ISBN: 9780521028196 - reading renaissance music theory: hearing with the eyes (cambridge studies in music theory and analysis, 14, band 14) (22 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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Paperback or Softback. Zustand: New. Reading Renaissance Music Theory: Hearing with the Eyes. Book.

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Paperback. Zustand: New. This book examines a central group of music theory treatises that have formed the background to the study of Renaissance music. Taking theorists' music examples as a point of departure, it explores fundamental questions about how music was read, and by whom, situating the reading in specific cultural contexts. Numerous broader issues are addressed in the process: the relationship of theory and praxis; access to, and use of, printed musical sources; stated and unstated agendas of theorists; orality and literacy as it was represented via music print culture; the evaluation of anonymous repertories; and the analysis of repertories delineated by boundaries other than the usual ones of composer and genre. In particular this study illuminates the ways in which Renaissance theorists' choices have shaped later interpretation of earlier practice, and reflexively the ways in which modern theory has been mapped on to that practice.…

Zustand: New.

Soft cover. Zustand: Good. 1st Edition. Stamped 'damaged' but the only sign of damage is a bend (though not a crease) to the front cover. Unmarked. No wear. 339 pages.

Zustand: New. Explores fundamental questions about how music examples were read in Renaissance theory books. Series Editor(s): Bent, Ian. Series: Cambridge Studies in Music Theory & Analysis. Num Pages: 364 pages, 87 b/w illus. 23 tables 22 music examples. BIC Classification: AVA; AVGC2. Category: (P) Professional & Vocational. Dimension: 240 x 172 x 19. Weight in Grams: 614. . 2008. Illustrated. paperback. . . . . …

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Zustand: New. In English.

Zustand: As New. Unread book in perfect condition.

Zustand: New. Explores fundamental questions about how music examples were read in Renaissance theory books. Series Editor(s): Bent, Ian. Series: Cambridge Studies in Music Theory & Analysis. Num Pages: 364 pages, 87 b/w illus. 23 tables 22 music examples. BIC Classification: AVA; AVGC2. Category: (P) Professional & Vocational. Dimension: 240 x 172 x 19. Weight in Grams: 614. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland. …

Zustand: New. pp. 364.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines a central group of music theory treatises that have formed the background to the study of Renaissance music. Taking theorists' music examples as a point of departure, it explores fundamental questions about how music was read, and by whom, situating the reading in specific cultural contexts. Numerous broader issues are addressed in the process: the relationship of theory and praxis; access to, and use of, printed musical sources; stated and unstated agendas of theorists; orality and literacy as it was represented via music print culture; the evaluation of anonymous repertories; and the analysis of repertories delineated by boundaries other than the usual ones of composer and genre. In particular this study illuminates the ways in which Renaissance theorists' choices have shaped later interpretation of earlier practice, and reflexively the ways in which modern theory has been mapped on to that practice.…

Paperback. Zustand: New. This book examines a central group of music theory treatises that have formed the background to the study of Renaissance music. Taking theorists' music examples as a point of departure, it explores fundamental questions about how music was read, and by whom, situating the reading in specific cultural contexts. Numerous broader issues are addressed in the process: the relationship of theory and praxis; access to, and use of, printed musical sources; stated and unstated agendas of theorists; orality and literacy as it was represented via music print culture; the evaluation of anonymous repertories; and the analysis of repertories delineated by boundaries other than the usual ones of composer and genre. In particular this study illuminates the ways in which Renaissance theorists' choices have shaped later interpretation of earlier practice, and reflexively the ways in which modern theory has been mapped on to that practice.…

PF. Zustand: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Zustand: New. Print on Demand pp. 364 67:B&W 6.69 x 9.61 in or 244 x 170 mm (Pinched Crown) Perfect Bound on White w/Gloss Lam.

Zustand: New. PRINT ON DEMAND pp. 364.

Paperback. Zustand: new. Paperback. This book examines a central group of music theory treatises that have formed the background to the study of Renaissance music. Taking theorists' music examples as a point of departure, it explores fundamental questions about how music was read, and by whom, situating the reading in specific cultural contexts. Numerous broader issues are addressed in the process: the relationship of theory and praxis; access to, and use of, printed musical sources; stated and unstated agendas of theorists; orality and literacy as it was represented via music print culture; the evaluation of anonymous repertories; and the analysis of repertories delineated by boundaries other than the usual ones of composer and genre. In particular this study illuminates the ways in which Renaissance theorists' choices have shaped later interpretation of earlier practice, and reflexively the ways in which modern theory has been mapped on to that practice. Taking Renaissance theorists' music examples as a point of departure, this study explores fundamental questions about how music was read, and by whom, in specific cultural contexts. In particular it illuminates the ways in which the choices of Renaissance theorists have shaped later interpretation of earlier praxis. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Taking Renaissance theorists music examples as a point of departure, this study explores fundamental questions about how music was read, and by whom, in specific cultural contexts. In particular it illuminates the ways in which the choices of Renaissance t.…

Taschenbuch. Zustand: Neu. Reading Renaissance Music Theory | Hearing with the Eyes | Cristle Collins Judd (u. a.) | Taschenbuch | Buch | Englisch | 2006 | Cambridge University Press | EAN 9780521028196 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …