Isbn: 9780231084048 - realms of memory: rethinking the french past: conflicts and divisions: the construction of the french past, volume 1 - conflicts and divisions ... in social thought & cultural ctiticism) (34 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Hardback. Zustand: Fair. Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history. A monumental collective endevour by some of France's most distinguished intellectuals, Realms of Memory explores how and why certain places, events, and figures became a part of France's collective memory, and reveals the intricate connection between memory and history. Symbols, the third and final volume, is the culmination of the work begun in Conflicts and Divisions and Traditions.Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations. As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways in which the French think of themselves. From the cock - that "rustic and quintessentially Gallic bird" - to the figures of Joan of Arc and Descartes, to the nation's twin hearts - Paris and the French language - the memory of the French people is explored.This final installment of Realms of Memory provides a major contribution not only to study the French nation and culture, but also to the study of symbols as cultural phenomena, offering, as Nora observes, "the possibility of revelation.".…

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

    • Hardcover

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    Hardback. Zustand: Very Good. Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history. A monumental collective endevour by some of France's most distinguished intellectuals, Realms of Memory explores how and why certain places, events, and figures became a part of France's collective memory, and reveals the intricate connection between memory and history. Symbols, the third and final volume, is the culmination of the work begun in Conflicts and Divisions and Traditions.Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations. As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways in which the French think of themselves. From the cock - that "rustic and quintessentially Gallic bird" - to the figures of Joan of Arc and Descartes, to the nation's twin hearts - Paris and the French language - the memory of the French people is explored.This final installment of Realms of Memory provides a major contribution not only to study the French nation and culture, but also to the study of symbols as cultural phenomena, offering, as Nora observes, "the possibility of revelation.".…

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

    • Hardcover

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    Hardback. Zustand: Fair. Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history. A monumental collective endevour by some of France's most distinguished intellectuals, Realms of Memory explores how and why certain places, events, and figures became a part of France's collective memory, and reveals the intricate connection between memory and history. Symbols, the third and final volume, is the culmination of the work begun in Conflicts and Divisions and Traditions.Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations. As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways in which the French think of themselves. From the cock - that "rustic and quintessentially Gallic bird" - to the figures of Joan of Arc and Descartes, to the nation's twin hearts - Paris and the French language - the memory of the French people is explored.This final installment of Realms of Memory provides a major contribution not only to study the French nation and culture, but also to the study of symbols as cultural phenomena, offering, as Nora observes, "the possibility of revelation.".…

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

    • Hardcover

    Anbieter: World of Books Inc, Montgomery, IL, USAWorld of Books Inc

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    Hardback. Zustand: Very Good. Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history. A monumental collective endevour by some of France's most distinguished intellectuals, Realms of Memory explores how and why certain places, events, and figures became a part of France's collective memory, and reveals the intricate connection between memory and history. Symbols, the third and final volume, is the culmination of the work begun in Conflicts and Divisions and Traditions.Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations. As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways in which the French think of themselves. From the cock - that "rustic and quintessentially Gallic bird" - to the figures of Joan of Arc and Descartes, to the nation's twin hearts - Paris and the French language - the memory of the French people is explored.This final installment of Realms of Memory provides a major contribution not only to study the French nation and culture, but also to the study of symbols as cultural phenomena, offering, as Nora observes, "the possibility of revelation.".…

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    hardcover. Zustand: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Hardcover. Zustand: Near Fine.

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Faint creasing to edges of first few pages. DJ spine sunned.; 1; 10.26 X 7.34 X 1.71 inches; 642 pages.

