Isbn: 9780691032733 - fields of vision: landscape imagery and national identity in england and the united states (15 Ergebnisse)

Zustand: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

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Zustand: Very Good. Hardcover in a bright, unclipped dust jacket. 255 pages, b&w illustrations. Contents: The Prince of Wales and the Shadow of St Paul's, Joseph Wright and the spectacle of power; Humphrey Repton and the improvement of the estate; J. M. W. Turner and the circulation of the state; Thomas Cole and the course of empire; Frances Palmer and the incorporation of the continent; John Constable and the making of Constable country. Clean copy. Record # 378690. …

Hardcover. Zustand: VG-. Zustand des Schutzumschlags: Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Hardcover. Zustand: Very Good. Fields of Vision: Landscape Imagery and National Identity in England and the United States This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Zustand: Very Good. From the Library of John Russell Taylor.

Hardback. Stephen Daniels, Princeton University Press. "Landscape imagery," according to Stephen Daniels, "is not merely a reflection of, or distraction from, more pressing social, economic, or political issues; it is often a powerful mode of knowledge and social engagement." As exemplars of moral order and aesthetic harmony, particular landscapes achieve the status of national icons, and imperialists, almost by definition, have annexed the homelands of others in their identity myths, projecting on "foreigners" pictorial codes that express both an affinity with the colonizing country and an estrangement from it. In this provocative book Daniels shows how various artists--including painters, landscape designers, and architects--have articulated national identities in England and the United States from the later eighteenth century to the present day. The author looks especially at those artists who have been the focus of a "heritage debate" and who have been featured in exhibitions in the last decade (such as the controversial "The West as America: Reinterpreting Images of the Frontier" at the National Museum of American Art). Analyzing works of Christopher Wren, John Constable, J.M.W. Turner, Thomas Cole, Humphry Repton, Joseph Wright, and Frances Palmer (the leading artist for Currier and Ives), Daniels also examines how landscape conventions developed in England were deployed in definitions of American national identity. The author denies that his intention is iconoclastic. Instead, he wishes to amplify the eloquence of the images he treats, even if this means rendering their meaning more mutable and ambiguous than their nationalist admirers might concede. Hardback.…

Hardcover. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0691032734.…

University Press, 1993. 24 x 17 cm. Hardcover. Without dustjacket. With illustrations in b/w. 257 pag. FINE COPY [Art Art / English England / Engeland ].

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