EUR 23,29
Anzahl: 1 verfügbar
In den WarenkorbZustand: New. pp. 56 18 Illus. (Col.).
Zustand: New. pp. 56.
Zustand: New. pp. 56.
EUR 22,00
Anzahl: 16 verfügbar
In den WarenkorbHardcover. Zustand: New.
Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Anbieter: As The Story Was Told, York, Vereinigtes Königreich
Erstausgabe
EUR 7,14
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Near Fine. 1st Edition. First printing, nr. fine in decorated boards. Fine excepting small patch of staining to fore-edge of front board.
Sprache: Englisch
Verlag: Ridinghouse and Barbican, London, 2012
ISBN 10: 1905464703 ISBN 13: 9781905464708
Anbieter: PsychoBabel & Skoob Books, Didcot, Vereinigtes Königreich
Signiert
EUR 22,63
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Very Good. Hardcover in very good condition. No jacket. Signed by artist on half title page. Published for an exhibition at PEER, London from 3rd October to 1st December 2012. HCW. Signed by Artist. Used.
Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.
Zustand: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
Sprache: Englisch
Verlag: Oxford University Press, GB, 2012
ISBN 10: 0199645302 ISBN 13: 9780199645305
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
EUR 42,48
Anzahl: Mehr als 20 verfügbar
In den WarenkorbPaperback. Zustand: New. What is the purpose of a work of art? What drives us to make art? Why do we value art and consume it? Nick Zangwill argues that we cannot understand the nature of art without first having answers to these fundamental questions. On his view, which he dubs 'the Aesthetic Creation Theory', a work of art is something created for a particular aesthetic purpose. More specifically, the function of art is to have certain aesthetic properties in virtue of its non-aesthetic properties, and this function arises because of the artist's insight into the nature of these dependence relations and her intention to bring them about. In defending this view, Zangwill provides an account of aesthetic action and aesthetic creative thought and shows how the Aesthetic Creation Theory can accommodate two kinds of seeming counterexamples to aesthetic theories of art: narrative art and twentieth-century avant-garde art. Aesthetic Creation also contains a detailed exposition and critique of a range of rival views, including Dickie's institutional theory of art, accounts of art that make essential reference to an audience, and sociological theories which purport to explain the nature of art without recourse to the notion of the aesthetic.
Zustand: New.
Zustand: As New. Unread book in perfect condition.
Anbieter: Universitätsbuchhandlung Herta Hold GmbH, Berlin, Deutschland
XV, 409 p. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Numanities - Arts and Humanities in Progress, Vol. 7. Sprache: Englisch.
Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Rowman & Littlefield Publishers, 2003
ISBN 10: 0742514196 ISBN 13: 9780742514195
Anbieter: Book House in Dinkytown, IOBA, Minneapolis, MN, USA
Verbandsmitglied: IOBA
Paperback. Zustand: Very Good. 2003 printing. Spine is uncreased, binding tight and sturdy; text also very good. Ships from Dinkytown in Minneapolis, Minnesota.
EUR 36,27
Anzahl: 10 verfügbar
In den WarenkorbPF. Zustand: New.
EUR 40,31
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
EUR 38,94
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
EUR 45,45
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. What is the purpose of art? What drives us to make it? Why do we value it? Nick Zangwill argues that the function of art is to have certain aesthetic properties in virtue of its non-aesthetic properties, and this function arises because of the artist's insight into the nature of these dependence relations and her intention to bring them about. Num Pages: 200 pages, black & white illustrations. BIC Classification: ABA; HPN. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 215 x 141 x 11. Weight in Grams: 252. . 2012. Paperback. . . . .
EUR 44,11
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: As New. Unread book in perfect condition.
Zustand: New. What is the purpose of art? What drives us to make it? Why do we value it? Nick Zangwill argues that the function of art is to have certain aesthetic properties in virtue of its non-aesthetic properties, and this function arises because of the artist's insight into the nature of these dependence relations and her intention to bring them about. Num Pages: 200 pages, black & white illustrations. BIC Classification: ABA; HPN. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 215 x 141 x 11. Weight in Grams: 252. . 2012. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Oxford University Press, Oxford, 2012
ISBN 10: 0199645302 ISBN 13: 9780199645305
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Paperback. Zustand: new. Paperback. What is the purpose of a work of art? What drives us to make art? Why do we value art and consume it? Nick Zangwill argues that we cannot understand the nature of art without first having answers to these fundamental questions. On his view, which he dubs 'the Aesthetic Creation Theory', a work of art is something created for a particular aesthetic purpose. More specifically, the function of art is to have certain aesthetic properties in virtue of its non-aestheticproperties, and this function arises because of the artist's insight into the nature of these dependence relations and her intention to bring them about. In defending this view, Zangwill provides anaccount of aesthetic action and aesthetic creative thought and shows how the Aesthetic Creation Theory can accommodate two kinds of seeming counterexamples to aesthetic theories of art: narrative art and twentieth-century avant-garde art. Aesthetic Creation also contains a detailed exposition and critique of a range of rival views, including Dickie's institutional theory of art, accounts of art that make essential reference to an audience, and sociological theories which purport toexplain the nature of art without recourse to the notion of the aesthetic. What is the purpose of art? What drives us to make it? Why do we value it? Nick Zangwill argues that the function of art is to have certain aesthetic properties in virtue of its non-aesthetic properties, and this function arises because of the artist's insight into the nature of these dependence relations and her intention to bring them about. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Zustand: As New. Unread book in perfect condition.
Zustand: New.
Sprache: Englisch
Verlag: Springer Nature Switzerland AG, Cham, 2019
ISBN 10: 3030144704 ISBN 13: 9783030144708
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Hardcover. Zustand: new. Hardcover. This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performers and listeners perceptions. In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy. This book provides a new approach to the intersections between music and philosophy. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 71,59
Anzahl: 3 verfügbar
In den WarenkorbZustand: New. pp. 228.
Zustand: New.
Zustand: As New. Unread book in perfect condition.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 68,40
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: As New. Unread book in perfect condition.