Brancusi / Koons," by James Dawson-Hollis; "Private Lunar Esp : An Interview with Edgar Mitchell," interviewed by Fia Backström; "Doppelgänger," by Francis Alÿs; "The Practice of Failure," by John Roberts; "On Evil : An Interview with Alain Badiou," interviewed by Christoph Cox and Molly Whalen; "On Evil : An Interview with Alenka Zupancic," by Christoph Cox; "Letter Bombs, 1904 - 1998," by Carl Michael von Hausswolff; "Good Over Evil / Evil Over Good," by Lee Etheredge IV; "Bats and Dancing Bears : An Interview with Eric Zillmer," by Sina Najafi; "Modernist Malice," by Andrea Codrington; "The De-Monization of Evil : Banality, Arendt, Sartre," by Ulrich Baer; "Destroyed : Project and Insert," by David Bunn; "Of Criminals, Degenerates, and Literary Offenders," by Marina van Zuylen; "Live and Die as Eva Braun," by Roee Rosen; "Deuteronomy : A CD-ROM," by Brian Dewan; "Twenty Minutes Under Water," by Carsten Höller; "The Persistence of Goodness," by Sven-Olov Wallenstein; "The Evil Eye : An Interview with Alan Dundes," by Nicholas Frobes-Cross; "Antichrist : An Interview with Bernard McGinn," by Kristofer Widholm; "Victor Houteff," by Harry Steinberg; "The Orthodox Origins of Heterodoxy," by Karen Sullivan; "Unlimited Edition : Evil/Exit," by Vincent Mazeau and "Postcard," by Victor Houteff. Includes contributor biographies. Covers by Francis Cape. Very Good / Fine. Very light rubbing of cover edges and corners. Contents clean and unmarked. Includes slipped-in CD-ROM. Due to large size and weight additional shipping charges will be required for international orders. …

Paperback. Zustand: new. Paperback. In Everything I Touch Is-& Isn't-You, David Allen Sullivan and Ignatius Valentine Aloysius engage in a daring poetic conversation, weaving poems from one another's lines and inventing new collaborative forms. Written in a time of political fracture, the poems insist on attention, tenderness, and survival. The collection moves through grief, love, politics, and bearing witness, dissolving the boundaries between self and other to reveal a shared, living voice."In a series of linguistically embroidered conversations between the poets-or rather the language of the poems-the "I" and the "you" retain their lyrical specificity while also giving way to a semiotics of self that creates a vaster, osmotic space for the interchange of selves. Reminiscent of the familiar weavings of another collaborative duo-Lennon/McCartney's stitched songs at the end of Abbey Road-Aloysius and Sullivan sew their self-created patterns with a golden thread at once intentional and mysterious. Like two focused tailors in a fairytale, their musical stitchery creates shapeshifters' cloaks you'll want to wear, and unpredictable rhythms you'll want to hear."-Roxi Power, The Songs That Objects Would Sing. Co-editor of Winter in America (Again: Poets respond to 2024 Election)"What we are witnessing in this collaboration is an intimacy that welcomes our intrusion, a sacred conversation that doesn't shy away from an inquisitive audience. This book wanders through questions of mortality, beauty, survival, and love, unfolding in real time with the natural epiphanies and digressions that happen when we lead with curiosity. The end result? A manual on inspiration and what happens when artists are open to be led by language, and by each other."-Taylor Byas, Resting Bitch Face"Sullivan and Aloysius shower readers with immersive details and powerful insights while they showcase innovative forms. Poems in this volume are woven as part of their design, yet the seams are often invisible until further examination. Sullivan and Aloysius collaborate, and so do the poems themselves, Golden Shovels joined by invented forms named Golden Shoots & Ladders and Golden Sliver. What results is an exhilarating exploration of language and a reinvention of the poetic conversation. As "Dissolve in the Flickering Neon" advises, "The mind's a dry match / that first sets itself on fire, to master it / once & show how it's done.""