workshop press (13 Ergebnisse)

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Zustand: Near Fine. Berkeley Poets Workshop & Press, c1980, paperback, Near Fine(slight cover edgewear), 255 pages, (dp 10/01), POETRY; B0633 A POE-2.

Paperback. Zustand: Very Good. Very Good Condition. Five star seller - Buy with confidence!

Soft cover. Zustand: Very Good. WORKSHOP PRESS. Very Good/, 1981 (illustrator). B00K: Very Good/, $57.15 0902705431 HOW to GET your POEMS ACCEPTED, the POET's GUIDE No. 2., a Guide For Poets. ~ HIDDEN, Norman, Editor Poetry Magazine WORKSHOP PRESS 1981 UnStated Edition S/c. UnPolished Light Blue Spine With Title In Brown Letters, Soft Cover B00K: Very Good/, Shelf, Edge And Corner Wear. 59 Numbered Pages That Appear To Be Lightly Read, Printed On 0ff~White, In Very Good/, Condition, Clean And Tight To The Spine. Some UnDerlining, Mostly Towards Rear Of B00K. D/j: None. = No Odors, No Writing, No Names, No Rippling, Not Stuck Together, No Book Plate, Not X~Library, No Remainder Or Other Marks. Description Applies To This B00K, Only. = = This B00K Is Hard To Find, Will Be Packaged And Shipped = Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE.

200 copies. Sm.folio, (262x190mm), [12]p. 4 large specimens of fleurons printed in a variety of colours. A good copy in original printed wrappers.

4 pages of printers' flowers originally produced to illustrate an article for the Whittington Press publication, 'Matrix' issue 9. One of 200 copies, this no. 67. Printed in red and black, green and brown on Mason's Cream, Flying Colours and Goatskin Parchment papers. Pp. 12. 8vo., original blue printed Abbey Mill paper wrappers. Very mild fading along edges of wrappers, otherwise a very good copy.

Soft cover. Zustand: Fine. Limited Edition. Set in Adobe Garamond and printed on Goatskin Parchment paper. Number 33 of 100 copies. 6 tipped-in photographs, a tipped-in studio design, other illustrations within the text. Semi-stiff covers with pink wrappers, titled and decorated in plum. A fine copy. Articles by Mark Arman which appeared in The Journal for weavers, Spinners & Dyers, in 1990 & 1991.

131 S. 4°, OKt. Einband etwas geblichen und berieben. 990 gr.

Hardcover. Zustand: Fine. Number 25 of 110 copies, signed by the author, typeset on an AppleMac and printed on Goatskin Parchment with the wood engravings and tipped in broadsheets printed by letterpress.10 tipped in illustrations, some folding, 1 full-page wood engraving with colour wash, type specimens, etc. Quarter black cloth with printed label, decorative paper-covered boards. A fine copy. Signed by Author(s).

Hardcover. Zustand: Fine. Limited Edition. Set in Caslon. Number 71 of 175 copies printed on Goatskin Parchment in blue, black and red, and signed by the author/printer. Illustrated with 5 wood engravings (2 by the author) and 16 type specimen pages including four folded broadsheets. Quarter bound in cloth with engraved paper-covered sides, black and red. A fine copy. Signed by Author(s).

Hardcover. Zustand: Fine. Limited Edition. Number 52 of 145 copies handset in SB Caslon Old Face, printed in red and black (and other colours) on Basingwerk Parchment and signed by the author. Numerous illustrations and 2 tipped-in folding broadside specimens on blue paper. Quarter brown cloth with Cockerell marbled paper-covered sides, printed labels on spine and front cover. A fine copy. Particularly notable for floral decorations and other type ornaments. Signed by Author(s).

Hardcover. Zustand: Near Fine. Quarter dark grey cloth with Cockerell marbled paper-covered boards, cover and spine labels, small 4to., xi, 60 pages, illustrated with 52 wood engravings and linocuts, many full-page and in color, created over a period of forty years. One of 160 numbered copies printed and bound by Mark Arman at The Workshop Press from Perpetua types on Basingwerk paper. Inscribed by the artist/printer to Arthur Goldsmith Jr. Sewn eight-page prospectus laid in. The fifth book from the press. Slight wear to the cloth ends, else a fine copy in archival mylar. Signed by the Printer.

440 x 307 mm. (17 1/4 x 12"). 2 p.l., 406, [2] pp. Original holland-backed blue paper boards, flat spine with paper title label identifying this as a workshop copy. Housed in a fine modern drop-back box of blue cloth backed with holland, paper labels on spine. Printer's device in colophon. Printed in red, black, and blue. Front pastedown with bookplate of St John Hornby and ex-libris of David Godine. Hornby 32; Franklin, pp. 144-46, 240-41. Covers with fading along the top, a bit of foxing, and extensive (though light) gray discoloration, ends of spine lightly bumped and lower edges of bottom corners slightly rubbed (both as expected), but the volume completely solid and miles away from what one would imagine for a hefty book like this that would have been expected to incur uncareful use. Isolated very pale foxing, and the most trivial signs of use internally. A REMARKABLE COPY, the text in beautiful condition, soundly protected in its unique binding. With its companion volume, "Minor Poems" by Spenser, this, in Franklin's eyes, is the "masterpiece" among the Ashendene folios; and the present distinctive--and presumably unique--copy comes from Charles Harry St John Hornby's own printer's workshop. Unlike most other copies, which are typically found in the publisher's calf-backed vellum binding, this copy is in the inexpensive and less substantial holland-backed boards that are now less and less commonly seen, in large part because they have not stood up well over the years. The present copy, somehow, has done quite the opposite. In addition to the original Ashendene "Workshop Copy" designation on the spine label, scattered finger smudges--perhaps those of Hornby himself--suggest its use in the printer's studio. In our experience, this particular designation is extremely rare in connection with private press books in general, and certainly for Ashendene volumes. Founded in 1895 by Hornby (1867-1946), the Ashendene Press issued 40 books, plus additional minor pieces for four decades. Less elaborate in appearance and design than William Morris' Kelmscott volumes, but more ornamental than the products of Cobden-Sanderson's Doves Press, the Ashendene volumes have long been considered the most satisfying of English private press books. This volume was formerly in the collection of David R. Godine, who founded the Godine Press in 1970, after training with printmaker Leonard Baskin and master printer Harold McGrath. ST JOHN HORNBY'S WORKSHOP COPY (there were 180 paper copies, 150 of them for sale, and 12 vellum copies of this edition).