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Zustand: Very Good. : Sumérgete en un análisis profundo de la memoria colectiva francesa con 'Realms of Memory: Conflicts and Divisions'. Este libro, dirigido por Pierre Nora y con contribuciones de destacados intelectuales, explora los símbolos, rituales y eventos que han moldeado la identidad francesa a lo largo de la historia. Descubre cómo los conflictos políticos, religiosos y generacionales han influido en la construcción del pasado francés y cómo la memoria se convierte en un campo de batalla donde se reinterpretan los significados y se reescribe la historia. Una obra imprescindible para comprender la complejidad de la memoria y su impacto en la cultura y la sociedad francesa. EAN: 9780231084048 Tipo: Libros Categoría: Historia|Filosofía Título: Realms of Memory: Conflicts and Divisions Autor: Pierre Nora| Lawrence D. Kritzman| Arthur Goldhammer Editorial: Columbia University Press Idioma: en Páginas: 642 Formato: tapa dura.…

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Zustand: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

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    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

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    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    hardcover. Zustand des Schutzumschlags: Good. First Edition. New York. 1996. Columbia University Press. 1st American Edition. Very Good in Slightly Worn Dustjacket. 0231084048. English Language EditionEdited & With A Foreword by Lawrence D. Kritzman. Translated by Arthur Goldhammer. 651 pages. hardcover. keywords: French History. DESCRIPTION - REALMS OF MEMORY is a monumental collective endeavor by France's leading intellectuals, exploring the cathedrals and palaces, the rituals, legends, and episodes that form the landscape of French consciousness. The first volume, Conflicts and Divisions, reflects on symbols of political, religious, regional, and generational difference that structure France's self-definition. The book begins with the political clashes that have carved a path through French history and memory, between Franks and Gauls, French and foreigners, Vichy and all other regimes. Contributors explore shifting conceptions of political meaning over centuries, from the often irreverent portrayals of Gauls in such popular media as the Asterix comics to nostalgic reimaginings of pre-revolutionary France by modern ultranationalists. A second section analyzes sites and events of the religious conflicts that underlie French identity. The authors chronicle the manufacture of remembrance, as seen in the Protestant festivals held each September to commemorate the persecution of Huguenots in the sixteenth-century Wars of Religion; and of the processes of forgetting, witnessed in the assimilative tradition among French Jews that has hindered, if not prevented, rediscovery of a distinctively Jewish past and acknowledgments of the French legacy of anti-Semitism. Conflicts and Divisions concludes with a section on issues of time and place, and analysis of the cleavages that separate Paris and province, north and south, and human generations as demarcated by such transformative years as 1789 and 1968. inventory #23073 Very Good in Slightly Worn Dustjacket. …

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Hardcover. Zustand: Near Fine. Near Fine. 1st Edition. 651pp, not price clipped, no inscriptions, illustrated. Excellent condition copy with only slight rubbing to wrapper and no creasing or fading. Clean and bright internally, appears almost unread. Heavy book, please inquire for postage outside the UK.…

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Zustand: New. 1996. Subsequent. Hardcover. Offers the best essays from the acclaimed collection originally published in French. This monumental work examines how and why events and figures become a part of a people's collective memory, how rewriting history can forge new paradigms of cultural identity, and how the meaning attached to an event can become as significant as the event itself. Editor(s): Nora, Pierre; Kritzman, Lawrence D.; Goldhammer, Arthur. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. Num Pages: 642 pages, 140 black & white illustrations. BIC Classification: HBAH; HBJD; J. Category: (P) Professional & Vocational. Dimension: 183 x 252 x 30. Weight in Grams: 1460. The Construction of the French Past. Conflicts and Divisions. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. 642 pages, 140 black & white illustrations. Editor(s): Nora, Pierre; Kritzman, Lawrence D.; Goldhammer, Arthur. Offers the best essays from the acclaimed collection originally published in French. This monumental work examines how and why events and figures become a part of a people's collective memory, how rewriting history can forge new paradigms of cultural identity, and how the meaning attached to an event can become as significant as the event itself. Cateogry: (P) Professional & Vocational. BIC Classification: HBAH; HBJD; J. Dimension: 183 x 252 x 30. Weight: 1352. . . . . .…

