ISBN: 9780306803031 - dialogues with marcel duchamp (55 Ergebnisse)

Paperback. Zustand: Good. "Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art.In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said.The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage,'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.'He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.'The art community feels Duchamp's presence and his absence. He has changed the condition of being here."- Jasper Johns, from Marcel Duchamp: An Appreciation.…

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Acceptable. Water damage to edges, good readable copy. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Paperback. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Zustand: Good. "Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art.In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said.The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage,'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.'He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.'The art community feels Duchamp's presence and his absence. He has changed the condition of being here."- Jasper Johns, from Marcel Duchamp: An Appreciation.…

Paperback. Zustand: Good.

Paperback. Zustand: Good.

Paperback. Zustand: Good. Reasonable and presentable paperback. Some shelf wear to the covers. Good binding and the text flows clearly. Enjoy this reliable edition. Book.

paperback. Zustand: Acceptable. Acceptable, Reading copy only, with writing/markings, bumps/creasing, and heavy wear. Standard-sized.

Paperback. Zustand: Very Good. Softcover. Good binding and cover. Generally clean. Minor foxing to edges. Small mark to front end page. Light wear.

Soft cover. Zustand: Very Good. No Dust Jacket. Near fine. 136pp. Index. Biblio. Illustrated. Size: 12mo - over 6?" - 7?" Tall.

Soft cover. Zustand: Fine. 136pp. Second Edition. Stated: this copy is "an unabridged republication of the edition published in London in 1979". 18 pp. of black and white Plates (non-Glossy), between pp. 110 and 113. Chronology, pp. 113-120; Selected Bibliography, pp. 121-132; Index, pp. 133-136. Glossy black and gray wraps with full front cover photo-portrait of Duchamp, facing reader, with light gray lettering for title in a column on top half left front cover, above author and mention of Jasper Johns lettering in light orange, continuing in a column down lower half front cover left. Only peccadillo is slight fading of a few letters of front cover printing of author name and half of Jasper Johns lettering, light orange turning to light yellow, else As New: tight binding (NO cracks); sharp corners (NO bumps or curls); NO rubbing wear; NO remainder marks; NO previous owner names; NO signs of sunning to spine. Clean text. Unread. …

Paperback. Zustand: Near Fine. 1st. 136 pages, illustrations, portraits; 21 cm. First published, 1967, under title: Entretiens avec Marcel Duchamp. Translated from the French. Near fine. Tight, clean copy. Age toning. First thus. *** Helpful resource for anyone researching Marcel Duchamp, dada, or the modernist avant-garde. Size: 8vo.…

Paperback. Zustand: Good. Pages clean; binding sound; moderate wear to covers. 136 pages. Illustrated. Includes an Appreciation by Jasper Johns. Size: 6" x 9".

Paperback or Softback. Zustand: New. Dialogues with Marcel Duchamp. Book.

Paperback. Zustand: New. "Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art.In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said.The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage,'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.'He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.'The art community feels Duchamp's presence and his absence. He has changed the condition of being here."- Jasper Johns, from Marcel Duchamp: An Appreciation.…

Paperback. Zustand: New. "Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art.In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said.The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage,'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.'He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.'The art community feels Duchamp's presence and his absence. He has changed the condition of being here."- Jasper Johns, from Marcel Duchamp: An Appreciation.…

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 5-6 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: New.

Zustand: new.

Paperback. Zustand: new. Paperback. "Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art.In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said.The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage,'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.'He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.'The art community feels Duchamp's presence and his absence. He has changed the condition of being here."- Jasper Johns, from Marcel Duchamp: An Appreciation "Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where l" Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.