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Paperback. Zustand: new. Paperback. The Maysles brothers documentary film Grey Gardens (1975) chronicles the everyday lives of two eccentric upper-class women, Edith Bouvier Beale and her mother Edith. The film has gained the status of cult classic since its release, inspiring both a Broadway musical and a 2009 feature film. In this first single volume study, Matthew Tinkcom argues that Grey Gardens reshaped documentary cinema by moving the camera to the heart of the household, a private space into which film-makers had seldom previously ventured.By the time the film-makers appeared on their front porch, Grey Gardens two central figures, Big Edie and her daughter Little Edie, had been living for two decades in squalor in their beachside East Hampton mansion. However, the women were hardly victims of their poverty; rather they saw themselves as artists who were willing to make any sacrifice for their singing and dancing talents. When the Edies perform for the camera, audiences are challenged by the question of how much anyone would be willing to give up in order to lead a life of eccentric pleasure. Tinkcom argues that Grey Gardens is innovative in blending documentary with the conventions of melodrama, and that the films appeal lies in the fabric of the Beales everyday lives in which they argue, dress up, flirt, laugh, sing, dance and reminisce about their experiences in New Yorks social elite in the first half of the twentieth century.In his afterword to this new edition, Matthew Tinkcom reconsiders Grey Gardens fifty years after its release, addressing its cult status and the Edies continuing influence on popular culture. A study of the Maysles' 1975 documentary Grey Gardens in the BFI Film Classics series. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Grey Gardens (1975) is one of most important documentary films of the past thirty years, gaining the status of a cult classic. Matthew Tinkcom argues that the film reshaped documentary cinema by moving the non-fiction camera to the heart of the household, a private space into which film-makers had seldom previously ventured. Grey Gardens (1975) is one of most important documentary films of the past thirty years, gaining the status of a cult classic. Matthew Tinkcom argues that the film reshaped documentary cinema by moving the non-fiction camera to the heart of the household, a private space into which film-makers had seldom previously ventured. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Zustand: new. Paperback. The Maysles brothers documentary film Grey Gardens (1975) chronicles the everyday lives of two eccentric upper-class women, Edith Bouvier Beale and her mother Edith. The film has gained the status of cult classic since its release, inspiring both a Broadway musical and a 2009 feature film. In this first single volume study, Matthew Tinkcom argues that Grey Gardens reshaped documentary cinema by moving the camera to the heart of the household, a private space into which film-makers had seldom previously ventured.By the time the film-makers appeared on their front porch, Grey Gardens two central figures, Big Edie and her daughter Little Edie, had been living for two decades in squalor in their beachside East Hampton mansion. However, the women were hardly victims of their poverty; rather they saw themselves as artists who were willing to make any sacrifice for their singing and dancing talents. When the Edies perform for the camera, audiences are challenged by the question of how much anyone would be willing to give up in order to lead a life of eccentric pleasure. Tinkcom argues that Grey Gardens is innovative in blending documentary with the conventions of melodrama, and that the films appeal lies in the fabric of the Beales everyday lives in which they argue, dress up, flirt, laugh, sing, dance and reminisce about their experiences in New Yorks social elite in the first half of the twentieth century.In his afterword to this new edition, Matthew Tinkcom reconsiders Grey Gardens fifty years after its release, addressing its cult status and the Edies continuing influence on popular culture. A study of the Maysles' 1975 documentary Grey Gardens in the BFI Film Classics series. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Zustand: new. Paperback. The Maysles brothers documentary film Grey Gardens (1975) chronicles the everyday lives of two eccentric upper-class women, Edith Bouvier Beale and her mother Edith. The film has gained the status of cult classic since its release, inspiring both a Broadway musical and a 2009 feature film. In this first single volume study, Matthew Tinkcom argues that Grey Gardens reshaped documentary cinema by moving the camera to the heart of the household, a private space into which film-makers had seldom previously ventured.By the time the film-makers appeared on their front porch, Grey Gardens two central figures, Big Edie and her daughter Little Edie, had been living for two decades in squalor in their beachside East Hampton mansion. However, the women were hardly victims of their poverty; rather they saw themselves as artists who were willing to make any sacrifice for their singing and dancing talents. When the Edies perform for the camera, audiences are challenged by the question of how much anyone would be willing to give up in order to lead a life of eccentric pleasure. Tinkcom argues that Grey Gardens is innovative in blending documentary with the conventions of melodrama, and that the films appeal lies in the fabric of the Beales everyday lives in which they argue, dress up, flirt, laugh, sing, dance and reminisce about their experiences in New Yorks social elite in the first half of the twentieth century.In his afterword to this new edition, Matthew Tinkcom reconsiders Grey Gardens fifty years after its release, addressing its cult status and the Edies continuing influence on popular culture. A study of the Maysles' 1975 documentary Grey Gardens in the BFI Film Classics series. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Zustand: new. Paperback. Grey Gardens (1975) is one of most important documentary films of the past thirty years, gaining the status of a cult classic. Matthew Tinkcom argues that the film reshaped documentary cinema by moving the non-fiction camera to the heart of the household, a private space into which film-makers had seldom previously ventured. Grey Gardens (1975) is one of most important documentary films of the past thirty years, gaining the status of a cult classic. Matthew Tinkcom argues that the film reshaped documentary cinema by moving the non-fiction camera to the heart of the household, a private space into which film-makers had seldom previously ventured. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Zustand: new. Paperback. Grey Gardens (1975) is one of most important documentary films of the past thirty years, gaining the status of a cult classic. Matthew Tinkcom argues that the film reshaped documentary cinema by moving the non-fiction camera to the heart of the household, a private space into which film-makers had seldom previously ventured. Grey Gardens (1975) is one of most important documentary films of the past thirty years, gaining the status of a cult classic. Matthew Tinkcom argues that the film reshaped documentary cinema by moving the non-fiction camera to the heart of the household, a private space into which film-makers had seldom previously ventured. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Zustand: new. Paperback. Queer Theory and Brokeback Mountain examines queer theory as it has emerged in the past three decades and discusses how Brokeback Mountain can be understood through the terms of this field of scholarship and activism. Organized into two parts, in the first half the author discusses key canonical texts within queer theory, including the work of writers as Judith Butler, Michel Foucault, and Eve Kosofsky Sedgwick. He provides an historical account of the questions these scholars have posed to our understanding of sexualitiesboth normative and non-normativein the historical past and in contemporary life, as well as a discussion of the theories of sexuality and gender offered by these scholars as these phenomena shape the experiences of men and women in the genital, bodily, erotic, discursive, and cultural dimensions.The second part examines Ang Lees 2005 feature film, Brokeback Mountain, in order to understand the claims and insights of queer theory. Tracing the films adaptation by screenwriter Larry McMurtry of Annie Proulxs 1997 short story of the same title, this portion of the book examines the films narrative about two working-class men in the rural mid-20th-century U.S. and the meanings of the sexual and emotional bond between the pair that develops over the course of two decades. An examination of the field of queer theory and its relevance to the film Brokeback Mountain This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. Queer Theory and Brokeback Mountain examines queer theory as it has emerged in the past three decades and discusses how Brokeback Mountain can be understood through the terms of this field of scholarship and activism. Organized into two parts, in the first half the author discusses key canonical texts within queer theory, including the work of writers as Judith Butler, Michel Foucault, and Eve Kosofsky Sedgwick. He provides an historical account of the questions these scholars have posed to our understanding of sexualitiesboth normative and non-normativein the historical past and in contemporary life, as well as a discussion of the theories of sexuality and gender offered by these scholars as these phenomena shape the experiences of men and women in the genital, bodily, erotic, discursive, and cultural dimensions.The second part examines Ang Lees 2005 feature film, Brokeback Mountain, in order to understand the claims and insights of queer theory. Tracing the films adaptation by screenwriter Larry McMurtry of Annie Proulxs 1997 short story of the same title, this portion of the book examines the films narrative about two working-class men in the rural mid-20th-century U.S. and the meanings of the sexual and emotional bond between the pair that develops over the course of two decades. An examination of the field of queer theory and its relevance to the film Brokeback Mountain This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Kartoniert / Broschiert. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnAn examination of the field of queer theory and its relevance to the film Brokeback MountainSheds much-needed light as to why queer theory has been central to contemporary ideas about the relations among languag.

Hardcover. Zustand: new. Hardcover. Queer Theory and Brokeback Mountain examines queer theory as it has emerged in the past three decades and discusses how Brokeback Mountain can be understood through the terms of this field of scholarship and activism. Organized into two parts, in the first half the author discusses key canonical texts within queer theory, including the work of writers as Judith Butler, Michel Foucault, and Eve Kosofsky Sedgwick. He provides an historical account of the questions these scholars have posed to our understanding of sexualitiesboth normative and non-normativein the historical past and in contemporary life, as well as a discussion of the theories of sexuality and gender offered by these scholars as these phenomena shape the experiences of men and women in the genital, bodily, erotic, discursive, and cultural dimensions.The second part examines Ang Lees 2005 feature film, Brokeback Mountain, in order to understand the claims and insights of queer theory. Tracing the films adaptation by screenwriter Larry McMurtry of Annie Proulxs 1997 short story of the same title, this portion of the book examines the films narrative about two working-class men in the rural mid-20th-century U.S. and the meanings of the sexual and emotional bond between the pair that develops over the course of two decades. An examination of the field of queer theory and its relevance to the film Brokeback Mountain This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Zustand: new. Hardcover. Queer Theory and Brokeback Mountain examines queer theory as it has emerged in the past three decades and discusses how Brokeback Mountain can be understood through the terms of this field of scholarship and activism. Organized into two parts, in the first half the author discusses key canonical texts within queer theory, including the work of writers as Judith Butler, Michel Foucault, and Eve Kosofsky Sedgwick. He provides an historical account of the questions these scholars have posed to our understanding of sexualitiesboth normative and non-normativein the historical past and in contemporary life, as well as a discussion of the theories of sexuality and gender offered by these scholars as these phenomena shape the experiences of men and women in the genital, bodily, erotic, discursive, and cultural dimensions.The second part examines Ang Lees 2005 feature film, Brokeback Mountain, in order to understand the claims and insights of queer theory. Tracing the films adaptation by screenwriter Larry McMurtry of Annie Proulxs 1997 short story of the same title, this portion of the book examines the films narrative about two working-class men in the rural mid-20th-century U.S. and the meanings of the sexual and emotional bond between the pair that develops over the course of two decades. An examination of the field of queer theory and its relevance to the film Brokeback Mountain This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.