  • Sprache: Englisch

    Verlag: Columbia University Press, New York, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Hardcover. Octavo, Three volumes. In Good minus condition; lacks dust jackets. Spines are blue with silver print. Boards quarter bound with blue cloth to spine and blue, red, or white paper to boards; light wear to spine caps and corners. Text blocks have name in ink on front flyleaf, first volume with cracked front hinge, clipped book description taped to rear endpapers of volumes one and three, volumes two and three have shaken binding, volume two has ink mark to bottom edge, all volumes have underlining in red ink. Illustrated: b&w. CONTENTS: Vol. I. Conflicts and Divisions (1996; ISBN 9780231084048) xxiv, 651 pages Vol. II. Traditions (1997; ISBN 0231106343) xii, 591 pages Vol. III. Symbols (1998; ISBN 0231109261) xii, 751 pages. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Multi-volume Section. 1400548. FP New Rockville Stock.…

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Zustand: New. pp. 678 140 Illus.

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

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  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

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    Zustand: New. pp. 678.

  • Sprache: Englisch

    Verlag: Columbia University, New York, 1996

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    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st. First English edition. "Under the Direction of Pierre Nora." Edited with a foreword by Kritzman, translated by Goldhammer. Illustrated in black and white. 7 x 10 inches. 650 pages.

  • Sprache: Englisch

    Verlag: Columbia University Press, US, 1996

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    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Hardback. Zustand: New. Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history. A monumental collective endevour by some of France's most distinguished intellectuals, Realms of Memory explores how and why certain places, events, and figures became a part of France's collective memory, and reveals the intricate connection between memory and history.Symbols, the third and final volume, is the culmination of the work begun in Conflicts and Divisions and Traditions.Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations.As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways.…

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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  • Sprache: Englisch

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  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

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    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Zustand: New. 1996. Subsequent. Hardcover. Offers the best essays from the acclaimed collection originally published in French. This monumental work examines how and why events and figures become a part of a people's collective memory, how rewriting history can forge new paradigms of cultural identity, and how the meaning attached to an event can become as significant as the event itself. Editor(s): Nora, Pierre; Kritzman, Lawrence D.; Goldhammer, Arthur. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. Num Pages: 642 pages, 140 black & white illustrations. BIC Classification: HBAH; HBJD; J. Category: (P) Professional & Vocational. Dimension: 183 x 252 x 30. Weight in Grams: 1460. The Construction of the French Past. Conflicts and Divisions. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. 642 pages, 140 black & white illustrations. Editor(s): Nora, Pierre; Kritzman, Lawrence D.; Goldhammer, Arthur. Offers the best essays from the acclaimed collection originally published in French. This monumental work examines how and why events and figures become a part of a people's collective memory, how rewriting history can forge new paradigms of cultural identity, and how the meaning attached to an event can become as significant as the event itself. Cateogry: (P) Professional & Vocational. BIC Classification: HBAH; HBJD; J. Dimension: 183 x 252 x 30. Weight: 1352. . . . . . Books ship from the US and Ireland.…

  • Sprache: Englisch

    Verlag: Columbia University Press, US, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Hardback. Zustand: New. Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history. A monumental collective endevour by some of France's most distinguished intellectuals, Realms of Memory explores how and why certain places, events, and figures became a part of France's collective memory, and reveals the intricate connection between memory and history.Symbols, the third and final volume, is the culmination of the work begun in Conflicts and Divisions and Traditions.Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations.As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways.…

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Zustand: New. In English.

  • Sprache: Englisch

    Verlag: Columbia University Press, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 3 vol set. I Conflicts and Divisions; II Traditions; III Symbols.

  • Sprache: Englisch

    Verlag: Columbia University Press, US, 1996

    0231084048 / 9780231084048

    Serie: Buch 103 von 103 - European Perspectives: A Series in Social Thought and Cultural Criticism

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    Hardback. Zustand: New. Archives, monuments, celebrations:there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory, includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history. A monumental collective endevour by some of France's most distinguished intellectuals, Realms of Memory explores how and why certain places, events, and figures became a part of France's collective memory, and reveals the intricate connection between memory and history.Symbols, the third and final volume, is the culmination of the work begun in Conflicts and Divisions and Traditions.Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations.As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways.…