Anbieter: Goodwill San Antonio, San Antonio, TX, USA
Zustand: good.
paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 38,26
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Paperback. Zustand: new. New Copy. Customer Service Guaranteed.
Zustand: New.
Zustand: As New. Unread book in perfect condition.
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 66,71
Anzahl: 2 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: LLIBRERIA MEDIOS S.L., BARCELONA, B, Spanien
Encuadernación de tapa blanda. Zustand: Muy bien. 2ª Edición.
EUR 59,37
Anzahl: 1 verfügbar
In den WarenkorbZustand: New.
Zustand: NEW.
Sprache: Englisch
Verlag: Taylor and Francis Ltd, GB, 2009
ISBN 10: 0240521854 ISBN 13: 9780240521855
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
EUR 82,66
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: New. 2nd. Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout, as well as a lower price!The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor's craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered. Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work.
Sprache: Englisch
Verlag: Taylor & Francis Ltd, Oxford, 2009
ISBN 10: 0240521854 ISBN 13: 9780240521855
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Paperback. Zustand: new. Paperback. Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout, as well as a lower price!The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor's craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered. Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work. The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor's craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Anbieter: Chiron Media, Wallingford, Vereinigtes Königreich
EUR 67,66
Anzahl: 2 verfügbar
In den Warenkorbpaperback. Zustand: New.
Sprache: Englisch
Verlag: Taylor and Francis Ltd, GB, 2009
ISBN 10: 0240521854 ISBN 13: 9780240521855
Anbieter: Rarewaves USA, OSWEGO, IL, USA
Paperback. Zustand: New. 2nd. Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout, as well as a lower price!The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor's craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered. Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work.
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
EUR 63,86
Anzahl: 1 verfügbar
In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 72,80
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
EUR 70,83
Anzahl: 1 verfügbar
In den WarenkorbZustand: As New. Unread book in perfect condition.
Zustand: New. pp. 368 2nd Edition.
Zustand: New. 2009. 2nd Edition. Paperback. Introduces readers to different aspects of the editor's craft, providing a concise history of editing and describing editing style as it applies to various genres of moviemaking, including many types of narrative and documentary films. This title covers particular demands of wide-screen filmmaking, cinema verite, and the avant-garde. Num Pages: 368 pages, Illustrations. BIC Classification: AJRD. Category: (P) Professional & Vocational. Dimension: 232 x 192 x 22. Weight in Grams: 766. . . . . .
Zustand: New. pp. 368.
Zustand: New. 2009. 2nd Edition. Paperback. Introduces readers to different aspects of the editor's craft, providing a concise history of editing and describing editing style as it applies to various genres of moviemaking, including many types of narrative and documentary films. This title covers particular demands of wide-screen filmmaking, cinema verite, and the avant-garde. Num Pages: 368 pages, Illustrations. BIC Classification: AJRD. Category: (P) Professional & Vocational. Dimension: 232 x 192 x 22. Weight in Grams: 766. . . . . . Books ship from the US and Ireland.
EUR 61,91
Anzahl: 2 verfügbar
In den WarenkorbZustand: NEW.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 106,55
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 2nd reissue edition. 368 pages. 9.10x7.40x1.00 inches. In Stock.
Zustand: New. Karel ReiszEnhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout, as well as a lower price!The single most comprehensive and engaging volume on film editing. Reisz and Millar intr.
Zustand: Gut. Zustand: Gut | Seiten: 346 | Sprache: Englisch | Produktart: Bücher | The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor's craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films.
Sprache: Englisch
Verlag: Taylor and Francis Ltd, GB, 2009
ISBN 10: 0240521854 ISBN 13: 9780240521855
Anbieter: Rarewaves USA United, OSWEGO, IL, USA
Paperback. Zustand: New. 2nd. Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout, as well as a lower price!The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor's craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered. Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work.