The pre raphaelites (17 Ergebnisse)
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First Edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description; 288 pages : illustrations (some color), portraits ; 30 cm. Notes; Published by order of the Trustees of the Tate Gallery 2000 on the occasion of the exhibition at Tate Britain, London, 9 March-28 May 2000. Includes bib…liographical references (page 281) and index. Contents; The beautiful and the true / by Robert Hewison -- Catalogue / by Robert Hewison, Ian Warrell and Stephen Wildman -- Introduction (RH) -- Foundations (IW) -- Learning from Turner (IW) -- Venice and the nature of gothic (RH) -- Patron and collector (RH) -- Ruskin's drawings 1844-1882 (SW) -- Ruskin's pre-Raphaelitism (IW & RH) -- A new era of art (RH) -- The storm-cloud of the nineteenth century (RH) -- Conclusion (RH) -- Chronology / compiled by Ian Warrell and Robert Hewison. Subjects; Ruskin, John 1819-1900 ; Exhibitions. Turner, J. M. W. (Joseph Mallord William) 1775-1851 Influence ; Exhibitions. 1800-1899. Pre-Raphaelitism Great Britain ; Exhibitions. Art Great Britain 19th century ; Exhibitions. Art, Modern 19th century. 3 Kg.
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Verlag: London : Tate Gallery, 2000
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In den WarenkorbPaperback edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 288 pages : illustrations (some color), portraits ; 30 cm. Subjects; Ruskin, John 1819-1900 ; Exhibitions. Turner, J. M. W. (Joseph Mallord William) 1775-1851 Influence ;… Exhibitions. Turner, J. M. W. (Joseph Mallord William) 1775-1851 ; Catalogs. Painting, English History 19th century ; Exhibitions. 3 Kg.
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First Edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description; 288 pages : illustrations (some color), portraits ; 30 cm. Notes; Published by order of the Trustees of the Tate Gallery 2000 on the occasion of the exhibition at Tate Britain, London, 9 March-28 May 2000. Includes bib…liographical references (page 281) and index. Contents; The beautiful and the true / by Robert Hewison -- Catalogue / by Robert Hewison, Ian Warrell and Stephen Wildman -- Introduction (RH) -- Foundations (IW) -- Learning from Turner (IW) -- Venice and the nature of gothic (RH) -- Patron and collector (RH) -- Ruskin's drawings 1844-1882 (SW) -- Ruskin's pre-Raphaelitism (IW & RH) -- A new era of art (RH) -- The storm-cloud of the nineteenth century (RH) -- Conclusion (RH) -- Chronology / compiled by Ian Warrell and Robert Hewison. Subjects; Ruskin, John 1819-1900 ; Exhibitions. Turner, J. M. W. (Joseph Mallord William) 1775-1851 Influence ; Exhibitions. 1800-1899. Pre-Raphaelitism Great Britain ; Exhibitions. Art Great Britain 19th century ; Exhibitions. Art, Modern 19th century. 1 Kg.
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Verlag: London : Tate Gallery, 2000
- Softcover
Anbieter: MW Books Ltd., Galway, IrlandMW Books Ltd.
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In den WarenkorbPaperback edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 288 pages : illustrations (some color), portraits ; 30 cm. Subjects; Ruskin, John 1819-1900 ; Exhibitions. Turner, J. M. W. (Joseph Mallord William) 1775-1851 Influence ;… Exhibitions. Turner, J. M. W. (Joseph Mallord William) 1775-1851 ; Catalogs. Painting, English History 19th century ; Exhibitions. 1 Kg.
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The Spectator Friday, October 1, 1948 / Walter Taplin "Steel's Silent War" / Muriel Grindrod "Uneasy Italy" / Francis Williams "Chuter Ede" / Alfred C Bossom "Housing In France" / Three Months Of NHS / George Pendle "Targets & Markets" / Derek Patmore "The Pre-Raphaelites"
Wilson Harris (Editor) / Walter Taplin "Steel's Silent War" / Muriel Grindrod "Uneasy Italy" / Francis Williams "Chuter Ede" / Alfred C Bossom "Housing In France" / Three Months Of NHS / George Pendle "Targets & Markets" / Derek Patmore "The Pre-Raphaelites"
Verlag: The Spectator Ltd, 1949
- Softcover
- Magazine / Periodical
Anbieter: Shore Books, London, Vereinigtes KönigreichShore Books
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In den WarenkorbSoft cover. Zustand: Very Good. 32 pages. Walter Taplin "Steel's Silent War" / Muriel Grindrod "Uneasy Italy" / Francis Williams "Chuter Ede" / Alfred C Bossom "Housing In France" / Three Months Of NHS / George Pendle "Targets & Markets" / Derek Patmore "The Pre-Raphaelites" (Papers).
