Isbn: 9780822326168 - raw material: producing pathology in victorian culture (body, commodity, text) (22 Ergebnisse)

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Very Good+. Paperback. Binding sound, text clean, very light shelfwear. Book.

Soft cover. Zustand: Very Good+. Paperback. Binding sound, text clean, very slight shelfwear. Book.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

8vo, 272pp. A near fine paperback copy.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Softcover. xiii, 272 pp. Body, Commodity, Text: Studies of Objectifying Practice. Softcover. LCC: 00-030308 Very good condition; on covers: traces of wear on edges, and color toning on right edge of rear; a frew touches of wear on edges of papers.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Brand New. 288 pages. 8.75x5.75x0.75 inches. In Stock.

Zustand: New. Analyses how Victorians used the pathology of disease to express deep-seated anxieties about a rapidly industrialising England's relationship to the material world. Drawing on medicine, literature, political economy, sociology, anthropology, and popular advertising, the author explores the industrial logic of disease. Series: Body, Commodity, Text. Num Pages: 288 pages, 50 b&w photographs. BIC Classification: 1DBKE; 2AB; 3JH; DSBF; HBJD1; HBLL; HBTB; MBX. