V e mandrij (26 Ergebnisse)

Paperback. Zustand: New.

Paperback. Zustand: Brand New. bilingual edition. 680 pages. German language. 9.45x6.65x1.22 inches. In Stock.

Paperback. Zustand: New.

Zustand: New.

Hardback. Zustand: New. This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel's glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer's bookplates on Regensburg insects; Schiffermüller's watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths.Contributors are Harald Bruckner, Kay Etheridge, Beth Fowkes Tobin, Stefanie Jovanovic-Kruspel, Karin Leonhard, V.E. Mandrij, Kimberly Schenck, Stacey Sell, Giulia Simonini, and Friedrich Steinle.…

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Hardcover. Zustand: new. Hardcover. The Dutch painter and naturalist Otto Marseus van Schrieck (c. 1619/201678) became famous for an unusual iconography that mixed characteristics of landscape, animal painting, natural history illustration, and still life: the sottobosco paintings. These artworks, which he developed during his voyage to Italy around 1650, represent reptiles, amphibians, and insects in dark forests. To increase the realistic representations of butterflies and moths, he pressed the wings of dead specimens onto the paintings to transfer their original colours. The technique of printing butterfly wings, named lepidochromy in this book, was already being used in the sixteenth century and has been documented as a means of conserving and classifying lepidopterans from the eighteenth through twentieth century.With a strong focus on the techniques and materials involved in making butterfly imprints, this book introduces readers for the first time to the development, uses, and meanings of lepidochromy in the oeuvre of Otto Marseus van Schrieck at the crossroads of art and natural history. With a strong focus on the techniques and materials involved in making butterfly imprints, this book introduces readers for the first time to the development, uses, and meanings of lepidochromy in the oeuvre of the Dutch painter and naturalist Otto Marseus van Schrieck at the crossroads of art and natural history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: New. This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel's glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer's bookplates on Regensburg insects; Schiffermüller's watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths.Contributors are Harald Bruckner, Kay Etheridge, Beth Fowkes Tobin, Stefanie Jovanovic-Kruspel, Karin Leonhard, V.E. Mandrij, Kimberly Schenck, Stacey Sell, Giulia Simonini, and Friedrich Steinle.…

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Hardcover. Zustand: new. Hardcover. The Dutch painter and naturalist Otto Marseus van Schrieck (c. 1619/201678) became famous for an unusual iconography that mixed characteristics of landscape, animal painting, natural history illustration, and still life: the sottobosco paintings. These artworks, which he developed during his voyage to Italy around 1650, represent reptiles, amphibians, and insects in dark forests. To increase the realistic representations of butterflies and moths, he pressed the wings of dead specimens onto the paintings to transfer their original colours. The technique of printing butterfly wings, named lepidochromy in this book, was already being used in the sixteenth century and has been documented as a means of conserving and classifying lepidopterans from the eighteenth through twentieth century.With a strong focus on the techniques and materials involved in making butterfly imprints, this book introduces readers for the first time to the development, uses, and meanings of lepidochromy in the oeuvre of Otto Marseus van Schrieck at the crossroads of art and natural history. With a strong focus on the techniques and materials involved in making butterfly imprints, this book introduces readers for the first time to the development, uses, and meanings of lepidochromy in the oeuvre of the Dutch painter and naturalist Otto Marseus van Schrieck at the crossroads of art and natural history. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Zustand: New.

Zustand: New. V.E. Mandrij is an art historian and an author who has studied, researched, and worked in Switzerland, Italy, Belgium, the Netherlands, and Germany. They published several articles and co-edited the book Insects and Colors between Art and Natu.

Buch. Zustand: Neu. Neuware - This book explores how European naturalists and artists perceived, investigated, and presented the relationship between insects and colors from the late sixteenth to the late eighteenth century. The contributors to this volume examine the creative methods and strategies that were developed to record color-related information about insects through studies on Hoefnagel's glazed metal and hand-coloring practices; the lepidochromy technique used in paintings by Marseus van Schriek and later naturalists; the representation of sexual dimorphism of color and variable color of caterpillars in the images of Goedaert, Merian, Albin, and Rösel von Rosenhof; the painting-by-numbers technique applied to Schäffer's bookplates on Regensburg insects; Schiffermüller's watercolor originals of caterpillars; and finally, the color fading of exotic cabinet specimens and how this issue was tackled by Abbot and Smith. The volume is lavishly illustrated with rare and unpublished images and offers new insights into the interrelation between natural history and visual practices concerning the color of insects, with a special focus on butterflies and moths. Contributors are Harald Bruckner, Kay Etheridge, Beth Fowkes Tobin, Stefanie Jovanovic-Kruspel, Karin Leonhard, V.E. Mandrij, Kimberly Schenck, Stacey Sell, Giulia Simonini, and Friedrich Steinle.…

Zustand: New.

Hardcover. Zustand: new. Hardcover. The Dutch painter and naturalist Otto Marseus van Schrieck (c. 1619/201678) became famous for an unusual iconography that mixed characteristics of landscape, animal painting, natural history illustration, and still life: the sottobosco paintings. These artworks, which he developed during his voyage to Italy around 1650, represent reptiles, amphibians, and insects in dark forests. To increase the realistic representations of butterflies and moths, he pressed the wings of dead specimens onto the paintings to transfer their original colours. The technique of printing butterfly wings, named lepidochromy in this book, was already being used in the sixteenth century and has been documented as a means of conserving and classifying lepidopterans from the eighteenth through twentieth century.With a strong focus on the techniques and materials involved in making butterfly imprints, this book introduces readers for the first time to the development, uses, and meanings of lepidochromy in the oeuvre of Otto Marseus van Schrieck at the crossroads of art and natural history. With a strong focus on the techniques and materials involved in making butterfly imprints, this book introduces readers for the first time to the development, uses, and meanings of lepidochromy in the oeuvre of the Dutch painter and naturalist Otto Marseus van Schrieck at the crossroads of art and natural history. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Zustand: new. Questo è un articolo print on demand.

Hardcover. Zustand: Brand New. 340 pages. 9.25x6.10x9.40 inches. In Stock. This item is printed on demand.