Treske andreas (23 Ergebnisse)

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Paperback. Zustand: New. Video is a part of everyday life, comparable to driving a car or taking a shower. It is nearly omnipresent, available on demand and attached to nearby anything, anywhere. Online Video became something vital and independent. With all the video created by the cameras around us, constantly uploading, sharing, linking, and relating, a blue ocean is covering our planet, an ocean of video. What might look as bluish noise and dust from the far outside, might embed beautiful and fascinating living scapes of moving images, objects constantly changing, re-arranging, assembling, evolving, collapsing, but never disappearing, a real cinema.Andreas Treske describes and theorizes these objects formerly named video, their forms, behaviours and properties.…

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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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Zustand: New. Num Pages: 212 pages, 7 b/w & 2 colour illus. BIC Classification: AJRH; JFC; JFD. Category: (G) General (US: Trade). Dimension: 150 x 225 x 14. Weight in Grams: 298. . 2015. Paperback. . . . .

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Zustand: New. Num Pages: 212 pages, 7 b/w & 2 colour illus. BIC Classification: AJRH; JFC; JFD. Category: (G) General (US: Trade). Dimension: 150 x 225 x 14. Weight in Grams: 298. . 2015. Paperback. . . . . Books ship from the US and Ireland.

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Paperback. Zustand: New.

Paperback. Zustand: New. Video is a part of everyday life, comparable to driving a car or taking a shower. It is nearly omnipresent, available on demand and attached to nearby anything, anywhere. Online Video became something vital and independent. With all the video created by the cameras around us, constantly uploading, sharing, linking, and relating, a blue ocean is covering our planet, an ocean of video. What might look as bluish noise and dust from the far outside, might embed beautiful and fascinating living scapes of moving images, objects constantly changing, re-arranging, assembling, evolving, collapsing, but never disappearing, a real cinema.Andreas Treske describes and theorizes these objects formerly named video, their forms, behaviours and properties.…

8° Oktav, Softcover/Paperback. 48 S. Beiträge zur Fernsehdiskussion aus der Zeitachrift "Fernsehen" von 1930 und 1932. Veröffentlichungen des Forschungsschwerpunkts Massenmedien und Kommunikation, 50. Der Hinterdeckel ist an der Vorderkante stellenweise lichtrandig. Der Vorderdeckel hat im unteren Eckenbereich eine leichte Knickspur. xxx Sprache: Deutsch Gewicht in Gramm: 500.…

8° Oktav, Softcover/Paperback. 48 S. Beiträge zur Fernsehdiskussion aus der Zeitachrift "Fernsehen" von 1930 und 1932. Veröffentlichungen des Forschungsschwerpunkts Massenmedien und Kommunikation, 50. Der Hinterdeckel ist an der Vorderkante stellenweise lichtrandig. Der Vorderdeckel hat im unteren Eckenbereich eine leichte Knickspur. F 9.u Sprache: Deutsch Gewicht in Gramm: 500.…

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - What is online video today, fifteen years into its exponential growth What started with amateur work of YouTube prosumers has spread to virtually all communication apps: an explosion in the culture of mobile sound and vision. Now, in the age of the smart phone, video accompanies, informs, moves, and distracts us. Are you addicted yet Look into that tiny camera, talk, move the phone, show us around - prove to others that you exist!Founded in 2007, Video Vortex is a lively network of artists, activists, coders, curators, critics, and researchers linked by the exchange of ideas, materials, and discussions both online and offline. Video Vortex has produced two anthologies, a website, a mailing list, 12 international conferences, several art exhibitions, and more to come as the internet and video continue to merge and miniaturize.The first Video Vortex reader came out in 2008, followed by a second in 2011. This third anthology covers the turbulent period from Video Vortex #7 (2013) in Yogyakarta, across the meetings that followed in Zagreb, Lüneburg, Istanbul, Kochi, and finally Malta in 2019, where the foundations for this publication where laid before its production began in the midst of the corona crisis.The contributions herein respond to a broad range of emerging and urgent topics, from bias in YouTube's algorithms, to the use of video in messaging, image theory, the rise of deepfakes, a reconsideration of the history of video art, a reflection on the continuing role and influence of music video, indy servers, synthetic intimacies, love and sadness, artist videos, online video theory in the age of platform capitalism, video as online activism, and the rise of streaming. Click, browse, swipe, like, share, save, and enjoy!Contributors: Annie Abrahams, Ina Blom, Natalie Bookchin, Pablo deSoto, Ben Grosser, Adnan Hadzi, Judit Kis, Patricia G. Lange, Hang Li, Patrick Lichty, Geert Lovink, Gabriel Menotti, Sabine Niederer, Dan Oki, Aras Ozgun, Daniel Pinheiro, Rahee Punyashloka, Oliver Lenore Schultz, Peter Snowdon, Andreas Treske, Colette Tron, Jack Wilson, Dino Ge Zhang.…

Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorrnrnGeert Lovink is a media theorist, internet critic and author of Zero Comments (Routledge, 2007), Networks Without a Cause (Polity, 2012), Social Media Abyss (Polity, 2016) and Sad By Design (Pluto, 2019). He founded the In. …