ISBN: 9780226774121 - between film and screen: modernism's photo synthesis (29 Ergebnisse)

Paperback. Zustand: Very Good. Photography might be called the lost cause of cinema, gone in projection and too soon forgotten. But what is the mysterious region between photography and narrative cinema, between the photogram - a single film frame - and the illusion of motion one recognizes as the movies? In this study, Garrett Stewart discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce and others. Engaging the work of such media theorists as Eisenstein, Benjamin, Kracauer, Bazin, Baudry, Cavell, Deleuze and Jameson, this study pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Lang and Chaplin through Bergman, Coppola and beyond. To locate the exact repercussions of such effects, Stewart includes over 300 frame enlargements drawn from genres as different as science fiction, film noir and recent Victorian costume drama.…

Paperback. Zustand: Very Good. Photography might be called the lost cause of cinema, gone in projection and too soon forgotten. But what is the mysterious region between photography and narrative cinema, between the photogram - a single film frame - and the illusion of motion one recognizes as the movies? In this study, Garrett Stewart discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce and others. Engaging the work of such media theorists as Eisenstein, Benjamin, Kracauer, Bazin, Baudry, Cavell, Deleuze and Jameson, this study pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Lang and Chaplin through Bergman, Coppola and beyond. To locate the exact repercussions of such effects, Stewart includes over 300 frame enlargements drawn from genres as different as science fiction, film noir and recent Victorian costume drama.…

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Fair. 1st Edition. Used, with writing on several pages, but smart stuff.

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Soft cover. Zustand: Very Good. 1st Edition. 1st edition. Paperback.

Soft cover. Zustand: Fine. No Jacket. 1st Edition. Between Film and Screen: Modernism's Photo Synthesis. Stewart, Garrett. Published by University of Chicago Press (1999) 386p. trade paperback, covers clean/square, binding tight, text clean/unmarked, fine condition--ISBN 10: 0226774120ISBN 13: 9780226774121--13.00. …

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Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:9780226774121. …

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Zustand: New. Brand New.

Zustand: New. Discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce and others. It pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Chaplin to Coppola. Num Pages: 398 pages, 344 halftones. BIC Classification: APFA; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 215 x 23. Weight in Grams: 940. . 2000. 1st Edition. Paperback. . . . .…

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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: As New. Unread book in perfect condition.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New. Photography might be called the lost cause of cinema, gone in projection and too soon forgotten. But what is the mysterious region between photography and narrative cinema, between the photogram - a single film frame - and the illusion of motion one recognizes as the movies? In this study, Garrett Stewart discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce and others. Engaging the work of such media theorists as Eisenstein, Benjamin, Kracauer, Bazin, Baudry, Cavell, Deleuze and Jameson, this study pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Lang and Chaplin through Bergman, Coppola and beyond. To locate the exact repercussions of such effects, Stewart includes over 300 frame enlargements drawn from genres as different as science fiction, film noir and recent Victorian costume drama. …

Zustand: New. Discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce and others. It pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Chaplin to Coppola. Num Pages: 398 pages, 344 halftones. BIC Classification: APFA; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 215 x 23. Weight in Grams: 940. . 2000. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Zustand: Brand New. 1st edition. 408 pages. 9.50x8.50x1.00 inches. In Stock.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. In English.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: New. pp. 408 Index.

Zustand: New. pp. 408.

Kartoniert / Broschiert. Zustand: New. KlappentextPhotography might be called the lost cause of cinema, gone in projection and too soon forgotten. But what is the mysterious region between photography and narrative cinema, between the photogram--a single film frame--and the i.

Taschenbuch. Zustand: Neu. Neuware - Photography might be called the lost cause of cinema, gone in projection and too soon forgotten. But what is the mysterious region between photography and narrative cinema, between the photogram--a single film frame--and the illusion of motion we recognize as the movies In this ambitious, sophisticated study, Garrett Stewart discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce, and others. Engaging the work of such media theorists as Eisenstein, Benjamin, Kracauer, Bazin, Baudry, Cavell, Deleuze, and Jameson, this study pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Lang and Chaplin through Bergman, Coppola, and beyond. To locate the exact repercussions of such effects, Stewart includes over three hundred frame enlargements drawn from genres as different as science fiction, film noir, and recent Victorian costume drama.…

Paperback. Zustand: New. Photography might be called the lost cause of cinema, gone in projection and too soon forgotten. But what is the mysterious region between photography and narrative cinema, between the photogram - a single film frame - and the illusion of motion one recognizes as the movies? In this study, Garrett Stewart discusses the photogram not only as the undertext of screen images but also in its unexpected links to the early modernist writings of James, Conrad, Forster, Joyce and others. Engaging the work of such media theorists as Eisenstein, Benjamin, Kracauer, Bazin, Baudry, Cavell, Deleuze and Jameson, this study pursues the suppressed photogram as it ripples the narrative surface of several dozen films from Lang and Chaplin through Bergman, Coppola and beyond. To locate the exact repercussions of such effects, Stewart includes over 300 frame enlargements drawn from genres as different as science fiction, film noir and recent Victorian costume drama. …