Tinios (77 Ergebnisse)

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Paperback. Zustand: new. Paperback. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services o…f the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but littleunderstood art form. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would have read them. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Zustand: New. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leadi…ng artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but littleunderstood art form.

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Zustand: New. 2010. Paperback. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would hav…e read them. Num Pages: 144 pages, 100 colour illustrations. BIC Classification: 1FPJ; 3JD; 3JF; 3JH; ACBP; AFH. Category: (G) General (US: Trade). Dimension: 229 x 228 x 17. Weight in Grams: 630. Ukiyo-E in Edo, 1700-1900. 144 pages, 100 colour illustrations. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would have read them. Cateogry: (G) General (US: Trade). BIC Classification: 1FPJ; 3JD; 3JF; 3JH; ACBP; AFH. Dimension: 229 x 228 x 17. Weight: 620. . . . . .

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Zustand: New. 2010. Paperback. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would hav…e read them. Num Pages: 144 pages, 100 colour illustrations. BIC Classification: 1FPJ; 3JD; 3JF; 3JH; ACBP; AFH. Category: (G) General (US: Trade). Dimension: 229 x 228 x 17. Weight in Grams: 630. Ukiyo-E in Edo, 1700-1900. 144 pages, 100 colour illustrations. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would have read them. Cateogry: (G) General (US: Trade). BIC Classification: 1FPJ; 3JD; 3JF; 3JH; ACBP; AFH. Dimension: 229 x 228 x 17. Weight: 620. . . . . . Books ship from the US and Ireland.

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Paperback. Zustand: Brand New. 144 pages. 8.86x8.90x0.55 inches. In Stock.

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- Softcover
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Zustand: New. pp. 144.

- Softcover
- Erstausgabe
Anbieter: Joseph Burridge Books, Dagenham, Vereinigtes KönigreichJoseph Burridge Books
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Soft cover. Zustand: New. 1st Edition. 143 pages : illustrations (chiefly colour) ; 25 cm. Abstract:Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). Th…is book explains how those who first purchased these prints would have read them.

- Softcover
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Verlag: Apollo Magazine, London, 1988
- Softcover
- Magazin//Zeitschrift
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In den WarenkorbUnbound Pages. Zustand: Very Good. 6 pages, illustrated. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. Size: Quarto. Category: Apollo Arts Magazine; Cosmo Books : 29 years on ABE, 47 years taking care of… customers. A bookseller you can rely on.
Japan Review: Journal of the International Research Center for Japanese Studies ; No. 26 (2013): Special Issue: Shunga: Sex and Humor in Japanese Art and Literature
C. Andrew Gerstle and Timothy Clark (eds.); Hayakawa; Ishigami; Yano; Tinios; Haft; Preston; Garcia Rodriguez; Yamamoto; Moretti; Matsuba; Higuchi; Buckland
Verlag: International Research Center for Japanese Studies, Kyoto, Japan, 2013
- Softcover
- Erstausgabe
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In den WarenkorbTrade Paperback Original. Zustand: Very Good-. First Edition. Text is chiefly in English, with some Japanese. Top corner of contents page has a small red heart stamp; several bottom margins at front have some wear; tight, text clean. 280 p., well illustrated, some color [otob: 43].

- Softcover
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Paperback. Zustand: Very Good. Fine oversize paperbound with plain purple spine. ; 8.4 X 5.9 X 0.7 inches; 48 pages.
Verlag: Orientations Magazine Ltd., Hong Kong, 1992
- Softcover
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In den WarenkorbJournal. Zustand: As New. Pristine.

- Softcover
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Paperback. Zustand: Near Fine. A nice, bright copy. ; Color reproductions; 56 pages.

Unequal Ageing in Europe : Women's Independence and Pensions
Betti, Gianni; Bettio, Francesca; Georgiadis, Thomas; Tinios, Platon
- Hardcover
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Paperback. Zustand: new. Paperback. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services o…f the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but littleunderstood art form. Japanese woodblock prints of the Edo period (1615-1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). This book explains how those who first purchased these prints would have read them. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.