Wu xiaojin (53 Ergebnisse)

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Paperback. Zustand: New. A critical look at the renegade spirit that permeates Japanese prints and the posters of fin-de-siècle ParisBoth the Edo period (1603-1868) in Japan and the late nineteenth century in France witnessed a multitude of challenges to the status quo from the rising middle class. In Edo (present-day Tokyo), townspeople pursued hedonistic lifestyles as a way of defying the state-sanctioned social hierarchy that positioned them at the bottom. Their new pastimes supplied subject matter for ukiyo-e (pictures of the floating world). Many such pictures arrived in France in the 1860s, a time when French art and society were undergoing substantial changes. Fin-de-siècle Paris, like Edo before it, saw the rise of antiestablishment attitudes and a Bohemian subculture. As artists searched for fresh and more expressive forms, Henri de Toulouse-Lautrec (1864-1901) and his contemporaries were drawn to novel Japanese prints. While ukiyo-e's formal influences on Toulouse-Lautrec and his peers have been well studied, the shared subversive hedonism that underlies these artworks has been less examined. Through a wide selection of Japanese prints and Toulouse-Lautrec works, this book offers a critical look at the renegade spirit inhabiting the graphic arts in both Edo and Paris, highlighting the social impulses behind a burgeoning art production.Exhibition dates: Seattle Asian Art Museum, July 21-December 3, 2023. …

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Paperback. Zustand: new. Paperback. A critical look at the renegade spirit that permeates Japanese prints and the posters of fin-de-siecle ParisBoth the Edo period (16031868) in Japan and the late nineteenth century in France witnessed a multitude of challenges to the status quo from the rising middle class. In Edo (present-day Tokyo), townspeople pursued hedonistic lifestyles as a way of defying the state-sanctioned social hierarchy that positioned them at the bottom. Their new pastimes supplied subject matter for ukiyo-e (pictures of the floating world). Many such pictures arrived in France in the 1860s, a time when French art and society were undergoing substantial changes. Fin-de-siecle Paris, like Edo before it, saw the rise of antiestablishment attitudes and a Bohemian subculture. As artists searched for fresh and more expressive forms, Henri de Toulouse-Lautrec (18641901) and his contemporaries were drawn to novel Japanese prints. While ukiyo-e's formal influences on Toulouse-Lautrec and his peers have been well studied, the shared subversive hedonism that underlies these artworks has been less examined. Through a wide selection of Japanese prints and Toulouse-Lautrec works, this book offers a critical look at the renegade spirit inhabiting the graphic arts in both Edo and Paris, highlighting the social impulses behind a burgeoning art production.Exhibition dates: Seattle Asian Art Museum, July 21December 3, 2023 Through a wide selection of Japanese prints and Toulouse-Lautrec works, this book offers a critical look at the renegade spirit inhabiting the graphic arts in both Edo and Paris, highlighting the social impulses behind a burgeoning art production.Exhibition dates: Seattle Asian Art Museum, July 21December 3, 2023 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Zustand: New. &Uumlber den AutorXiaojin Wu is Luther W. Brady Curator of Japanese Art at the Philadelphia Museum of Art. Previously she was Atsuhiko and Ina Goodwin Tateuchi Foundation Curator of Japanese and Korean Art at the Seattle Art M.

Taschenbuch. Zustand: Neu. Neuware - A critical look at the renegade spirit that permeates Japanese prints and the posters of fin-de-siècle ParisBoth the Edo period (1603-1868) in Japan and the late nineteenth century in France witnessed a multitude of challenges to the status quo from the rising middle class. In Edo (present-day Tokyo), townspeople pursued hedonistic lifestyles as a way of defying the state-sanctioned social hierarchy that positioned them at the bottom. Their new pastimes supplied subject matter for ukiyo-e (pictures of the floating world). Many such pictures arrived in France in the 1860s, a time when French art and society were undergoing substantial changes. Fin-de-siècle Paris, like Edo before it, saw the rise of antiestablishment attitudes and a Bohemian subculture. As artists searched for fresh and more expressive forms, Henri de Toulouse-Lautrec (1864-1901) and his contemporaries were drawn to novel Japanese prints. While ukiyo-e's formal influences on Toulouse-Lautrec and his peers have been well studied, the shared subversive hedonism that underlies these artworks has been less examined. Through a wide selection of Japanese prints and Toulouse-Lautrec works, this book offers a critical look at the renegade spirit inhabiting the graphic arts in both Edo and Paris, highlighting the social impulses behind a burgeoning art production.Exhibition dates: Seattle Asian Art Museum, July 21-December 3, 2023.…