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Verlag: Whitworth Art Gallery., Manchester., 1972
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Anbieter: Roe and Moore, London, Vereinigtes KönigreichRoe and Moore
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In den WarenkorbPrinted Wrapper. Zustand: Very Good. No Jacket. First Edition. 115 item, well illustrated catalogue.
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First Edition. Good copy in the original stiff-card wrappers; edges slightly nicked and dust-dulled as with age. Physical description; 2 v. (190, 129 p.) : ill. (some col.), ports. (some col.) ; 30 cm. Notes; Published on the occasion of an exhibition at G.A.L.L.E.R.Y., [8 Nov. - 15 Dec. 1989]. Includes index. Contents; v.1, Tex…t - v.2, Plates. Summary; Burne-Jones, The Pre-Raphaelites and Their Century is one of the most scholarly books on the period, written by Hilary Morgan and edited by Peter Nahum with contributions by Christopher Newall. The detailed index will help both scholars and the curious. It contains ground-breaking essays on: The Nineteenth Century - A Hundred Years On; Before the Pre-Raphaelite Brotherhood; The Pre-Raphaelite Brotherhood and the Influence of Ruskin; Burne-Jones Drawings; The Flower Book; Giovanni and the Etruscan School and Pre-Raphaelitism and the Fin-de-Siecle. This lavishly illustrated book and catalogue of 19th century works has been an important source for academics and collectors since its publication. Subjects; Burne-Jones, Edward Coley Sir (1833-1898). Burne-Jones, Edward (English artist, 1833-1898) Exhibitions. Burne-Jones, Edward Sir (1833-1898) Exhibitions. Burne-Jones, Edward Coley (1833-1898) Exhibitions. Peter Nahum at the Leicester Galleries (London, England) Catalogues. Pre-Raphaelite Brotherhood Exhibitions. Peter Nahum (Firm). Draughtsmen, British 19th century. Painters, British 19th century. Pre-Raphaelitism. Preraphaelitism England Exhibitions. Preraphaelites England Exhibitions. Art, English Exhibitions. Art, Modern 19th century England Exhibitions. Art, Victorian Great Britain Exhibitions. Art, Modern 19th century Great Britain Exhibitions. Pre-Raphaelitism England Catalogs. Pre-Raphaelitism Great Britain. Pre-Raphaelitism Catalogues. Paintings. England. Pre-Raphaelites. Art, Modern-19th century-Great Britain. Exhibition catalogues. Art, Victorian. Pre-Raphaelites. Pre-Raphaelitism. Genres; Catalogue. Illustrated. 1 Kg.
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First Edition. Good copy in the original stiff-card wrappers; edges slightly nicked and dust-dulled as with age. Physical description; 2 v. (190, 129 p.) : ill. (some col.), ports. (some col.) ; 30 cm. Notes; Published on the occasion of an exhibition at G.A.L.L.E.R.Y., [8 Nov. - 15 Dec. 1989]. Includes index. Contents; v.1, Tex…t - v.2, Plates. Summary; Burne-Jones, The Pre-Raphaelites and Their Century is one of the most scholarly books on the period, written by Hilary Morgan and edited by Peter Nahum with contributions by Christopher Newall. The detailed index will help both scholars and the curious. It contains ground-breaking essays on: The Nineteenth Century - A Hundred Years On; Before the Pre-Raphaelite Brotherhood; The Pre-Raphaelite Brotherhood and the Influence of Ruskin; Burne-Jones Drawings; The Flower Book; Giovanni and the Etruscan School and Pre-Raphaelitism and the Fin-de-Siecle. This lavishly illustrated book and catalogue of 19th century works has been an important source for academics and collectors since its publication. Subjects; Burne-Jones, Edward Coley Sir (1833-1898). Burne-Jones, Edward (English artist, 1833-1898) Exhibitions. Burne-Jones, Edward Sir (1833-1898) Exhibitions. Burne-Jones, Edward Coley (1833-1898) Exhibitions. Peter Nahum at the Leicester Galleries (London, England) Catalogues. Pre-Raphaelite Brotherhood Exhibitions. Peter Nahum (Firm). Draughtsmen, British 19th century. Painters, British 19th century. Pre-Raphaelitism. Preraphaelitism England Exhibitions. Preraphaelites England Exhibitions. Art, English Exhibitions. Art, Modern 19th century England Exhibitions. Art, Victorian Great Britain Exhibitions. Art, Modern 19th century Great Britain Exhibitions. Pre-Raphaelitism England Catalogs. Pre-Raphaelitism Great Britain. Pre-Raphaelitism Catalogues. Paintings. England. Pre-Raphaelites. Art, Modern-19th century-Great Britain. Exhibition catalogues. Art, Victorian. Pre-Raphaelites. Pre-Raphaelitism. Genres; Catalogue. Illustrated. 1 Kg.
