9780674959613 - working space (charles eliot norton lectures, 1983-84) von stella, frank (53 Ergebnisse)
Sprache: Englisch
Verlag: Belknap Press: An Imprint of Harvard University Press, 1986
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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Paperback. Zustand: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.
Sprache: Englisch
Verlag: Belknap Press: An Imprint of Harvard University Press, 1986
- Softcover
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Zustand: good. All pages and cover are intact. Dust jacket included if applicable, though it may be missing on hardcover editions. Spine and cover may show minor signs of wear including scuff marks, curls or bends to corners as well as cosmetic blemishes including stickers. Pages may contain limited notes or highlighting. "From…the library of" labels may be present. Shrink wrap, dust covers, or boxed set packaging may be missing. Bundled media e.g., CDs, DVDs, access codes may not be included.
Sprache: Englisch
Verlag: Belknap Press: An Imprint of Harvard University Press, 1986
- Softcover
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Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
Sprache: Englisch
Verlag: Belknap Press: An Imprint of Harvard University Press (edition First Edition), 1986
- Softcover
- Erstausgabe
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Paperback. Zustand: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.
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Paperback. Zustand: Acceptable. With internal markings in pen and dampness staining This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Oversized.
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Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Oversized Paperback. Zustand: Good. The Charles Eliot Norton Lectures, 1983-84. Using the crisis of representational art in 16th-century Italy to illuminate the crisis of abstraction in our time, one of the world's most prominent abstract painters describes hisperception of other artists' work, as well as his own, in this genero…usly illustrated volume. Illus., 36 colorplates, 55 B&W. 177p. Pap.
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Paperback. Zustand: Very Good. -FLASH SALE-20% OFF-ends 8/8/26--Unmarked. A few bumps on cover. Extensively illustrated. 177pp. Index. Measures 9x11 inches. Charles Eliot Norton Lectures delivered at Harvard. Offers a critique of abstract painting that starts in the Renaissance and ends with Abstract Expressionism.
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Trade Paperback. Zustand: Very Good. 4to. - over 9¾ in. - 12 in., 177pp. Light shelfwear, minor fading to front cover hinge, tight binding, inteiror text and images clean. Very Good copy.
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Soft cover. Zustand: Very Good. 1st Edition. No marks in text. No inscriptions etc. Not a library book. Ships today in a cardboard enclosure. Tim's Used Books, open shop in Provincetown, Massachusetts, providing good books at reasonable prices on the same spot since 1991. NO INTERNATIONAL SHIP THIS TITLE Shelf C.
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paperback. Zustand: Very Good. tight, uncreased spine, pages clear and bright, shelf and edge wear, corners bumped, previous owners name written on flyleaf, packaged in cardboard board box for shipment, tracking on U.S. orders.
- Softcover
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Softcover, 177 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.
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Soft cover. Zustand: Good. No Jacket. 176 pp. "generously illustrated" with B/W and full-colour photos. Cover quite worn, as are corners of book block. Copy to read (or keep in your studio for inspiration) rather than to display on a coffee table. Stella here analyzes his own work, as well as that of other artists. Oversized vol…ume may require additional shipping.
- Softcover
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Paperback. Zustand: Good. Good oversized paperback with some shelf wear.
Sprache: Englisch
Verlag: Belknap Press: An Imprint of Harvard University Press, 1986
- Softcover
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Belknap Press: An Imprint of Harvard University Press, 1986
- Softcover
Anbieter: Michael Patrick McCarty, Bookseller, New Castle, CO, USAMichael Patrick McCarty, Bookseller
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Softcover. Zustand: As New. A passionate defense of non-objective painting and a critique of the crisis facing modern abstraction. Stella argues that contemporary abstract art has become trapped by flat, shallow surfaces and "ambiguous pictorial space. The text includes unconventional critiques of giants like Michelangelo, Rapha…el, Titian, and Picasso, as well as modern figures like Jackson Pollock and Morris Louis.
- Softcover
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Paperback. Zustand: New. "A bombshell.this is a book that explodes many received ideas about abstraction.[It] is certainly one of the most remarkable books ever written on the subject. What makes it so remarkable, of course, is that Stella is unquestionably the most celebrated abstract painter of his generation."-Hilton Kramer,…AtlanticWorking Space affords a rare opportunity to view painting from the inside out, through the eyes of one of the world's most prominent abstract painters. Frank Stella describes his perception of other artists' work, as well as his own, in this handsomely illustrated volume.Stella uses the crisis of representational art in sixteenth-century Italy to illuminate the crisis of abstraction in our time. The artists who followed Leonardo, Michelangelo, Raphael, and Titian searched for new directions to advance their work from beneath the shadow of these great painters. Caravaggio pointed the way. So today, Stella believes, the successors to Picasso, Kandinsky, and Pollock must seek a pictorial space as potent as the one Caravaggio developed at the beginning of the seventeenth century. Stella sees Caravaggio as the pivot on whom painting turns, his consummate illusionism prompting the advance of a more flexible, more "real" space that allows painting to move and breathe, to suggest extension and unrestricted motion. Following Caravaggio, Rubens' broad vision of fullness and active volume gave painting a momentum that helped propel it into the nineteenth century, where it came to rest in the genius of Géricault and Manet, themselves the precursors of modern painting.Unfortunately, both contemporary abstract art and figurative painting have become trapped by ambiguous pictorial space and by a misguided emphasis on materiality (pigment for pigment's sake). Pictorial qualities have given way to illustrational techniques. Abstract art has become verbal, defensive, and critical, caught up in theology masquerading as theory. Stella asserts that painting must understand its past, make use of the lucid realism of seventeenth-century Italy, and absorb a Mediterranean physicality to reinforce the lean spirituality of northern abstraction pioneered by Mondrian and Malevich. Working Space will provoke discussion and argument, not least because Stella offers nontraditional evaluations of the works of giants such as Raphael, Titian, Michelangelo, Picasso, and Pollock, as well as lesser-known figures including Annibale Carracci, Paulus Potter, and Morris Louis. The artist's powers of discernment and the profusion of his ideas and opinions will dazzle and engage professionals, amateurs, and students of art.
Sprache: Englisch
Verlag: Belknap Press: An Imprint of Harvard University Press, 1986
- Softcover
Anbieter: GreatBookPrices, Columbia, MD, USAGreatBookPrices
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Zustand: New.
