Webber sabra j (19 Ergebnisse)

Paperback. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Hardcover, dust jacket protected in new mylar wrap. Light grey cloth over boards, black text on spine. Clean, square copy. Text unmarked. Light shelf wear. tbrc/litcrit.

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Hardback. Zustand: New. One of the goals of the "new" or experimental ethnography is to illuminate the unique historical, social, and political situation of a people from their own multifaceted perspectives. As part of the effort to reach this goal, ethnographers are learning to listen in various keys to what members of society under study have to say about themselves and about their place in the world. In Romancing the Real, Sabra J. Webber argues that folklore-traditional aesthetic culture-is of central importance to the new ethnography. It is by becoming cultured in a people's traditional art forms that the ethnographer can come closest to an unmediated hearing of the individual voices of community members and to an understanding of how community "affect" is shaped and shared rhetorically. She contends that traditional verbal art does more than reflect a culture from its members' points of view: it is one of the means by which members comment upon change and recreate their culture. It is also a powerful resource through which they respond to the ethnographer and what the ethnographer represents. Drawing on over five years of field research conducted between 1967 and 1987 in Kelibia, a town on the northeastern coast of Tunisia, Webber offers insights into the community gained through the study of its folk communicative resources and especially through study of the hikayah, a colloquial Arabic verbal art genre that resembles the western genres of local history or personal experience narrative. She demonstrates that Kelibians draw upon hikayat to cope creatively with both the destabilizing and the energizing facets of centuries of frequent, rarely controlled or invited, contact with outsiders. She finds that older community members use the art form to romance (not romanticize) their town and thus address important communal issues like colonialism. Webber discusses a marginalized town in the context of a marginalized discipline, folklore; an often devalued language, colloquial Arabic; and a frequently underestimated cultural domain, "affect," to demonstrate that a re-perception of each can yield rich insights into the centripetal forces that supposedly powerless communities can draw upon for empowerment.…

Zustand: New.

Gebunden. Zustand: New. No detailed description available for Romancing the Real .Webber Sabra J. : Sabra J. Webber is Professor of Near Eastern Languages and Cultures at The Ohio State University.&Uumlber den AutorSabra J. Webber is Profe.

Hardback. Zustand: New. One of the goals of the "new" or experimental ethnography is to illuminate the unique historical, social, and political situation of a people from their own multifaceted perspectives. As part of the effort to reach this goal, ethnographers are learning to listen in various keys to what members of society under study have to say about themselves and about their place in the world. In Romancing the Real, Sabra J. Webber argues that folklore-traditional aesthetic culture-is of central importance to the new ethnography. It is by becoming cultured in a people's traditional art forms that the ethnographer can come closest to an unmediated hearing of the individual voices of community members and to an understanding of how community "affect" is shaped and shared rhetorically. She contends that traditional verbal art does more than reflect a culture from its members' points of view: it is one of the means by which members comment upon change and recreate their culture. It is also a powerful resource through which they respond to the ethnographer and what the ethnographer represents. Drawing on over five years of field research conducted between 1967 and 1987 in Kelibia, a town on the northeastern coast of Tunisia, Webber offers insights into the community gained through the study of its folk communicative resources and especially through study of the hikayah, a colloquial Arabic verbal art genre that resembles the western genres of local history or personal experience narrative. She demonstrates that Kelibians draw upon hikayat to cope creatively with both the destabilizing and the energizing facets of centuries of frequent, rarely controlled or invited, contact with outsiders. She finds that older community members use the art form to romance (not romanticize) their town and thus address important communal issues like colonialism. Webber discusses a marginalized town in the context of a marginalized discipline, folklore; an often devalued language, colloquial Arabic; and a frequently underestimated cultural domain, "affect," to demonstrate that a re-perception of each can yield rich insights into the centripetal forces that supposedly powerless communities can draw upon for empowerment.…

Buch. Zustand: Neu. Neuware - One of the goals of the 'new' or experimental ethnography is to illuminate the unique historical, social, and political situation of a people from their own multifaceted perspectives. As part of the effort to reach this goal, ethnographers are learning to listen in various keys to what members of society under study have to say about themselves and about their place in the world. In Romancing the Real, Sabra J. Webber argues that folklore-traditional aesthetic culture-is of central importance to the new ethnography. It is by becoming cultured in a people's traditional art forms that the ethnographer can come closest to an unmediated hearing of the individual voices of community members and to an understanding of how community 'affect' is shaped and shared rhetorically. She contends that traditional verbal art does more than reflect a culture from its members' points of view: it is one of the means by which members comment upon change and recreate their culture. It is also a powerful resource through which they respond to the ethnographer and what the ethnographer represents. Drawing on over five years of field research conducted between 1967 and 1987 in Kelibia, a town on the northeastern coast of Tunisia, Webber offers insights into the community gained through the study of its folk communicative resources and especially through study of the hikayah, a colloquial Arabic verbal art genre that resembles the western genres of local history or personal experience narrative. She demonstrates that Kelibians draw upon hikayat to cope creatively with both the destabilizing and the energizing facets of centuries of frequent, rarely controlled or invited, contact with outsiders. She finds that older community members use the art form to romance (not romanticize) their town and thus address important communal issues like colonialism. Webber discusses a marginalized town in the context of a marginalized discipline, folklore; an often devalued language, colloquial Arabic; and a frequently underestimated cultural domain, 'affect,' to demonstrate that a re-perception of each can yield rich insights into the centripetal forces that supposedly powerless communities can draw upon for empowerment.…

paperback. Zustand: Good. Good condition with wear and markings. Looks like an interesting title.

orig.cloth Minor rubbing. VG., dustwrapper Textual photo illustrations. 23x15cm, xxv,293 pp Contents: Preface: The Presence of the Past or Romancing the "Real": Hikayat & Social "Structures of Feeling"; Kelibia in Space & Time; The Structure of Male Storytelling Events; Dramatis Personae: Walis, Dervishes,Heroes, & Clowns; In Defense of (Maghribi) Folklore; Final Remarks; Appendix: Transliterated Hikayat. Minor rubbing. VG., dustwrapper. …