todd june (7 Ergebnisse)

Glossy Soft Cover. Zustand: New. Decodable Reader Edition. New 2020 Copyright In Soft Cover Format, Savvas: myView Literacy, Grade 1, Unit 2: Decodable Reader, Volume 2 With All-Inclusive Readers 13-24, Full Color Illustrations, 200 Pages, Pictorial Orange Cover, National Edition; CD, Access Code, Software Not Issued; ISBN 10: 0328988642 ISBN 13: 9780328988648 (2020 Copyright) 1 NEW.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. 128 pp. Red boards lettered in silver on the spine; blue endpapers; headband; illustrated with black and white, sepia, and colour photographs. Light rubbing on the corners of the dustjacket with a partial crease on the left side of the front panel; price clipped; no interior markings. This includes a dropped-in trading card from the 1992 Score set celebrating The Rocket as a 50-goal scorer. This collection contains: Introduction: Rocket's Red Glare Still Burns Bright by Craig MacInnis; Hockey's Greatest Scoring Machine by Trent Frayne - November 1, 1951; Lucille Richard and Her Mom Chat About the Rocket with June Callwood - May 9, 1959; The Rocket: A Hero for Quebec by Hugh MacLennan - January 15, 1955; The Strange Forces Behind the Richard Hockey Riot by Sidney Katz - September 17, 1955; A View from the Pressbox by Andy O'Brien, Dink Carroll and Milt Dunnell; The Richard Men: Two Generations by Trent Frayne - March 29, 1958; At Home with the Maurice Richards by June Callwood - May 9, 1959; The Rocket Reflects by Jack Todd - March 9, 1996; and Tale of the Tape: Career Statistics and Highlights. Size: 8vo. Book.

soft cover. Zustand: Very Good. No Jacket. Todd, Geoff (illustrator). Illustrated with black and white drawings by Geoff Todd and photographs. 20 cm. 31 pages VG. Very good condition with light shelf wear to covers, name on title page blacked out.

Paperback. Zustand: Very Good. Staple bound paperback in very good condition. Covers are slightly marked and scuffed. Page block and page edges are lightly tanned. Binding is sound and pages are clear. LW. Used.

Paperback. Zustand: Brand New. 259 pages. 9.00x6.00x0.59 inches. In Stock.

Stapled Booklet, Stiff Cover. Zustand: Very Good. Geoff Todd (illustrator). 1st of This Edition. 40 pages with b/w pictures and illustrations. A clean firm straight book, ex reference library book with the usual stamps at front and back. Appears to have had little use.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.