tom dewe mathews (9 Ergebnisse)

Zustand: Good. 1st ed. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Britain possesses one of the most rigorous film censorship systems in the Western world. From the turn of the century, when the British establishment scented danger in a new entertainment form, to the present day, where sex and violence are monitored with vigilence, Britain's system of film censorship has tended to reflect the moral concerns of its time, while remaining relatively unaccountable to the cinema-going public. This book explores film censorship in Britain, demonstrating, through anecdotes and examples, its absurdities, dangers and occasional virtues. From the early peepshows ("How Bridget Served the Salad Undressed"), through the films that broke the mould in more recent times (such as "The Wild One", "Clockwork Orange" and "Caligula"), up to the video and satellite anomalies of today, Mathews presents an account of a particularly British form of control. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Zustand: Very Good. Secondhand. Very good book.

Zustand: Good.

Trade paperback original. Third printing. 298 pages: ''what they didn't allow you to see, and why: the story of film censorship in Britain. Fine (unread) copy.

Soft cover. Zustand: Near Fine. 1st Edition. 291 pages + 5 page index, stiff card binding, name of owner "John J Gibson" inside front cover, (He was an art lecturer at the Courtauld Inst, London in the 1980's-90's) photo illustrated throughout. quarto.

Paperback. 1st Ed. (English). 24.5 x 19 cm., 291, [vii] pp. The story of film censorshiop in Britin, illustrated with b/w photos. Card covers with red and white lettering on a black spine. CONDITION. VG+. A clean tight copy. Library class mark on spine, and reference library label on half title page. Ex-Library.

Illus cover, small ink mark, 298pp., many blakc and white photos, very good condition.

Paperback. Zustand: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. If one drew up a list of the best films ever made, then it turns out that nearly all of them have been heavily censored or banned. Lang's METROPOLIS, Chaplin's CITY STREETS, Eisenstein's BATTLESHIP POTEMKIN, Brando's THE WILD ONE and Kubrick's THE CLOCKWORK ORANGE, for instance, have all suffered from the effects of censorship. This pioneering book explores the absurdities (and occasional virtues) of censorship over the whole history of film in Britain, and places them in the context of their age. From the banning of anti-Nazi films (that continued up to 1939), to the sexual dilemmas of the 50s and 60s as the censors dealt with homosexuality,