ISBN: 9780813512372 - la strada: federico fellini, director (rutgers films in print, band 8) (10 Ergebnisse)

Paperback. Zustand: Fair. According to the American Film Institute, La Strada is one of the most popular films in cinema history. The performances of Giulietta Masina as the waif Gelsomina, Richard Basehart as the Fool, and Anthony Quinn as the strongman Zampano, who buys Gelsomina from her mother and takes her with him on the road, have been acclaimed for their power and sometimes ridiculed for their sentimentality. The debates over what these characters and the story they enact represent--a Christian parable, a journey of self-discovery, a tale of beauty and the beast--and the position of the film within the neo-realist genre, continue today. This new translation and critical edition of the continuity script for La Strada is the only accurate guide to the film in any language. The notes to the shooting script enable the reader to reconstruct some of Fellini's changes while shooting the film. The edition also contains an introduction which analyzes the work's place in film history and within the so-called crisis of neo-realism, and provides for the first time in English a number of articles on the film's production. Fellini's most important interviews and statements on La Strada are included as well. Finally, two of the best critical analyses of the film, by Frank Burke and Peter Harcourt, are reprinted, along with a number of the contemporary reactions by critics from France (Andre Bazin), Italy (Guido Aristarco), and the United States--including a description of its reception at the Venice Film Festival. The illustrations include some of Fellini's original drawings made during the shooting of the film.…

Paperback. Zustand: Good. According to the American Film Institute, La Strada is one of the most popular films in cinema history. The performances of Giulietta Masina as the waif Gelsomina, Richard Basehart as the Fool, and Anthony Quinn as the strongman Zampano, who buys Gelsomina from her mother and takes her with him on the road, have been acclaimed for their power and sometimes ridiculed for their sentimentality. The debates over what these characters and the story they enact represent--a Christian parable, a journey of self-discovery, a tale of beauty and the beast--and the position of the film within the neo-realist genre, continue today. This new translation and critical edition of the continuity script for La Strada is the only accurate guide to the film in any language. The notes to the shooting script enable the reader to reconstruct some of Fellini's changes while shooting the film. The edition also contains an introduction which analyzes the work's place in film history and within the so-called crisis of neo-realism, and provides for the first time in English a number of articles on the film's production. Fellini's most important interviews and statements on La Strada are included as well. Finally, two of the best critical analyses of the film, by Frank Burke and Peter Harcourt, are reprinted, along with a number of the contemporary reactions by critics from France (Andre Bazin), Italy (Guido Aristarco), and the United States--including a description of its reception at the Venice Film Festival. The illustrations include some of Fellini's original drawings made during the shooting of the film.…

Zustand: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Zustand: Good. According to the American Film Institute, La Strada is one of the most popular films in cinema history. The performances of Giulietta Masina as the waif Gelsomina, Richard Basehart as the Fool, and Anthony Quinn as the strongman Zampano, who buys Gelsomina from her mother and takes her with him on the road, have been acclaimed for their power and sometimes ridiculed for their sentimentality. The debates over what these characters and the story they enact represent--a Christian parable, a journey of self-discovery, a tale of beauty and the beast--and the position of the film within the neo-realist genre, continue today. This new translation and critical edition of the continuity script for La Strada is the only accurate guide to the film in any language. The notes to the shooting script enable the reader to reconstruct some of Fellini's changes while shooting the film. The edition also contains an introduction which analyzes the work's place in film history and within the so-called crisis of neo-realism, and provides for the first time in English a number of articles on the film's production. Fellini's most important interviews and statements on La Strada are included as well. Finally, two of the best critical analyses of the film, by Frank Burke and Peter Harcourt, are reprinted, along with a number of the contemporary reactions by critics from France (Andre Bazin), Italy (Guido Aristarco), and the United States--including a description of its reception at the Venice Film Festival. The illustrations include some of Fellini's original drawings made during the shooting of the film.…

Paperback. Zustand: Fair. According to the American Film Institute, La Strada is one of the most popular films in cinema history. The performances of Giulietta Masina as the waif Gelsomina, Richard Basehart as the Fool, and Anthony Quinn as the strongman Zampano, who buys Gelsomina from her mother and takes her with him on the road, have been acclaimed for their power and sometimes ridiculed for their sentimentality. The debates over what these characters and the story they enact represent--a Christian parable, a journey of self-discovery, a tale of beauty and the beast--and the position of the film within the neo-realist genre, continue today. This new translation and critical edition of the continuity script for La Strada is the only accurate guide to the film in any language. The notes to the shooting script enable the reader to reconstruct some of Fellini's changes while shooting the film. The edition also contains an introduction which analyzes the work's place in film history and within the so-called crisis of neo-realism, and provides for the first time in English a number of articles on the film's production. Fellini's most important interviews and statements on La Strada are included as well. Finally, two of the best critical analyses of the film, by Frank Burke and Peter Harcourt, are reprinted, along with a number of the contemporary reactions by critics from France (Andre Bazin), Italy (Guido Aristarco), and the United States--including a description of its reception at the Venice Film Festival. The illustrations include some of Fellini's original drawings made during the shooting of the film.…

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: VERY GOOD. 270 clean, unmarked, tight pages; light soiling on outer edges of textblock; very light shelf and corner wear on cover with some fading.

Soft cover. Zustand: Very Good. Trade paperback. Stiff, shiny wrapps., aqua w. black lettering and b/w photos on cover. Backstr. lt. blue w. black lettering. Sl crease to front cover. Illus. Vi, 270pp. incl. filmography, bibliogr. MINT COPY.

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 1991. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 1991. Ammareal gives back up to 15% of this item's net price to charity organizations.…

New Brunswick: Rutgers University Press,:, 1991. Second printing, Trade paperback, Fine, 270 pp. A virtually as new copy. Second printing, Trade paperback, Fine.