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Verlag: London. Penguin 1984. 312 Seiten. Zahlreiche teils farbige Abbildungen. Sprache: englisch. Format (29,5 x 23,5) cm., 1984
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Anbieter: Antiquariat Bernd Preßler, Ahnatal Weimar, DeutschlandAntiquariat Bernd Preßler
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Seitenränder leicht gebräunt, Name aufVorsatz. Softcover / Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.
Verlag: Thorpe Lodge Campden Hill. W. London 28 October, 1877
- Manuscript / Paper Collectible
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In den Warenkorb1p., 12mo. In very good condition, with part of gummed label from mount at head. Writing to 'My dear Faed', he accepts an invitation for 20 November, in the hope that 'we shall not be summoned to a Gen. Assembly on that evening if such things are ever again to be resumed!'.
[Sir Thomas Fairbairn, Manchester industrialist and patron of the Pre-Raphaelites.] Autograph Note Signed, inviting 'Yonge' to bring his rod and 'try the river'.
Sir Thomas Fairbairn (1823-1891), industrialist with engineers William Fairbairn & Sons, and patron of the Pre-Raphaelites, leading figure in the foundation of the Manchester City Art Gallery
Verlag: 'Saturday' no date or place
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In den WarenkorbSee his entry in the Oxford DNB. 1p., 12mo. In good condition, lightly aged. Folded once for postage. Reads: 'Dear Yonge / Will you bring your rod & try the river this morning / Yours always / Thomas Fairbairn / Saturday'.
Verlag: 7 Lodge Place London N.W. 8 June no year
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In den Warenkorb1p., 12mo. In good condition, with tiny remains of labels from mount adhering to corners. He returns her 'Burlington Club permit', with 'thanks for the opportunity of seeing so brilliant a Collection', before concluding with regards to her husband and 'Holly'.
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A Vision of Giorgione | Three Variations on a Venetian Theme [Signed]
Bottomley, Gordon (20 February 1874 - 25 August 1948) English poet and playwright, known particularly for his verse dramas. His main influences were the later Victorian Romantic poets, the Pre-Raphaelites and William Morris. [Charles de Sousy Ricketts RA (2 October 1866 - 7 October 1931) was a versatile English artist, illustrator, author and printer, and is best known for his work as book designer and typographer from 1896 to 1904 with the Vale Press, and his work in the theatre as a set and costume designer].
Verlag: Published by Constable and Company Ltd., 10-12 Orange Street, London First UK Edition . 1922., 1922
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In den WarenkorbZustand: Near Fine. First edition hard back binding in publisher's original white vellum over boards, three red silk ties across the front and rear boards blocked in black to the front board, probably designed by Charles Ricketts, top edge gilt. 8vo. 8½'' x 7''. Hand written Number 9 of 50 Limited Edition numbered copies SIGNED…by the author to the Limitation Leaf 'Gordon Bottomley'. Produced on Abbey Mills, Greenfield Crown Paper. Contains 6-(xiv), 60 printed pages of text. In very near Fine condition and housed in red cloth drop front box with clear acrylic glass lid. Light sun fading down the spine of the box. Extremely rare production. Member of the P.B.F.A. POETRY, VERSE & RHYMES.
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A Vision of Giorgione | Three Variations on a Venetian Theme [Signed]
Bottomley, Gordon (20 February 1874 - 25 August 1948) English poet and playwright, known particularly for his verse dramas. His main influences were the later Victorian Romantic poets, the Pre-Raphaelites and William Morris. [Charles de Sousy Ricketts RA (2 October 1866 - 7 October 1931) was a versatile English artist, illustrator, author and printer, and is best known for his work as book designer and typographer from 1896 to 1904 with the Vale Press, and his work in the theatre as a set and costume designer].
Verlag: Published by Constable and Company Ltd., 10-12 Orange Street, London First UK Edition . London 1922., 1922
- Hardcover
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- Signiert
Anbieter: Little Stour Books PBFA Member, Canterbury, Vereinigtes KönigreichLittle Stour Books PBFA Member
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In den WarenkorbZustand: Very Good. First edition hard back binding in publisher's original ivory cream buckram cloth covers, gilt title and author lettering to the spine, symmetrical Venetian architectural interior design by Charles Ricketts to the upper panel, top edge gilt. Quarto. 9'' x 7''. Hand written Number 12 of 50 Limited Edition Numb…ered Copies SIGNED by the author to the Limitation Leaf 'Gordon Bottomley'. Produced on Abbey Mills, Greenfield Crown Paper. Contains [xiv] 58 printed pages of text. Superb monochrome relief bookplate belonging to D. R. H. Williams to the front paste down. Light foxing to the end papers and in Very Good condition. Member of the P.B.F.A. POETRY, VERSE & RHYMES.
