Isbn: 9780804795890 - flowers that kill: communicative opacity in political spaces (22 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Stanford University Press, 2015

    0804795894 / 9780804795890

    • Softcover

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    Zustand: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.

  • Sprache: Englisch

    Verlag: Stanford University Press, 2015

    0804795894 / 9780804795890

    • Softcover

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    Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

  • Sprache: Englisch

    Verlag: Stanford University Press, 2015

    0804795894 / 9780804795890

    • Softcover

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    Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Sprache: Englisch

    Verlag: Stanford University Press, 2015

    0804795894 / 9780804795890

    • Softcover

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  • Sprache: Englisch

    Verlag: Stanford University Press, 2015

    0804795894 / 9780804795890

    • Softcover

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  • Sprache: Englisch

    Verlag: Stanford University Press, US, 2015

    0804795894 / 9780804795890

    • Softcover

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    Paperback. Zustand: New. Flowers are beautiful. People often communicate their love, sorrow, and other feelings to each other by offering flowers, like roses. Flowers can also be symbols of collective identity, as cherry blossoms are for the Japanese. But, are they also deceptive? Do people become aware when their meaning changes, perhaps as flowers are deployed by the state and dictators? Did people recognize that the roses they offered to Stalin and Hitler became a propaganda tool? Or were they like the Japanese, who, including the soldiers, did not realize when the state told them to fall like cherry blossoms, it meant their deaths? Flowers That Kill proposes an entirely new theoretical understanding of the role of quotidian symbols and their political significance to understand how they lead people, if indirectly, to wars, violence, and even self-exclusion and self-destruction precisely because symbolic communication is full of ambiguity and opacity. Using a broad comparative approach, Emiko Ohnuki-Tierney illustrates how the aesthetic and multiple meanings of symbols, and at times symbols without images become possible sources for creating opacity which prevents people from recognizing the shifting meaning of the symbols.

  • Sprache: Englisch

    Verlag: Stanford University, Stanford CA 2015., 2015

    0804795894 / 9780804795890

    • Softcover

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    8vo. xv + 270pp. B/w. illustrations. Paperback in original pink wrapps. letterd in red and grey. ISBN 9780804795890 US$9.

  • Sprache: Englisch

    Verlag: Stanford University Press, US, 2015

    0804795894 / 9780804795890

    • Softcover

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    Paperback. Zustand: New. Flowers are beautiful. People often communicate their love, sorrow, and other feelings to each other by offering flowers, like roses. Flowers can also be symbols of collective identity, as cherry blossoms are for the Japanese. But, are they also deceptive? Do people become aware when their meaning changes, perhaps as flowers are deployed by the state and dictators? Did people recognize that the roses they offered to Stalin and Hitler became a propaganda tool? Or were they like the Japanese, who, including the soldiers, did not realize when the state told them to fall like cherry blossoms, it meant their deaths? Flowers That Kill proposes an entirely new theoretical understanding of the role of quotidian symbols and their political significance to understand how they lead people, if indirectly, to wars, violence, and even self-exclusion and self-destruction precisely because symbolic communication is full of ambiguity and opacity. Using a broad comparative approach, Emiko Ohnuki-Tierney illustrates how the aesthetic and multiple meanings of symbols, and at times symbols without images become possible sources for creating opacity which prevents people from recognizing the shifting meaning of the symbols.

  • Sprache: Englisch

    Verlag: Stanford University Press, 2015

    0804795894 / 9780804795890

    • Softcover

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    Paperback. Zustand: Very Good. Minimal wear. Some light pencil marks to text. Very good condition.

  • Sprache: Englisch

    Verlag: MK - Stanford University Press, 2015

    0804795894 / 9780804795890

    • Softcover

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    PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

  • Sprache: Englisch

    Verlag: Stanford University Press, Palo Alto, 2015

    0804795894 / 9780804795890

    • Softcover

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    Paperback. Zustand: new. Paperback. Flowers are beautiful. People often communicate their love, sorrow, and other feelings to each other by offering flowers, like roses. Flowers can also be symbols of collective identity, as cherry blossoms are for the Japanese. But, are they also deceptive? Do people become aware when their meaning changes, perhaps as flowers are deployed by the state and dictators? Did people recognize that the roses they offered to Stalin and Hitler became a propaganda tool? Or were they like the Japanese, who, including the soldiers, did not realize when the state told them to fall like cherry blossoms, it meant their deaths?Flowers That Kill proposes an entirely new theoretical understanding of the role of quotidian symbols and their political significance to understand how they lead people, if indirectly, to wars, violence, and even self-exclusion and self-destruction precisely because symbolic communication is full of ambiguity and opacity. Using a broad comparative approach, Emiko Ohnuki-Tierney illustrates how the aesthetic and multiple meanings of symbols, and at times symbols without images become possible sources for creating opacity which prevents people from recognizing the shifting meaning of the symbols. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Sprache: Englisch

    Verlag: Stanford University Press, 2015

    0804795894 / 9780804795890

    • Softcover

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  • Sprache: Englisch

    Verlag: Stanford Univ Pr, 2015

    0804795894 / 9780804795890

    • Softcover

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    Paperback. Zustand: Brand New. 256 pages. 9.13x6.22x0.87 inches. In Stock.