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Paperback. Zustand: new. Paperback. A critical look at the renegade spirit that permeates Japanese prints and the posters of fin-de-siecle ParisBoth the Edo period (16031868) in Japan and the late nineteenth century in France witnessed a multitude of challenges to the status quo from the rising middle class. In Edo (present-day Tokyo), townspeople pursued hedonistic lifestyles as a way of defying the state-sanctioned social hierarchy that positioned them at the bottom. Their new pastimes supplied subject matter for ukiyo-e (pictures of the floating world). Many such pictures arrived in France in the 1860s, a time when French art and society were undergoing substantial changes. Fin-de-siecle Paris, like Edo before it, saw the rise of antiestablishment attitudes and a Bohemian subculture. As artists searched for fresh and more expressive forms, Henri de Toulouse-Lautrec (18641901) and his contemporaries were drawn to novel Japanese prints. While ukiyo-e's formal influences on Toulouse-Lautrec and his peers have been well studied, the shared subversive hedonism that underlies these artworks has been less examined. Through a wide selection of Japanese prints and Toulouse-Lautrec works, this book offers a critical look at the renegade spirit inhabiting the graphic arts in both Edo and Paris, highlighting the social impulses behind a burgeoning art production.Exhibition dates: Seattle Asian Art Museum, July 21December 3, 2023 Through a wide selection of Japanese prints and Toulouse-Lautrec works, this book offers a critical look at the renegade spirit inhabiting the graphic arts in both Edo and Paris, highlighting the social impulses behind a burgeoning art production.Exhibition dates: Seattle Asian Art Museum, July 21December 3, 2023 Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Zustand: New. A critical look at the renegade spirit that permeates Japanese prints and the posters of fin-de-siècle ParisBoth the Edo period (1603-1868) in Japan and the late nineteenth century in France witnessed a multitude of challenges to the status quo from the rising middle class. In Edo (present-day Tokyo), townspeople pursued hedonistic lifestyles as a way of defying the state-sanctioned social hierarchy that positioned them at the bottom. Their new pastimes supplied subject matter for ukiyo-e (pictures of the floating world). Many such pictures arrived in France in the 1860s, a time when French art and society were undergoing substantial changes. Fin-de-siècle Paris, like Edo before it, saw the rise of antiestablishment attitudes and a Bohemian subculture. As artists searched for fresh and more expressive forms, Henri de Toulouse-Lautrec (1864-1901) and his contemporaries were drawn to novel Japanese prints. While ukiyo-e's formal influences on Toulouse-Lautrec and his peers have been well studied, the shared subversive hedonism that underlies these artworks has been less examined. Through a wide selection of Japanese prints and Toulouse-Lautrec works, this book offers a critical look at the renegade spirit inhabiting the graphic arts in both Edo and Paris, highlighting the social impulses behind a burgeoning art production.Exhibition dates: Seattle Asian Art Museum, July 21-December 3, 2023. …

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Hardcover. Zustand: Very Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 25 x 33 cm.; 1.6 kg.; 222 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The dust jacket shows minor wear marks, edge wear, scuffs and scratches on the front cover, spine and back cover. Interior with minor signs of wear.; Catalogue from the exhibition Awakenings: Zen Figure Painting in Medieval Japan, presented at Japan Society Gallery, New York, from March 28 through June 17, 2007.; Transmitted from China to Japan in the thirteenth century, Zen Buddhism not only introduced religious practices but also literature, calligraphy, philosophy, and ink painting to Japanese disciples. This book discusses these fields as they combined to encompass the evocative practice of figure painting within Zen Buddhism in medieval Japan. Focusing on forty-seven exceptional Japanese and Chinese paintings from the twelfth to the sixteenth centuries- which together illustrate the story of the "awakening" of Zen art-the book features essays by distinguished scholars that discuss the life and art within Zen monastic and lay communities. The authors explore the ideology underlying the development of Zen's own pantheon of characters created to imagine the Buddha's wisdom and offer fresh insights into the role of the visual arts within Zen practice as it developed in Japan in close dialogue with the Asian continent.…

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