Isbn: 9780253313270 - cello technique: principles and forms of movement (7 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First Edition. 1st English language edition, translated by Barbara Thiem. Slight shelf-wear at foot of spine, otherwise a clean, tidy copy in firm binding Used - Very Good. VG hardback (no dust jacket) Used - Very Good. VG hardback (no dust jacket).

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. 1st Edition. First English-Language Edition, First Printing. Bloomington and London: Indiana University Press, 1975. Hardcover. xviii, 232 pp. Original blue cloth, gilt-lettered spine, in the original dust jacket. NF book in G DJ. Translated from the German by Barbara Haimberger Thiem. Foreword by János Starker. ISBN 9780253313270 / 0253313279. Illustrated with 97 in-text figures. A significant analytical study of cello playing by German cellist, teacher, and writer Gerhard Mantel. Rather than a conventional method or exercise book, Cello Technique examines the physics and physiology of performance, including learning processes, body movement, sound production, position changes, vibrato, left- and right-hand coordination, pressure on the strings, and bowing technique. It remains a useful advanced reference for cellists, string teachers, pedagogy students, and readers interested in musicians' health and instrumental biomechanics. Condition: Near Fine in a Good dust jacket. Clean, complete pages with a tight, square binding. A prior owner's name, "Anita Woods," is written on the front free endpaper. The original dust jacket is present and shows significant rubbing, with small tears along the edges. Please review all photographs for the exact 1975 first-English-edition copy, owner name, dust jacket, and complete condition details. …

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0253313279.…

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: Fair. First Edition. Ex-library. Library stamps, labels and markings. Dust-jacket in worn clear plastic jacket with adhesive edges. Rear flap of dust-jacket pasted down to rear endpaper. Dust-jacket trimmed at margins, without loss of text. The clear plastic cover over the dust-jacket is worn with large tears and pieces missing.; xviii, [2], 232 pages. Illustrated with 97 small in-text figures. Blue cloth boards with gilt lettering on spine. Page dimensions: 208 x 138mm. Text in English, translated from German by Barbara Haimberger Thiem. With a Foreword by Janos Starker. "'Cello Technique' is not an instruction book or a 'cello method' but an analysis of the physics and physiology involved in playing the instrument. The author explains in scientific terms the learning processes, bodily movements, and principles of sound production as they apply to playing the cello generally and to specific functions." - from dust-jacket blurb.…

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good. D; Very Good+ in a Very Good DJ: The Book shows spotting at the top edge of the text block; the binding leans ever so slightly while remaining secure; the text is clean. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, minor, unobtrusive imperfections. Bright and clean. Corners sharp. The DJ shows a half-inch closed tear at the top of the front panel; sunning to the dusky purple background field of the backstrip, rendering it bluish (the titles thereon remain quite legible if somewhat muted) ; faint scuffing to the lower front panel; unclipped. NOT a Remainder, Book-Club, or Ex-Library. 8vo (8.5 x 5.75 x 0.85 inches) . Bibliography. Illustrated with drawings and designs in black & white. Translated by Barbara Haimberger Thiem. Foreword by Janos Starker. Language: English. Weight: 18 ounces. First Edition Thus (1973) ; First Printing indicated by a complete numerical sequence. Bright blue buckram over boards with silver titles at the backstrip. Hardcover with DJ. Gerhard Friedrich Mantel (1930 2012) was a German cellist, University lecturer and writer instrumental-pedagogical and music-psychological publications. Born in Karlsruhe, Mantel was the second child of Georg Mantel, professor of piano and composition at the Hochschule für Musik Karlsruhe, and his wife Margarethe. At the age of nine he turned to playing the cello. Already as a pupil he studied in Heidelberg with August Eichhorn. He refined his skills in Paris with Pierre Fournier, Paul Tortelier and André Navarra, as well as with Pablo Casals in Prades and in Saarbrücken with Maurice Gendron. After a guest appearance in Norway in the winter of 1952/53 with the Musikselskabet Harmonien, later the Bergen Philharmonic Orchestra, he received an engagement there as solo cellist and worked there until June 1954, after which he remained associated with the orchestra for many years. As soloist and chamber musician he performed in numerous countries in Europe, North and South America, Japan, Korea and the Near East. His interpretations are documented on numerous records and over 100 radio recordings. ; 8vo 8" - 9" tall; xviii, 232 pages 1st American Edition Thus; First Printing.…