T h borchert (26 Ergebnisse)
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Zustand: Good. First Edition. Catalogus bij de reizende tentoonstelling (Madrid, Brugge, New York) waarin voor het eerst Memlings portretten samengebracht worden, stuk voor stuk parels die een onnavolgbare sereniteit en waardigheid uitstralen en een sterke invloed uitgeoefend hebben op de kunst van de Mediterrane wereld.
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Hardcover. Zustand: Very Good. No Dust Jacket. First Thus. 4to - over 9¾" - 12" tall. In color pictorial boards, 4to, 246pp. Illustrated profusely. Color and B&W Illustration (illustrator).
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Technical Studies of Paintings : Problems of Attribution (15th-17th Centuries): Papers Presented at the Nineteenth Symposium for the Study of Underdrawing and Technology in Painting Held in Bruges, 11-13 September 2014
Dubois, Anne (EDT); Couvert, Jacqueline (EDT); Borchert, Till-Holger (EDT)
- Softcover
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- Softcover
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Paperback. Zustand: new. Paperback. Attributions are central questions in art history. Since theintroduction of new examination methods such as radiography, infraredphotography and reflectography, conventional art history has undergonemajor changes. Technical examinations can provide additional argumentsfor attributing works of…art to individual artists or their workshops.However, technical studies often also reveal complex working methods,while new scientific imagery sometimes challenges accepted attributionsand instigates reconsiderations of traditional attributions. The XIXthsymposium for the Study of Underdrawing and Technology in Painting whichwas held in Bruges on 11-13 September 2014 was dedicated to technicalstudies of paintings: problems of attribution (15th-17th centuries). Itfocussed on the various ways in which technical studies can provideanswers to the often complex issue of attribution and will discuss thechallenges that art historians face in proposing conclusive theories.This book captures the variety of twenty-four paperspresented at the symposium. Attributions are central questions in art history. Since the introduction of new examination methods such as radiography, infrared photography and reflectography, conventional art history has undergone major changes. Technical examinations can provide additional arguments for attributing works of art to individual artists or their wo Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Technical Studies of Paintings : Problems of Attribution (15th-17th Centuries): Papers Presented at the Nineteenth Symposium for the Study of Underdrawing and Technology in Painting Held in Bruges, 11-13 September 2014
Dubois, Anne (EDT); Couvert, Jacqueline (EDT); Borchert, Till-Holger (EDT)
- Softcover
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Staging the Court of Burgundy : Proceedings of the Conference "The Splendour of Burgundy"
T.-H. Borchert, W. Blockmans, N. Gabriëls, J. Oosterman, A. Van Oosterwijk (eds.)
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Couverture rigide. Zustand: Neuf. Zustand des Schutzumschlags: Neuf. prima edizione. Staging the Court of Burgundy : Proceedings of the Conference "The Splendour of Burgundy" Author: Borchert, T.H. (et al) Price: eur 140.- ISBN: 9781905375820 Record created on 08/25/2011 Description: Turnhout: Harvey Miller, 2013 28cm., hardcove…r, 394pp., 65 color, 200 b&w illus. Contents: W. Blockmans, The Splendour of Burgundy - for Whom? ; B. Hillewaert, The Bruges Prinsenhof - The Absence of Splendour ; J. Lucas, Between Politics and Care for Salvation - The Wall-Mounted Memorial of Isabel of Burgundy in the Basic Charterhouse ; H. Brinkmann, Splendorous Art - Words for Oblivion - Origins of Literary Innovation in Dutch during Burgundian Rule 1419-1482 ; B. Haggh, Between Council and Crusade - The Ceremonial of the Order of the Golden Fleece in the 15th Century ; S. Duennebeil, The Order of the Golden Fleece in the Year 1478 - Continuity of Recommencement? ; A. Berlin, Family Politics and Magic at the Court of Burgundy ; E. Bousmar, Jousting at the Court of Burgundy - The 'Pas d'armes' - Shifts in Scenario, Location and Recruitment ; M. Damen, The Town, the Duke, his Courtiers and their Tournament - A Spectacle in Brussels 4-7 May 1439 ; J. Goossenaerts, Charles the Bold's Ten Days of Marriage Celebration - Material Culture as a Means of Political Communication between Duke and City Council ; J. Hurlbut, Symbols of Authority - Inaugural Ceremonies for Charles the Bold ; A. Brown, Exit Ceremonies in Burgundian Bruges ; W. Brueckle, Political Allegory at the Court of Charles the Bold - Pageantry, an Enigmatic Portrait and the Limits of Interpretation ; K. Oscherma, Liquid Splendour - Table-Fountains and Wine-Fountains at the Burgundian Courts ; J. Bloom, Performance as Paradigm - the Visual Culture of the Burgundian Court ; A. Hamilton, The Art of Embroidery in the Burgundian Paraments of the Order of the Golden Fleece ; E. Helfenstein, The Burgundian Court Goblet - On the Function and Status of Precious Vessels at the Court of Burgundy ; J. Spicer, The White Rose in the Burgundian Netherlands of Charles the Bold and Margaret of York ; E. Snow, Music, Competition and Propaganda in the Court of Philip the Fair ; A. Campbell, At the Request of the Duchess? Gift-Exchange and the Gendering of Religious Patronage ; S. Koehl, Princely Architecture - Town Halls in the Burgundian Netherlands ; T.-H. Borchert, Some Thoughts about Form and Function in Early Flemish Portraits ; H. Callewier, The Singers of the Bruges Churces and the Music Chapel of the Dukes of Burgundy ; H. 't Jong, The Room of the Scribe - Reality in Disguise Instead of Disguised Symbolism ; J. Koldewij, A Good Example to Follow - The Reliquaries of Charles the Bold, John of Lannoy, and John Bastard of Cleves ; J. Oosterman, Scattered Voices - Anthonis de Roovere and Other Reporters of the Wedding of Charles the Bold and Margaret of York ; S. Mareel, Politics, Mnemonics, and the Verse Form on the Function of the Poems in the Excellente Cronike van Vlaenderen ; O. Vassilieva-Codognet, The Portraits of the Counts of Flanders and the Coloured Drawings of the Douai Manuscript of the Excellente Cronike von Vlaenderen ; E. Moodey, The Shade of Charlemagne ; S. Jolivet, H. Wijsman, Dress and Illuminated Manuscripts at the Burgundian Court - Complementary Sources and Fashions 1430-1455 ; E. Koenig, Charles the Bold and Mary of Burgundy - Style or Who Said 'Voustre Demeure'? ; K. Rudy, The Trivulzio Hours, the Ghent Altarpiece and the Mass as Devotional Subject ; S. Lindquist, Luxuriating in Poverty and Philosophy - Some Unusual Nudes in the Manuscripts of Louis of Bruges. This volume presents a study of the Burgundian court during the 15th century, and provides a forum for new research in various fields. In the course of the fifteenth century, the reputation of the Burgundian court rose to an unprecedented level, catapulted forward by ever growing territorial ambitions and accumulation of wealth. This reached a climax during the reign of Charles the Bold (14 Size: 220 X28.
- Softcover
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- Softcover
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Technical Studies of Paintings: Problems of Attribution (15th-17th Centuries) : Papers presented at the Nineteenth Symposium for the Study of Underdrawing and Technology in Painting held in Bruges, 11-13 September 2014 Anne Dubois, Jacqueline Couvert, Till-Holger Borchert (eds.)
Anne Dubois, Jacqueline Couvert, Till-Holger Borchert (eds.)
- Softcover
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Softcover. Zustand: gut. 2018. Technical Studies of Paintings: Problems of Attribution (15th-17th Centuries) : Papers presented at the Nineteenth Symposium for the Study of Underdrawing and Technology in Painting held in Bruges, 11-13 September 2014 In deutscher Sprache. pages.
