Valery pilipenko (13 Ergebnisse)

Hardcover. Zustand: Good Plus Condition. No Jacket. This is a nice Russian history book called St. Petersburg, copyright 1991, hard cover, no dust jacket, translated from the Russian by Kathleen Carroll, with introduction and selection by Valery Pilipenko, edited by Raissa Klisharova and photographs by Victor Savik and Boris Manushiin. The book has minor wear and in good plus condition with tight binding and 44 wonderful color photographs throughout. Size: 8vo - over 7¾" - 9¾" tall. Victor Savik and Boris Manushin (photographers) (illustrator).…

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: Good. : Este libro de tapa dura presenta una colección de fotografías que capturan la belleza de San Petersburgo. Publicado en 1991, el libro está escrito en inglés y ofrece una visión de la ciudad a través de imágenes. EAN: 9785766407300 Tipo: Libros Categoría: Arte y Cultura Título: St Petersburg Autor: Raissa Klisharova| Valery Pilipenko Editorial: UNSPECIFIED VENDOR Idioma: en Páginas: 52 Formato: tapa dura Año de publicación: 1991.…

Hardcover. Zustand: Good. Hardcover in dust jacket, 8 1/4 by 7 inches, 142 pages, illustrated. Jacket has 1/2 inch tear taped on reverse. Binding has only very slight wear. Binding is tight and the pages are clean.

HC. Zustand: Gut. Opb., gr 8?, quer., 44s., Text in Englisch., + [GSA5,1a] Deu 400g.

4°, OLn. mit OSU. 208 S. mit zahlr. Abb., SU mit kl. Einriss, Buchdeckel leicht gebogen, innen sauber Sprache: Deutsch Gewicht in Gramm: 1050.

Hardcover. Zustand: Wie neu. 1. Auflage. Hardback, new, unread. First Edition. St. Petersburg - The Old City Guide (Souvenir). Original tile effect decoration glued to front board. 142 pp. in English, 300 yrs. of the city 2003 (Jubiläum 1703), clean pages, no names, no markings, in stock, sofort lieferbar.…

Hardcover. Zustand: VG. Zustand des Schutzumschlags: VG. RUSSIAN TEXT.

Zustand: buono. Fotografia Fine arts Photography OTTIME CONDIZIONI.

Hardcover. Zustand: Good. In Russian. Pilipenko, Valery Nikolaevich. I. K. Aivazovsky, 1817-1900. L.: Artist of the RSFSR, All images are for identification of editions only. Several books of the same edition may be available. Please feel free to request photos of available books.SKU1010259.

Hardcover. Zustand: Good. In Russian. Pilipenko, Valery Nikolaevich. I. Repin in Abramtsev. L.: Artist of the RSFSR, All images are for identification of editions only. Several books of the same edition may be available. Please feel free to request photos of available books.SKU1026748.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Oversized hardcover with DJ, 185 pages. White DJ with full color illustration on cover and black lettering on cover and spine, light fading to at edges, usual shelf wear to edges and corners, especially at top edges. Blue boards with white lettering on cover and spine. Overall book condition is very good, pages are clean and unmarked, binding is tight and strong. Full color plates and cuts throughout. Extra shipping will be required for international and priority shipping because of the size and weight of this book.…

Wraps. Zustand: Good. Presumed First Edition, First printing. The format is approximately 8.25 inches by 11.25 inches. Unpaginated (36 pages plus covers). Illustrated cover. Some text in Russian, German, French, and English. Illustrations (some in color). Youri Jarkikh (Jarki) (Latin: Zharkikh; born July 16, 1938) is a French-Russian painter and visual artist of the "Russian vanguard". Jarkikh was born in Tikhoretsk, Krasnodar Krai, Soviet Union. From 1961 to 1967, he studied at the Leningrad Vera Mukhina Higher School of Art and Design. Jarkikh was co-organizer of the movement for independent art in the Soviet Union. He was significant in the cultural history of Leningrad (later Saint Petersburg) as an organizer of the Independent Society for Experimental Exhibitions. In 1974, Jarkikh organized, with O. Rabin, E. Ruchin and A. Gleser (non-conformist artists), the Bulldozer Exhibition in Moscow. In 1974 and 1975, Jarkikh was one of the initiators of the Gazanevsky exhibition of unofficial art in Leningrad. Jarkikh was pursued by the KGB because of his activities. His health was affected through the practice with Iprite (a poison). In 1978, he emigrated to France, where he received political asylum. In 1984, Jarkikh founded the artists' association, Eidos. He held exhibitions at the Palais des congrès de Paris, from 1987 to 1988. In 1990, he was elected "Premier Peintre de Paris" (First Artist of Paris). After the "Poets Alphabet" exhibition in Saint Petersburg in 2008, he again accepted Russian nationality, which was offered to him by the Russian government. Jarkikh's creativity developed under the influence of the Russian vanguard and German Expressionism. Nearly half of his 77 years Jarki has lived in exile. His works are in the collections of the best museums in the world, including the Centre Pompidou, and the number of his exhibitions in the West exceeds one hundred. In the USSR it was not even a small part of such exhibition opportunities. Yuri Zharkikh along with Alexander Refiev and Eugene Rohini were among the originators of "gazanevsky culture" and been voices of dissent in the historical period. Jarki and Rukhin were Zamperini "Shuttle diplomacy" between St. Petersburg and Moscow underground, vivid organizers and "a pain" for the authorities. Both were among the instigators and participants of the Bulldozer exhibition in 1974. Rukhin died in the prime of a career in a fire at his workshop in 1976. Aref died in Paris in 1978, just a year after emigrating. Jarkie emigrated to the West after- time settled in France where he then lived and worked. The brightest pages in the biography of Jarki are linked to the USSR and its practice of persecution of independent artists. In Germany, then in France Yuri Zharkikh was a rather busy schedule of exhibitions â" personal and group interest in unofficial Russian artists in the West in 1970s was particularly high. In 1984, the artist organized in France a group of "Eidos". His work in Moscow was seen occasionally on the gallery level. In particular, in 2009, exhibition of his work was organized by the Gallery "vellum". Recently his work can be seen in St. Petersburg "New Museum" Aslan chehova and "Erarta". His work quite independently and recognizable. Yes, his stories are often anthropomorphic plexus, heaps of creatures with transparent skin. But it is rather a stylistic device to transmit its own philosophical ideas.…