-Mary Biddinger, The Girl with the Black Lipstick"Everything I Touch Is-& Isn't-You is a master class in poetic generosity and formal ingenuity as our two poets compose together their musical conversation-a call and response. Each poem in sequence is an homage to the previous poem, as one poet takes words and sentences from the other to reimagine what was already conjured. And so creative origins are dissolved into one lavish poem after another, written ultimately by neither poet, or by both simultaneously. "Sometimes, it gets hard to live.& stay in the body's house, .its ghosts singing of my self-evacuation from the homeland," plays off of: "I'm a paltry host without my caravan of ghosts." The title suggests that everything here is-and isn't "you." Who else could it be? This wonderful book offers many intriguing possibilities."-Brad Crenshaw, Chased by Lunacies and Wonders, 2023 a book of collaborative poetry by David Allen Sullivan & Ignatius Valentine Aloysius This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In Everything I Touch Is-& Isn't-You, David Allen Sullivan and Ignatius Valentine Aloysius engage in a daring poetic conversation, weaving poems from one another's lines and inventing new collaborative forms. Written in a time of political fracture, the poems insist on attention, tenderness, and survival. The collection moves through grief, love, politics, and bearing witness, dissolving the boundaries between self and other to reveal a shared, living voice.'In a series of linguistically embroidered conversations between the poets-or rather the language of the poems-the 'I' and the 'you' retain their lyrical specificity while also giving way to a semiotics of self that creates a vaster, osmotic space for the interchange of selves. Reminiscent of the familiar weavings of another collaborative duo-Lennon/McCartney's stitched songs at the end of Abbey Road-Aloysius and Sullivan sew their self-created patterns with a golden thread at once intentional and mysterious. Like two focused tailors in a fairytale, their musical stitchery creates shapeshifters' cloaks you'll want to wear, and unpredictable rhythms you'll want to hear.'-Roxi Power, The Songs That Objects Would Sing. Co-editor of Winter in America (Again : Poets respond to 2024 Election)'What we are witnessing in this collaboration is an intimacy that welcomes our intrusion, a sacred conversation that doesn't shy away from an inquisitive audience. This book wanders through questions of mortality, beauty, survival, and love, unfolding in real time with the natural epiphanies and digressions that happen when we lead with curiosity. The end result A manual on inspiration and what happens when artists are open to be led by language, and by each other.'-Taylor Byas, Resting Bitch Face'Sullivan and Aloysius shower readers with immersive details and powerful insights while they showcase innovative forms. Poems in this volume are woven as part of their design, yet the seams are often invisible until further examination. Sullivan and Aloysius collaborate, and so do the poems themselves, Golden Shovels joined by invented forms named Golden Shoots & Ladders and Golden Sliver. What results is an exhilarating exploration of language and a reinvention of the poetic conversation. As 'Dissolve in the Flickering Neon' advises, 'The mind's a dry match / that first sets itself on fire, to master it / once & show how it's done.''-Mary Biddinger, The Girl with the Black Lipstick'Everything I Touch Is-& Isn't-You is a master class in poetic generosity and formal ingenuity as our two poets compose together their musical conversation-a call and response. Each poem in sequence is an homage to the previous poem, as one poet takes words and sentences from the other to reimagine what was already conjured. And so creative origins are dissolved into one lavish poem after another, written ultimately by neither poet, or by both simultaneously. 'Sometimes, it gets hard to live.& stay in the body's house.its ghosts singing of my self-evacuation from the homeland,' plays off of: 'I'm a paltry host without my caravan of ghosts.' The title suggests that everything here is-and isn't 'you.' Who else could it be This wonderful book offers many intriguing possibilities.'-Brad Crenshaw, Chased by Lunacies and Wonders, 2023. …

Taschenbuch. Zustand: Neu. Everything I Touch Is-& Isn't-You | David Allen Sullivan (u. a.) | Taschenbuch | Englisch | 2026 | Roadside Press | EAN 9798999625694 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…