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- Hardcover
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Hardcover. Zustand: New. XXII-377 p. Attributions are central questions in art history. Since the introduction of new examination methods such as radiography, infrared photography and reflectography, conventional art history has undergone major changes. Technical examinations can provide additional arguments for attributing work…s of art to individual artists or their workshops. However, technical studies often also reveal complex working methods, while new scientific imagery sometimes challenges accepted attributions and instigates reconsiderations of traditional attributions. The XIXth symposium for the Study of Underdrawing and Technology in Painting which was held in Bruges on 11-13 September 2014 was dedicated to technical studies of paintings: problems of attribution (15th-17th centuries). It focussed on the various ways in which technical studies can provide answers to the often complex issue of attribution and will discuss the challenges that art historians face in proposing conclusive theories. This book captures the variety of twenty-four papers presented at the symposium.
- Softcover
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Paperback. Zustand: new. Paperback. Attributions are central questions in art history. Since theintroduction of new examination methods such as radiography, infraredphotography and reflectography, conventional art history has undergonemajor changes. Technical examinations can provide additional argumentsfor attributing works of…art to individual artists or their workshops.However, technical studies often also reveal complex working methods,while new scientific imagery sometimes challenges accepted attributionsand instigates reconsiderations of traditional attributions. The XIXthsymposium for the Study of Underdrawing and Technology in Painting whichwas held in Bruges on 11-13 September 2014 was dedicated to technicalstudies of paintings: problems of attribution (15th-17th centuries). Itfocussed on the various ways in which technical studies can provideanswers to the often complex issue of attribution and will discuss thechallenges that art historians face in proposing conclusive theories.This book captures the variety of twenty-four paperspresented at the symposium. Attributions are central questions in art history. Since the introduction of new examination methods such as radiography, infrared photography and reflectography, conventional art history has undergone major changes. Technical examinations can provide additional arguments for attributing works of art to individual artists or their wo Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Verlag: Jena, Gustav Fischer, 1903
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In den WarenkorbSoft cover. 1st Edition. Two volumes. Folio. Pp. 59, plus 10 collotype plates with a total of 62 illustrations, printed on card, bound at end; [AND:] Folio. Pp. 63-150, plus 13 collotype plates (numbered XI-XXIII), with a total of 44 illustrations, printed on card, bound at end. Original printed wrappers, bit worn along spines.…In good condition, fine plates. ~ FIRST EDITION. Denkschriften der medicinisch-naturwissenschaftlichen Gesellschaft zu Jena, X. Zweite Serie, Band I, Lieferung 1+2. Oskar Vogt (1870-1959). Z-1. ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustrator).
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In den WarenkorbExhib. cat. Groeningemuseum, Brugge, 2002. 280 pp., ills, 4to, linnen/omslag. Ook beschikbaar in paperback 15,-.
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- Hardcover
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Zustand: Nuovo. Dettagli LibroSku: PZZLB103111ISBN: 9788857225128Titolo: Memling. Rinascimento FiammingoAutore: T. H. BorchertEditore: SkiraAnno: 2014Pagine: 260Formato: RilegatoPittore fiammingo di origini tedesche, allievo e collaboratore di Rogier van der Weyden fino alla morte di quest'ultimo, Hans Memling nel 1464 si stabil…ì a Bruges, il centro finanziario dei Paesi Bassi. Tra i primi incarichi ricevuti dall'artista, compaiono committenze importanti quali quelle dell'abate Jan Crabbe dell'Abbazia di Ter Duinen, del vescovo Ferry de Clugny o di Angelo Tani, rappresentante del Banco dei Medici a Bruges. Dotato di straordinaria maestria tecnica ed eccellente compositore, tra il 1465 e il 1494 divenne il ritrattista più celebre nella cerchia dei mercanti italiani di Bruges e rivoluzionò radicalmente la ritrattistica, introducendo degli sfondi paesaggistici nei suoi ritratti. Il volume, catalogo della prima mostra italiana dedicata al pittore fiammingo, offr.
- Hardcover
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Rilegato. Zustand: nuovo.
Verlag: TASCHEN UK 2022-09-14, 2022
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Hardcover. Zustand: New.
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In den WarenkorbMaastricht Gent 2000,302 pp, B&W illustrations, softcover, good shape, 9053493182, (code O-75).
Verlag: Stgt., 2002
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In den Warenkorbsehr guter Zustand 280 S., 383 Abb. . .
