waggner george (26 Ergebnisse)

Soft cover. Zustand: Very Good-. Inset photo of Orville Rennie. With ukulele arrangement. Music is edgeworn with tears.

paperback. Zustand: Very Good. Slight edge wear.

Paperback. Zustand: Very Good. Sheet music in Protective sleeve. Slight edge wear only. Nice copy.

VHS Tape. Zustand: New. New in plastic.

Soft cover. Zustand: Good. Sheet music. 9 1/4 X 12." Cover photo of The Wolverine Four, Detroit's Favorite Entertainers. Spine split (cover is in two pieces, both are present), former owner's name in ink on front cover. Chips and tears, some soil, good.

Soft cover. Zustand: Very Good. Barbelle (illustrator). Beautiful cover on this original piece of vintage sheet music. Contains piano, lyrics and ukulele chords. Minor edgewear otherwise fine.

No Binding. Zustand: VG+. 3827-34. A VG or better original 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Zustand: Very Good. Barbelle (illustrator). Bright orange cover with cover art done by Barbelle showing two small drawings of a couple wooing then a wedding with a large bell. Two larger vignettes show a color drawing of a lady picking roses; a smaller photo inset shows a blue-toned photograph of a woman with the notation: Featured by Doris Gutow Organist Stratford Theatre. Measures 9" x 12" with 6 pages, including the covers. There are some minor tears along the edges and there is some fading to the cover's background color. Otherwise, this piece is in very good condition.

No Binding. Zustand: VG+. 1st Edition. A G/VG or better original 11" x 14" lobby card. Poster.

Soft cover. Zustand: Good. Creases and small tear on covers. Folded music sheet showing Nelson Eddy and Susanna Foster in the film "Phantom of the Opera" in which this song was sung.

Soft cover. Zustand: Good. Musical score for "Lullaby of the Bells" by George Waggner and Edward Ward, from the movie " Phantom of the Opera" which starred Nelson Eddy and Susanna Foster. Book.

Sheet music. Zustand: Very Good. Nice, clean, and sound sheet music. This is from the Boris Karloff film "The Climax." Still from the movie (Susanna Foster and Turhan Bey, not Karloff) is the cover illustration. ; 4to 11" - 13" tall; 3 pages.

Sheet music. Zustand: Very Good. Nice, clean, and sound sheet music. This is from the Boris Karloff film "The Climax." Still from the movie (Susanna Foster and Turhan Bey, not Karloff) is the cover illustration. ; 4to 11" - 13" tall; 4 pages.

Three vintage reference photographs from the 1938 film. After his army buddy is murdered by spies, a machine gun inventor vows to seek revenge. Set and shot on location at the Presidio in Monterey, CA. 10 x 8 inches. Two photographs Very Good plus, with light toning, and one Very Good, with light edgewear and soil.

Five vintage studio still photographs from the 1957 Western film. A white man raised among the Pawnee tribe is forced to choose between his race and his adoptive clan when corrupt white settlers attempt to claim tribal lands for their own. Set in Pawnee territory, which included present-day Oklahoma, Nebraska, and Kansas. 8 x 10 inches. Very Good, with light edgewear and creasing to the top edges and light soil to the verso. Pitts 3058.

Magazine. Zustand: Very Good-. This is an advertisement/article from a Vintage Journal and not a book but a magazine article, pages are clean; ; 2 pages.

DVD. Zustand: Very Good. Region 4 - Australia & South AmericaThe original horror classic that introduced one of the screen's most infamous monsters! Lon Chaney Jr. portrays Larry Talbot, who returns to his father's (Cl aude Rains) castle in Wales and meets a beautiful woman (Evelyn Ankers). One fat.

Sheet music. Zustand: New.

Three vintage studio still photographs from the 1954 film, all three with Jan Sterling, two including Neville Brand and one including John Doucette. Chuck MacLish (Brand) is having a tough time readjusting to civilian life after a life in the Navy, until he meets a lonely waitress (Sterling) who loves him and hopes to change his ways. Set in Korea and America, shot on location in San Diego, USA and the Pacific Ocean. 8 x 10 inches. Near Fine, some light creasing.

Vintage publicity photograph from the 1938 film, showing actors Beryl Wallace and Dick Purcell. Printed mimeo snipe on the verso, along with the credit stamp of studio photographer Ray Jones. Two discharged Marine pilots sign on as airborne policemen for a dictator of a small South Sea island, eventually finding themselves at odds over their shared affection for a beautiful woman. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 9.25 x 7.75 inches. Very Good plus.

