9780500481127 - cut out: a feminist history of photo collage, montage and assemblage (v&a museum, 0) von rogers, fiona (23 Ergebnisse)

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Hardcover. Zustand: new. Hardcover. Cut Out presents the previously untold relationship between photography, feminist art and collage, from the 19th century to the present day. Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out explores the relationship between photography and feminist collage, foregrounding the use of femmage - a radical reclaiming of craft traditionally associated with women - as a resilient method within feminist and political art. Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Hoech, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage. At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power. Cut Out presents the previously untold relationship between photography, feminist art, and collage through the V&A's extensive collection of photography, spanning from the nineteenth century to the present day. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: new.

Hardback. Zustand: New. Cut Out presents the previously untold relationship between photography, feminist art and collage, from the 19th century to the present day. Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out explores the relationship between photography and feminist collage, foregrounding the use of femmage - a radical reclaiming of craft traditionally associated with women - as a resilient method within feminist and political art. Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage. At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power.…

Zustand: New.

Hardback. Zustand: New. Cut Out presents the previously untold relationship between photography, feminist art and collage, from the 19th century to the present day. Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out explores the relationship between photography and feminist collage, foregrounding the use of femmage - a radical reclaiming of craft traditionally associated with women - as a resilient method within feminist and political art. Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage. At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power.…

hardcover. Zustand: New.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.

Hardcover. Zustand: New. Brand New.

Hardcover. Zustand: Brand New. 240 pages. 10.81x9.11 inches. In Stock.

Zustand: NEW.

Hardcover. Zustand: new. Hardcover. Cut Out presents the previously untold relationship between photography, feminist art and collage, from the 19th century to the present day. Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out explores the relationship between photography and feminist collage, foregrounding the use of femmage - a radical reclaiming of craft traditionally associated with women - as a resilient method within feminist and political art. Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Hoech, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage. At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power. Cut Out presents the previously untold relationship between photography, feminist art, and collage through the V&A's extensive collection of photography, spanning from the nineteenth century to the present day. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Hardcover. Zustand: Brand New. 240 pages. 10.81x9.11 inches. In Stock.

Buch. Zustand: Neu. Neuware - Cut Out presents the previously untold relationship between photography, feminist art and collage, from the 19th century to the present day. Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out explores the relationship between photography and feminist collage, foregrounding the use of femmage - a radical reclaiming of craft traditionally associated with women - as a resilient method within feminist and political art. Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage. At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power. …

Hardback. Zustand: New. Cut Out presents the previously untold relationship between photography, feminist art and collage, from the 19th century to the present day. Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out explores the relationship between photography and feminist collage, foregrounding the use of femmage - a radical reclaiming of craft traditionally associated with women - as a resilient method within feminist and political art. Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage. At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power.…

Hardcover. Zustand: new. Hardcover. Cut Out presents the previously untold relationship between photography, feminist art and collage, from the 19th century to the present day. Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out explores the relationship between photography and feminist collage, foregrounding the use of femmage - a radical reclaiming of craft traditionally associated with women - as a resilient method within feminist and political art. Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Hoech, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage. At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power. Cut Out presents the previously untold relationship between photography, feminist art, and collage through the V&A's extensive collection of photography, spanning from the nineteenth century to the present day. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Hardback. Zustand: New. Cut Out presents the previously untold relationship between photography, feminist art and collage, from the 19th century to the present day. Female artists have long employed collage to reflect the ways in which identity is often constructed from conflicting, contrasting and contradictory parts. Cut Out explores the relationship between photography and feminist collage, foregrounding the use of femmage - a radical reclaiming of craft traditionally associated with women - as a resilient method within feminist and political art. Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to contemporary practitioners, we encounter Victorian album makers; Modernist, Surrealist and Dadaist innovators; and radical, second-wave feminist artists. Thematic sections include profiles written by expert contributors on key individuals, including Hannah Höch, Dora Maar and Lorna Simpson. Looking to the future as much as the past, Cut Out also reveals how the pioneering work of contemporary and digital artists continues to subvert dominant narratives and foster ever-expanding forms of photographic collage. At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power.…

Zustand: New. Special order direct from the distributor.