viola foreword (26 Ergebnisse)

Zustand: Good. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Zustand: Acceptable. BOOK AND/OR COVER HAS SOME WATER DAMAGE AND/OR LIQUID STAINING BUT REMAINS IN ACCEPTABLE READING CONDITION. paperback 100% of proceeds go to charity! Acceptable reading copy with obvious signs of use, wear, and/or cosmetic issues. Item is complete and remains readable despite notable condition issues.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Zustand: Very Good. tight, uncreased spine, pages clear an bright, shelf and edge wear, corners bumped, packaged in cardboard box for shipment, tracking on U.S. orders.

Paperback. Zustand: Good. Paperback book in good condition.

Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Zustand: Good. A used book with light to moderate shelf wear and imperfections. Signed by editor and photographer Don Doll on title page. Thank you for supporting Last Word Books and independent bookstores. Signed by Editor.

Paperback. Zustand: Fine. 1st. xviii, 334 pages, illustrations; 24 cm. Additional translation by Nickolas Decarlo, Kayvan Rouhani and Heidi Zimmerman. Tight, clean copy. *** "Joseph Beuys is one of the most legendary figures of 20th century art and his work and ideas continue to impact on artists today. This reader brings together the crucial texts on Beuys to look at the most contentious reception ever accorded a postwar artist." - Publisher. *** CONTENTS: List of Illustrations; Acknowledgements; Foreword: Style and Salvation in the Art of Beuys; Editors' Introduction; I; BEUYS AND HIS 'CHALLENGERS'; 1. Breaking the Silence: Joseph Beuys on his 'Challenger', Marcel Duchamp (1995); 2. Beuys, Haacke, Broodthaers (1988); 3: Beuys and Broodthaers: Dialectics of Modernity between 'Analytic Geometry and the Belief in an Unbelieving God' (2001); 4. Letters as Works of Art: Beuys and James Lee Byars (2000, excerpt); II: CRITICS' PERSPECTIVES: 5. Beuys: The Twilight of the Idol (1980); 6. Discontinuous Notes on and after a Meeting of Critics, by One of the Artists Present (1981, excerpt); 7. Joseph Beuys, or the Last of the Proletarians (1988); III: BEUYS AND THE LIMITS OF ICONOGRAPHY: 8. Beuys and Romanticism (1986, excerpt); 9. No to. Joseph Beuys (1997); IV: BEUYS, ART AND POLITICS; 10. 'Questions? You have Questions?' Joseph Beuys' Artistic Self-Presentation in Fat Transformation Piece/Four Blackboards, 1972 (1996); 11. Every Man an Artist: Talks at Documenta V by Joseph Beuys (1972, excerpt); 12. Institutionalizing Social Sculpture: Beuys' Office for Direct Democracy through Referendum Installation, 1972 (1997, excerpt);13. U berblick Series on the Parliamentary Election (1983, excerpt); V. BEUYS AND POSTMODERNISM; 14. Performance: Joseph Beuys (1985, excerpt); 15. In the Shadow of Joseph Beuys: Remarks on the Subject of Art and Philosophy Today (1987); 16. Letter to Jean-Franc ois Chevrier (1997, excerpt); 17. The Aesthetics of Post-History: A German Perspective (1995, excerpts); VI: ISSUES OF RECEPTION: 18. The Reception of Joseph Beuys in the USA, and Some of its Cultural/Political and Artistic Assumptions (1998, excerpt); 19. Joseph Beuys and the GDR: The Individual as Political (1992); 20. Joseph Beuys and Surrealism (1997) Roundtable; Appendix: Key Dates and Exhibitions; Index. Size: 8vo.

Paperback. Zustand: As New. Very slight wear to wraps, no markings, very clean, tight-- too large to send priority flat mail; 2013-05-03; 10.8 X 9.1 X 1.2 inches.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. Very good in cloth-covered boards and good dust jacket with edgewear and sunning.

Paperback. Zustand: Brand New. 352 pages. 5.50x0.80x8.50 inches. In Stock.

Hardcover. Zustand: Near Fine. With Color illustrations and Photographs (illustrator). NF/VG+. Bright and attractive hardcover with dust jacket. 2010. Many illustrations. 1 1/2 tear on foot of spine. Very nice copy.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. COLLECTOR'S EDITION. VERY GOOD Condition,CLEAN,SOLID COPY.BRIGHT; GOLD TITLES ON WHITE HARD COVERS.MAP ENDPAPERS.BLUE DJ SHOWS LARGE FISHING BOAT AT PORT. ; Photos,Ilust in color; 287ps pages; coastal LOGGING, NATIVE NATIONS. RAILROADS.

Paperback. [32p] Frenchfold pages, texts in Dutch and English, illustrated with b&w photos and stills, very good exhibition catalog in black wraps with minor wear to spine. The video artist's works displayed in the Amsterdam museum.

Hardcover. Zustand: Good.

Soft cover. Zustand: Fine. No Jacket. 1st Edition. "First printing, March, 2019" and "TOUGH ENOUGH: Poems From The Tough Old Broads (first printing) is published in an edition of 300 copies." stated. Fine, if not new wraps/paperback.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title!

paperback. Zustand: New. In shrink wrap. Looks like an interesting title!

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title!

paperback. Zustand: New. In shrink wrap. Looks like an interesting title!

Hardcover. Zustand: Good. No Jacket. 1st Edition. Printed at the Westminster Press by Gerard Meynell. 'The four early poems by Francis Thompson are here published in book form for the first time, by the permission of his Literary Executor.' There is no publication date on the title page and no reference to simultaneous publication with Burns & Oates, as is the case with the two subsequent editions (printings) of 1911 and 1912, indicating that this is the first printing of 1910. Neat contemporary signature on the front free endpaper and some toning to the endpapers. The blue-grey paper covered boards are somewhat soiled as is the buckram spine othewise this is a firm copy with the advert leaf at the rear for the works of the Hon. Mrs Lindsay, Viola Meynell, Padraic Colum and Shane Lesle. Uncommon in this first printing.

Reissue ed. Paperback large trade, good condition, colour pictorial card covers, black cloth spine (repair), full-page black & white adverts, covers marked & scratched (some insect damage), top rear cover stained (one stain spot bleeds onto last few pages), front cover creased, pages lightly toned. some edgewear, rubber stamp. 32 + 32 + 32 pp. This book contains recipes and hints sent in by readers of 'The Spare Corner' column of 'The Leader' (a Melbourne suburban newspaper from David Syme, publisher of 'The Age'). The recipes were initially issued in booklets, but they became so popular that it was decided to republish combined books, and this is the fourth book (being parts 7, 8 and 9). SCARCE.

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. Z : 256 Seiten/pp., 172 illustrations. - In the course of sixteen years, Joseph Beuys received more than a hundred letters from James Lee Byars, without ever writing back himself. Byars sent a wealth of elaborately designed letters to different people, letters which may well make up the greatest part of his work, but Joseph Beuys was the only colleague with whom Byars corresponded. And quite an unusual exchange of letters it is, enthralling readers by their extreme fragility and immense variety of materials, forms and ideas. His letters are not written with the purpose in mind of receiving an answer, rather, they constituted his day-to-day artistic routine.