Xia liyang (18 Ergebnisse)

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Hardback. Zustand: New. Ibsen, Theatre and the Chinese State interrogates a hundred years of Chinese history from the founding of the Chinese Communist Party to the present day, refracted through representations of a Western playwright on the Chinese stage. No other Western writer has had the same consistent presence in Chinese political, cultural and ideological history as Henrik Ibsen. Yet there is inconsistency in the reception of his dramas in China. Throughout the last hundred years, contestations over the national imaginary of China have played out in the changing interpretations of Ibsen's plays. An understanding of the complex appropriation of Ibsen's dramas in Chinese theatre offers a litmus test of China's changing attitude towards the West. This book examines how the State, the scholars and the artists have used Ibsen's drama for different purposes such as nation building, women's emancipation and theatre reform.…

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Hardback. Zustand: New. Ibsen, Theatre and the Chinese State interrogates a hundred years of Chinese history from the founding of the Chinese Communist Party to the present day, refracted through representations of a Western playwright on the Chinese stage. No other Western writer has had the same consistent presence in Chinese political, cultural and ideological history as Henrik Ibsen. Yet there is inconsistency in the reception of his dramas in China. Throughout the last hundred years, contestations over the national imaginary of China have played out in the changing interpretations of Ibsen's plays. An understanding of the complex appropriation of Ibsen's dramas in Chinese theatre offers a litmus test of China's changing attitude towards the West. This book examines how the State, the scholars and the artists have used Ibsen's drama for different purposes such as nation building, women's emancipation and theatre reform.…

Hardcover. Zustand: Brand New. 232 pages. 5.43x2.00x8.50 inches. In Stock.

Hardcover. Zustand: new. Hardcover. Ibsen, Theatre and the Chinese State interrogates a hundred years of Chinese history from the founding of the Chinese Communist Party to the present day, refracted through representations of a Western playwright on the Chinese stage. No other Western writer has had the same consistent presence in Chinese political, cultural and ideological history as Henrik Ibsen. Yet there is inconsistency in the reception of his dramas in China. Throughout the last hundred years, contestations over the national imaginary of China have played out in the changing interpretations of Ibsens plays. An understanding of the complex appropriation of Ibsens dramas in Chinese theatre offers a litmus test of Chinas changing attitude towards the West. This book examines how the State, the scholars and the artists have used Ibsens drama for different purposes such as nation building, womens emancipation and theatre reform. Ibsen, Theatre and the Chinese State presents close and distant readings of Ibsen performances in China in the past hundred years. It argues that the history of Ibsen in China is far more complicated than a simple story of assimilation. The book points to the conflicts, contestations and compromises between artists and the State. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

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Buch. Zustand: Neu. Ibsen, Theatre and the Chinese State | A hundred years of contestations | Liyang Xia | Buch | Theatre: Theory - Practice - Performance | Englisch | 2026 | Manchester University Press | EAN 9781526170071 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Ibsen, Theatre and the Chinese State interrogates a hundred years of Chinese history from the founding of the Chinese Communist Party to the present day, refracted through representations of a Western playwright on the Chinese stage. No other Western writer has had the same consistent presence in Chinese political, cultural and ideological history as Henrik Ibsen. Yet there is inconsistency in the reception of his dramas in China. Throughout the last hundred years, contestations over the national imaginary of China have played out in the changing interpretations of Ibsen's plays. An understanding of the complex appropriation of Ibsen's dramas in Chinese theatre offers a litmus test of China's changing attitude towards the West. This book examines how the State, the scholars and the artists have used Ibsen's drama for different purposes such as nation building, women's emancipation and theatre reform.…