9780292735804 - photographing the mexican revolution: commitments, testimonies, icons (william and bettye nowlin series in art, history, and culture of the western hemisphere) von mraz, john (18 Ergebnisse)
Sprache: Englisch
Verlag: University of Texas Press, 2012
- Hardcover
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Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Sprache: Englisch
Verlag: University of Texas Press, 2012
- Hardcover
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hardcover. Zustand: Good.
Sprache: Englisch
Verlag: University of Texas Press, 2012
- Hardcover
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Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: University of Texas Press, 2012
- Hardcover
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Hardcover. Zustand: Near Fine. No Jacket. Nice copy, with no markings. Almost like new, but there are four separate prints of B&W photos inserted, in addition to the multiple photos in the book. Not sure about the origin of the extra photo prints.
Sprache: Englisch
Verlag: University of Texas Press April 2012, 2012
- Hardcover
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Hardcover. Zustand: USED Good.
Sprache: Englisch
Verlag: University of Texas Press, Austin, 2012
- Hardcover
- Erstausgabe
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First Edition. Hardcover, very good with light wear. Book.
Sprache: Englisch
Verlag: University of Texas Press, US, 2012
- Hardcover
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes KönigreichRarewaves.com USA
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Hardback. Zustand: New. The Mexican Revolution of 1910-1920 is among the world's most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes-commercial and amateur, national and internation…al. Many images of the Revolution remain iconic to this day-Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other's images.In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that AgustÍn VÍctor Casasola was "the photographer of the Revolution," there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).
Sprache: Englisch
Verlag: University of Texas Press, 2012
- Hardcover
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Zustand: New. pp. 327.
Sprache: Englisch
Verlag: University of Texas Press, Austin, TX, 2012
- Hardcover
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Hardcover. Zustand: new. Hardcover. The Mexican Revolution of 1910-1920 is among the world's most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes-commercial and amateur, national and… international. Many images of the Revolution remain iconic to this day-Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other's images.In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustin Victor Casasola was "the photographer of the Revolution," there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions). With almost 200 photographs, many never before published, and an authoritative text that delves into the motivations and aesthetics of the photographers who took them, this is the most ambitious and historically accurate visual record of the Mexican Revolution Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: MU - University of Texas Press, 2012
- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of Texas Press, 2012
- Hardcover
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Zustand: new.
Verlag: University of Chicago press
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Zustand: New. Brand New.
Sprache: Englisch
Verlag: University of Texas Press, 2012
- Hardcover
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Zustand: New. With almost 200 photographs, many never before published, and an authoritative text that delves into the motivations and aesthetics of the photographers who took them, this is the most ambitious and historically accurate visual record of the Mexican Revolution Series: The William and Bette Nowlin Series in Art, His…tory, and Culture of the Western Hemisphere. Num Pages: 327 pages, 197 duotones. BIC Classification: 1KLCM; 3JJC; 3JJF; AJCR; HBJK; HBLW; HBTV. Category: (P) Professional & Vocational. Dimension: 5817 x 5182 x 788. Weight in Grams: 1305. . 2012. Hardcover. . . . .
Sprache: Englisch
Verlag: Univ of Texas Pr, 2012
- Hardcover
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Hardcover. Zustand: Brand New. 328 pages. 7.50x8.50x1.00 inches. In Stock.
Sprache: Englisch
Verlag: University of Texas Press, 2012
- Hardcover
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Zustand: New. pp. 327.
Sprache: Englisch
Verlag: University of Texas Press, 2012
- Hardcover
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Zustand: New. With almost 200 photographs, many never before published, and an authoritative text that delves into the motivations and aesthetics of the photographers who took them, this is the most ambitious and historically accurate visual record of the Mexican Revolution Series: The William and Bette Nowlin Series in Art, His…tory, and Culture of the Western Hemisphere. Num Pages: 327 pages, 197 duotones. BIC Classification: 1KLCM; 3JJC; 3JJF; AJCR; HBJK; HBLW; HBTV. Category: (P) Professional & Vocational. Dimension: 5817 x 5182 x 788. Weight in Grams: 1305. . 2012. Hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: University of Texas Press, Austin, TX, 2012
- Hardcover
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Hardcover. Zustand: new. Hardcover. The Mexican Revolution of 1910-1920 is among the world's most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes-commercial and amateur, national and… international. Many images of the Revolution remain iconic to this day-Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other's images.In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustin Victor Casasola was "the photographer of the Revolution," there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions). With almost 200 photographs, many never before published, and an authoritative text that delves into the motivations and aesthetics of the photographers who took them, this is the most ambitious and historically accurate visual record of the Mexican Revolution Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Sprache: Englisch
Verlag: University of Texas Press, US, 2012
- Hardcover
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Hardback. Zustand: New. The Mexican Revolution of 1910-1920 is among the world's most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes-commercial and amateur, national and internation…al. Many images of the Revolution remain iconic to this day-Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other's images.In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that AgustÍn VÍctor Casasola was "the photographer of the Revolution," there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).
