Zanger abby e (11 Ergebnisse)

Sprache: Englisch
Verlag: Stanford University Press, Stanford, California, U. S. A., 1997
- Softcover
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Hardcover. Zustand: Very Good. Very Good (Protective cover). Cover is in excellent condition. DJ is unclipped and in very good condition. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Size: 8vo - over 7¾" - 9¾" tall.

- Hardcover
- Erstausgabe
Anbieter: Snowden's Books, Santa Fe, NM, USASnowden's Books
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Original hardcover in jacket, first printing, book is solid and bright with minimal reference wear. 244 pages, index, very nice. f6.

- Hardcover
- Erstausgabe
Anbieter: Works on Paper, DeKalb, IL, USAWorks on Paper
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. A very good copy of the first hard cover edition, first printing (full number line) in a like (not price-clipped) dust-jacket. The text is wholly unmarked, pristine, and the binding and jacket are bright and fresh in appearance. A sharp copy.

- Hardcover
Anbieter: Rarewaves USA, HEBRON, KY, USARarewaves USA
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Hardback. Zustand: New. This book radically revises our understanding of the construction of symbolic power in the age of absolutism by examining the fictions that emerge from visual, narrative, and ceremonial representations of (and reactions to) the 1660 marriage of Louis XIV to the Spanish infanta. Drawing on semiotics, the h…istory of theater and spectacle, gender studies, and anthropology, the author reconsiders the nature of representation in absolutist political culture. The book is not intended as a history of the marriage. Rather, the author analyzes in detail exemplary moments or scenes from the royal wedding, in particular uncovering the dialectic at the heart of nuptial fictions. Like the kinship exchange out of which they emerge, fictions of marriage manipulate antagonistic forces in the service of promoting the political culture of absolutism. The nuptial fiction portrays a king who though central, is not yet absolute, and who depends on images and representational forms to become visible. His perceived power relies on appendages such as the queen and forms like print, fireworks, and drama. A calculus of addition, this dependence is invisible from within the models previously used to explore the representation of sovereignty, models based on rituals of substitution like the funeral rite. Though the fictions generated during Louis XIV's marriage are not the principal ones of his rule, they do affect the portrait of the king and provide insight into the making of an image scholars too frequently take for granted. Studying nuptial fictions invites us to reexamine clichés about the representation of absolutist power, generalizations that do not fully characterize the less monumental (but equally crucial) periods of Louis XIV's kingship.

- Hardcover
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hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Sprache: Englisch
Verlag: Stanford University Press, Stanford, California, 1997
- Hardcover
Anbieter: San Francisco Book Company, Paris, FrankreichSan Francisco Book Company
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Hardcover. Zustand: Very good. Zustand des Schutzumschlags: very good. Cloth/dust jacket Octavo. gray cloth, gilt lettering, dust jacket, 244 pp Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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Hardcover. Zustand: Brand New. 1st edition. 244 pages. 9.00x6.00x1.25 inches. In Stock.

- Hardcover
Anbieter: moluna, Greven, Deutschlandmoluna
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Gebunden. Zustand: New. This book radically revises our understanding of the construction of symbolic power in the age of absolutism by examining the fictions that emerge from visual, narrative, and ceremonial representations of (and reactions to) the 1660 marriage of Louis XIV to.

- Hardcover
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EUR 119,12
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Hardback. Zustand: New. This book radically revises our understanding of the construction of symbolic power in the age of absolutism by examining the fictions that emerge from visual, narrative, and ceremonial representations of (and reactions to) the 1660 marriage of Louis XIV to the Spanish infanta. Drawing on semiotics, the h…istory of theater and spectacle, gender studies, and anthropology, the author reconsiders the nature of representation in absolutist political culture. The book is not intended as a history of the marriage. Rather, the author analyzes in detail exemplary moments or scenes from the royal wedding, in particular uncovering the dialectic at the heart of nuptial fictions. Like the kinship exchange out of which they emerge, fictions of marriage manipulate antagonistic forces in the service of promoting the political culture of absolutism. The nuptial fiction portrays a king who though central, is not yet absolute, and who depends on images and representational forms to become visible. His perceived power relies on appendages such as the queen and forms like print, fireworks, and drama. A calculus of addition, this dependence is invisible from within the models previously used to explore the representation of sovereignty, models based on rituals of substitution like the funeral rite. Though the fictions generated during Louis XIV's marriage are not the principal ones of his rule, they do affect the portrait of the king and provide insight into the making of an image scholars too frequently take for granted. Studying nuptial fictions invites us to reexamine clichés about the representation of absolutist power, generalizations that do not fully characterize the less monumental (but equally crucial) periods of Louis XIV's kingship.

Rethinking Feminism in Early Modern Studies: Gender, Race, and Sexuality
Ania Loomba; Melissa E. Sanchez; Professor Allyson M. Poska; Professor Abby Zanger
Sprache: Englisch
Verlag: Routledge, 2016
Serie: Buch 23 von 91 - Women and Gender in the Early Modern World
- Hardcover
Anbieter: Asano Bookshop, Nagoya, AICHI, JapanAsano Bookshop
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Zustand: Brand New. Features essays by scholars in the field of early modern studies on the possibilities of feminist criticism and theory. This book responds to anxieties that feminist criticism is in a state of decline by attending to, instead of ignoring debates and differences that have emerged in light of scholarly work on…race, affect, and sexuality.

- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Buch. Zustand: Neu. Neuware - This book radically revises our understanding of the construction of symbolic power in the age of absolutism by examining the fictions that emerge from visual, narrative, and ceremonial representations of (and reactions to) the 1660 marriage of Louis XIV to the Spanish infanta. Drawing on semiotics,… the history of theater and spectacle, gender studies, and anthropology, the author reconsiders the nature of representation in absolutist political culture. The book is not intended as a history of the marriage. Rather, the author analyzes in detail exemplary moments or scenes from the royal wedding, in particular uncovering the dialectic at the heart of nuptial fictions. Like the kinship exchange out of which they emerge, fictions of marriage manipulate antagonistic forces in the service of promoting the political culture of absolutism. The nuptial fiction portrays a king who though central, is not yet absolute, and who depends on images and representational forms to become visible. His perceived power relies on appendages such as the queen and forms like print, fireworks, and drama. A calculus of addition, this dependence is invisible from within the models previously used to explore the representation of sovereignty, models based on rituals of substitution like the funeral rite. Though the fictions generated during Louis XIV's marriage are not the principal ones of his rule, they do affect the portrait of the king and provide insight into the making of an image scholars too frequently take for granted. Studying nuptial fictions invites us to reexamine clichés about the representation of absolutist power, generalizations that do not fully characterize the less monumental (but equally crucial) periods of Louis XIV's kingship.