Traugott e fischer (5 Ergebnisse)
Sprache: Englisch
Verlag: American Society of Mechanical Engineers January, 1994, 1994
- Softcover
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Zustand: Good. *Price HAS BEEN REDUCED by 10% until Monday, Aug. 17 (SALE item)* 38 pp., softcover, ex library, else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, t…axes, or fees required by recipient's country.
- Hardcover
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Zustand: New. pp. xiv + 581 Illus.
- Hardcover
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Zustand: New. pp. xiv + 581.
- Hardcover
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Zustand: New. pp. xiv + 581.
Weitere BilderLe musée français, recueil complet des tableaux, statues et bas-reliefs, qui composent la collection nationale; avec l'explication des sujets, et des discours historiques sur la peinture, la sculpture, et la gravure, par S.-C. Croze Magnan. E.Q. Visconti et T.B. Éméric-David. Publié par Robillard-Peronville et Laurent. Dédié à l'Empereur et Roi. Vols.1-3. First editions.
Croze-Magnan, Simon-Célestin( Author); Toussaint-Bernard E?meric-David (Author), Ennio Quirino Visconti (Author), Pierre Laurent (Publishing director), Robillard Peronville (Publishing director), Ignaz Sebastian Klauber (Engraver), Johann Gotthard von Mu?ller (Engraver), Jakob Matthias Schmutzer (Engraver), Heinrich Guttenberg (Engraver), Carl Gottlieb Guttenberg (Engraver), Christian Friedrich Sto?lzel (Engraver), Matthias Gottfried Eichler (Engraver), Friedrich Schroeder (Engraver), Friedrich Geissler (Engraver), Joseph Fischer (Engraver), Ephraim Gottlieb Kru?ger (Engraver), Abram (Engraver), Johann Conrad Ulmer (Engraver), Johann Metzger (Engraver), Christian Friedrich Traugott Duttenhofer (Engraver), Johann Adolph Darnstedt (Engraver),
Verlag: Paris: De Imprimerie de L.-E. Herhan, Paris-1807, 1803
- Hardcover
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In den WarenkorbZustand: Good. First 3 of eventual 4 massive volumes. 262 plates. Very fresh without foxing and very heavy: would be 3 cartons of about 11 kilos each. 46 x 61.5cm. Contemporary qtr. red morocco and red boards, rubbed. Binder's etiquette: Tessier, No. 45, rue de la Harpe, Paris. I: [10], 140, [192] p., [90] pl.;II: [6], 98, [186]… p., [87] pl.;III: [6], 60, [178] p., [84] pl.OCLC Number / Unique Identifier:1915199.Vol. I. Discours historique sur la peinture ancienne. Tableaux d'histoire. Par S.C. Croze-Magnan.IVol. I. Discours historique sur la peinture moderne. Tableaux de genre et portraits. Par S.C. Croze-Magnan.Vol. III. Discours historique sur la gravure en taille-douce et sur la gravure en bois. Tableaux de paysages, marines et vues. Par E.Q. Visconti et T.B. Eméric-David.On the title-pages of volume III the name of S.-C. Croze-Magnon is replaced by those of E.Q. Visconti and T.B. Éméric-David. Imprint varies: Volume I is dated 'An XI. = 1803'; vol. II, 'An XIII. = 1805'; vol. III, 1807; .Consisting of nearly 350 plates with accompanying descriptive letterpress and introductory essays, the work describes paintings and sculptures in the Louvre. Published at a time when the former royal collections of France were being added to by the works of art collected by Napoleon from many parts of Europe, the plates (which include several works which were later repatriated such as the Laocoön, a small plaster copy of which is in Soane's collection, are arranged in four broad sections: history paintings including religious works; genre paintings and portraits; landscapes and seascapes; and ancient sculpture. According to the 'Avertissement Contenant Le Plan Général De L'Ouvrage' in vol. I, one volume of the completed work was to be devoted to each genre, but the plates were issued in livraisons containing plates from all four sections concurrently (each section part having a contents leaf) for the sake of variety, each part of each section with a letterpress table of contents, and purchasers were free to choose their own binding order. The preliminary 'Discours Historiques' are sometimes found bound in a separate volume. from Sir John Soane's Museum Collection Reference Number 5590.In-folio, de 90, 87 et 85 planches gravées, demi-veau rouge époque, dos lisse orné de filets dorés (Tessier), frottements, sans le tome IV. Ce magnifique ouvrage appartient tout entier au XVIIIe siècle par ses graveurs et leur tradition artistique. C'est au dévouement et à l'activité du graveur Pierre Laurent qu'on le doit. (Cohen-743) (Brunet-IV-1335) (Vicaire-V-1229) (Graesse-VI-139).