  • Sprache: Englisch

    Verlag: Stanford University Press, 2015

    0804795894 / 9780804795890

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  • Sprache: Englisch

    Verlag: Stanford University Press, 2015

    0804795894 / 9780804795890

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  • Sprache: Englisch

    Verlag: Stanford University Press, 2015

    0804795894 / 9780804795890

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  • Sprache: Englisch

    Verlag: Stanford University Press, 2015

    0804795894 / 9780804795890

    • Softcover

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  • Sprache: Englisch

    Verlag: Stanford University Press, 2015

    0804795894 / 9780804795890

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    Zustand: New. 2015. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

  • Sprache: Englisch

    Verlag: Stanford University Press, 2015

    0804795894 / 9780804795890

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  • Sprache: Englisch

    Verlag: Stanford University Press, US, 2015

    0804795894 / 9780804795890

    • Softcover

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    Paperback. Zustand: New. Flowers are beautiful. People often communicate their love, sorrow, and other feelings to each other by offering flowers, like roses. Flowers can also be symbols of collective identity, as cherry blossoms are for the Japanese. But, are they also deceptive? Do people become aware when their meaning changes, perhaps as flowers are deployed by the state and dictators? Did people recognize that the roses they offered to Stalin and Hitler became a propaganda tool? Or were they like the Japanese, who, including the soldiers, did not realize when the state told them to fall like cherry blossoms, it meant their deaths? Flowers That Kill proposes an entirely new theoretical understanding of the role of quotidian symbols and their political significance to understand how they lead people, if indirectly, to wars, violence, and even self-exclusion and self-destruction precisely because symbolic communication is full of ambiguity and opacity. Using a broad comparative approach, Emiko Ohnuki-Tierney illustrates how the aesthetic and multiple meanings of symbols, and at times symbols without images become possible sources for creating opacity which prevents people from recognizing the shifting meaning of the symbols.

  • Sprache: Englisch

    Verlag: Stanford University Press, Palo Alto, 2015

    0804795894 / 9780804795890

    • Softcover

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    Paperback. Zustand: new. Paperback. Flowers are beautiful. People often communicate their love, sorrow, and other feelings to each other by offering flowers, like roses. Flowers can also be symbols of collective identity, as cherry blossoms are for the Japanese. But, are they also deceptive? Do people become aware when their meaning changes, perhaps as flowers are deployed by the state and dictators? Did people recognize that the roses they offered to Stalin and Hitler became a propaganda tool? Or were they like the Japanese, who, including the soldiers, did not realize when the state told them to fall like cherry blossoms, it meant their deaths?Flowers That Kill proposes an entirely new theoretical understanding of the role of quotidian symbols and their political significance to understand how they lead people, if indirectly, to wars, violence, and even self-exclusion and self-destruction precisely because symbolic communication is full of ambiguity and opacity. Using a broad comparative approach, Emiko Ohnuki-Tierney illustrates how the aesthetic and multiple meanings of symbols, and at times symbols without images become possible sources for creating opacity which prevents people from recognizing the shifting meaning of the symbols. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

  • Sprache: Englisch

    Verlag: Stanford University Press, US, 2015

    0804795894 / 9780804795890

    • Softcover

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    Paperback. Zustand: New. Flowers are beautiful. People often communicate their love, sorrow, and other feelings to each other by offering flowers, like roses. Flowers can also be symbols of collective identity, as cherry blossoms are for the Japanese. But, are they also deceptive? Do people become aware when their meaning changes, perhaps as flowers are deployed by the state and dictators? Did people recognize that the roses they offered to Stalin and Hitler became a propaganda tool? Or were they like the Japanese, who, including the soldiers, did not realize when the state told them to fall like cherry blossoms, it meant their deaths? Flowers That Kill proposes an entirely new theoretical understanding of the role of quotidian symbols and their political significance to understand how they lead people, if indirectly, to wars, violence, and even self-exclusion and self-destruction precisely because symbolic communication is full of ambiguity and opacity. Using a broad comparative approach, Emiko Ohnuki-Tierney illustrates how the aesthetic and multiple meanings of symbols, and at times symbols without images become possible sources for creating opacity which prevents people from recognizing the shifting meaning of the symbols.