9780691032733 - fields of vision: landscape imagery and national identity in england and the united states von daniels, stephen (10 Ergebnisse)
- Hardcover
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Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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hardcover. Zustand: Acceptable. Acceptable, Reading copy only, with writing/markings, bumps/creasing, and heavy wear. Standard-sized.
Sprache: Englisch
Verlag: Princeton University Press January 1993, Princeton, NJ, 1993
- Hardcover
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Hardcover. Zustand: Used - Like New. BEAUTIFUL COPY!!.
- Hardcover
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Zustand: Very Good. Hardcover in a bright, unclipped dust jacket. 255 pages, b&w illustrations. Contents: The Prince of Wales and the Shadow of St Paul's, Joseph Wright and the spectacle of power; Humphrey Repton and the improvement of the estate; J. M. W. Turner and the circulation of the state; Thomas Cole and the course of em…pire; Frances Palmer and the incorporation of the continent; John Constable and the making of Constable country. Clean copy. Record # 378690.
- Hardcover
Anbieter: Magus Books Seattle, Seattle, WA, USAMagus Books Seattle
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Hardcover. Zustand: VG-. Zustand des Schutzumschlags: Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.
- Hardcover
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Hardback. Stephen Daniels, Princeton University Press. "Landscape imagery," according to Stephen Daniels, "is not merely a reflection of, or distraction from, more pressing social, economic, or political issues; it is often a powerful mode of knowledge and social engagement." As exemplars of moral order and aesthetic harmony, pa…rticular landscapes achieve the status of national icons, and imperialists, almost by definition, have annexed the homelands of others in their identity myths, projecting on "foreigners" pictorial codes that express both an affinity with the colonizing country and an estrangement from it. In this provocative book Daniels shows how various artists--including painters, landscape designers, and architects--have articulated national identities in England and the United States from the later eighteenth century to the present day. The author looks especially at those artists who have been the focus of a "heritage debate" and who have been featured in exhibitions in the last decade (such as the controversial "The West as America: Reinterpreting Images of the Frontier" at the National Museum of American Art). Analyzing works of Christopher Wren, John Constable, J.M.W. Turner, Thomas Cole, Humphry Repton, Joseph Wright, and Frances Palmer (the leading artist for Currier and Ives), Daniels also examines how landscape conventions developed in England were deployed in definitions of American national identity. The author denies that his intention is iconoclastic. Instead, he wishes to amplify the eloquence of the images he treats, even if this means rendering their meaning more mutable and ambiguous than their nationalist admirers might concede. Hardback.
- Hardcover
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Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
- Hardcover
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University Press, 1993. 24 x 17 cm. Hardcover. Without dustjacket. With illustrations in b/w. 257 pag. FINE COPY [Art Art / English England / Engeland ].
- Hardcover
Anbieter: SHIMEDIA, Brooklyn, NY, USASHIMEDIA
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