Vintage publicity photograph of Mamo Clark from the 1938 film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Two discharged Marine pilots, Larry J. Blake and Dick Purcell, sign on as airborne policemen for a dictator of banana-republic south sea island and begin fighting over the same girl, Marcia Brandford, before realizing they may be on the wrong side. Marguerite Mamo Clark, better known as Mamo Clark or simply Mamo, was a Hawaiian born actress, and is best known for her debut as a Polynesian girl who marries Clark Gable in the 1935 Academy Award winning film "Mutiny on the Bounty," directed by Frank Lloyd. 8 x 10 inches. Near Fine.

Revised Draft script for the 1955 television episode, which originally aired on NBC on October 26, 1955. A young woman arrives in a quiet western town, claiming her wagon train was destroyed by a roving band of Indians. Director and screenwriter George Waggner was better known for his work in the horror genre, most notably "The Wolf Man" (1941). Tan titled wrappers, noted as production No. 9604. Distribution page present, with receipt INTACTORREMOVED. Title page present, dated 8/31/55, noted as REVISED, with credits for screenwriter and director George Waggner. 42 leaves, with last page of text numbered 40. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 8/31/55. Pages Very Good plus, wrapper Very Good plus, bound with two gold brads.

Draft script for the 1954 film. Copy belonging to Robert Arthur, who played Porter, with his character's name on the front wrapper in manuscript pencil and profuse manuscript pencil annotations to his scenes throughout. Chuck MacLish (Brand) is having a tough time readjusting to civilian life after a life in the Navy, until he meets a lonely waitress (Sterling) who loves him and hopes to change his ways. Set in Korea and America, shot on location in San Diego, USA and the Pacific Ocean. Orange titled wrappers. Distribution page present, with receipt removed. Title page present, dated February 23, 1954, with credits for screenwriter George Waggner, and author Jacland Marmur. 118 leaves, with last page of text numbered 111. Mimeograph duplication, with blue, and pink revision pages throughout, dated variously between February 24, 1954 and March 15, 1954. Pages Very Good plus, wrapper Very Good bound with two gold brads.

Draft script for the 1944 Universal horror film. With manuscript pencil annotations on the front wrapper and throughout, mostly noting deletions and page number changes. Included with the script is a bound set of revision pages attributed on the front wrapper and at the top of numerous leaves to dialogue director Gene Lewis, dated from 1/6/43 to 1/14/44. Based on the play by Edward Locke, the film follows a physician who becomes obsessed with a young singer whose voice reminds him of his late wife's, whom he murdered because of a similar obsession. Originally intended to be a sequel to Universal Pictures' "Phantom of the Opera" (1943). Nominated for an Academy Award. Set in Vienna. Beige titled wrappers, rubber-stamped production No. 7203, dated DECEMBER 6, 1943. Title page integral with the front wrapper, as issued. 156 leaves, with last page of text numbered 147. Carbon typescript on onionskin stock, rectos only, with yellow revision pages throughout, dated variously between 12/22/43 and 12/28/43. Pages Near Fine, wrapper Very Good plus, bound with two gold brads. Weaver and Brunas, Universal Horrors.

Four studio still photographs from the 1941 film, struck from the original negative circa mid-1970s. Includes one photo showing Lon Chaney Jr. menacing Evelyn Ankers, one showing Chaney Jr. behind a tree, one showing Chaney Jr. behind some leafless branches, and the last showing Chaney Jr. being groomed by makeup artist Jack P. Pierce. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures from 1935-1958. A man visiting his ancestral home in Wales is bitten by a strange, wolf-like creature, leading to his occasional, moonlit transformation into a bloodthirsty werewolf. Universal Pictures' second werewolf film, preceded by the less successful "Werewolf of London" (1935), and followed by several "Wolf Man" monster mash-up sequels, including "Frankenstein Meets the Wolf Man" (1943) and "House of Frankenstein" (1944). Set in Llanwelly, Wales. 8 x 10 inches. Fine. Weaver and Brunas, Universal Horror.

Vintage oversize black and white publicity portrait photograph of actor John Wayne from the 1951 film. The crew of a US submarine during World War II encounters a Japanese aircraft carrier in the middle of a secret rescue mission, but trouble arises when they discover their torpedoes are defective. Set in the Pacific Ocean. 11 x 14 inches. Very Good plus, lightly toned overall, with light wear to the corners.