['Nearly made bankrupt' by this work: Henry Hugh Armstead, sculptor.] Autograph Letter Signed to James Dafforne of the Art Journal, describing his extensive work on the Colonial Office in Whitehall.
Henry Hugh Armstead (1828-1905), British sculptor associated with George Gilbert Scott, Gothic Revival and Pre-Raphaelites [James Dafforne (1804-1880) of the Art Journal; Colonial Office, Whitehall]
Verlag: 3 November ; Bridge Place Eccleston Bridge, 1874
- Signiert
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In den WarenkorbSee both men's entries in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with slight spot from previous mount at one corner. Folded twice. Signed 'H. H. Armstead'. In reply to a letter of Dafforne, he reports that 'the Statues I have made for the "Colonial Office" Niches are not yet in situ - but are now b…eing raised to the niches, and they will be in their places within the next few days.' He gives the names and positions of the statues, adding: 'The eight men are there as Secretaries of State for the Colonies'. He also indicates the work he has done for 'the central group representing the Queen &c &c': 'the two outside figures only they represent "Navigation" and "legislation", as well as 'the four flattish Reliefs under the central group [.] they are the Virtues "Truth," "Fortitude," "Temperance," and "Obedience." He continues: 'You are, of course, aware that the alto Relievos of the 5 divisions of the World & "Government" and "Education" are by me'. He concludes, with a hint of bitterness: 'I am glad you like the memorial work, it appears to give general pleasure - some satisfaction to the poor artists who were nearly made bankrupt by it.'.
Two Autograph Letters Signed (both 'Westland Marston') from the dramatist and critic John Westland Marston to John T. Baron of Blackburn, discussing his only novel, and his correspondence with Charles Dickens and Dante Gabriel Rossetti.
John Westland Marston (1819-1890), English dramatist and critic, associated with the Pre-Raphaelites [John T. Baron of Blackburn; Charles Dickens; Dante Gabriel Rossetti; Ward and Lock]
Verlag: Both from 191 Euston Road London. 19 August and 7 July 1883, 1882
- Manuscript / Paper Collectible
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
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In den WarenkorbBoth items in good condition, on lightly-aged paper. Both of them bifoliums with mourning borders; and both in their original envelopes, addressed by Marston, with stamp and postmarks. ONE: 4pp., 12mo. He begins by stating that he is gratified to find that his poems please Baron. 'The only novel I wrote, (it is more than 20 year…s ago) has I believe been long out of print. A comparatively short tale entitled "Family Credit" together with other sketches and essays (chiefly contributed to "Household Worlds' [sic] was published many years gone by Messr. Ward and Lock as the 1st. Volume of a Sjhilling series, and is possibly still to be had on application to them.' He would gladly send Baron a photograph, but his supply is exhausted. 'Very good ones I believe are to be had of the Stereoscope Company Regent Street taken 10 years since and also late of Messrs Elliott & Fry. Baker St.' He apologises for the 'hurried scrawl': 'I am in the midst of preparations for leaving London'. TWO: 4pp., 12mo. He regrest that he cannot 'comply with Mrs. Baron's wishes': 'Years ago some valued letters of Mr. Charles Dickens & other correspondents were destroyed by the lamentable mistake of a servant, and of those which remain I have given away all except those which refer to matters important to myself. - | All the letters I retain of my late friend, D. G. Rossetti, are of the same character, with the exception of one or two written during his last illness which on that account I desire to preserve.' Baron was a shameless autograph hunter, and perhaps this prompts Marston to comment: 'Whenever it is known that autographs of distinguished men are to be had the possessor is immediately applied to, so that at this date you will not be surprised to find that I have not one autograph in my possession which I can part with either of Dickens or Rossetti.' Regarding his own 'literary activity', he regrets to say that he has 'no volume of poems in preparation'; his health is 'too much impaired for any mental labour except of the most necessary kind'. He is 'now preparing to quit town for change of air in the hope of benefit'.
Verlag: 48 Albert Street Mornington Crescent London. No date but endorsed 27 September, 1849
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In den WarenkorbA very nice association between two central figures in Victorian book illustration. 2pp, 12mo. Bifolium addressed on reverse of second leaf, with Penny Red stamp and three postmarks, to 'B Forster [sic] Esqr | Cavendish Villa | Carlton Hill | St Johns Wood'. Endorsed with date. In good condition, lightly aged, with traces of glu…e from mount to one edge. The letter reads: 'Dear Sir | I am sorry I could not send you the address yesterday from the fact of not knowing their number if your proofs have been very recently taken it would be necessary to lay them in the sun for a day or two unless the ink is perfectly dry it is apt to lift up in the darker parts'. He appends the address of the copperplate printers Horwood & Watkins. The Brothers Dalziel engraved much of Birket Foster's work.
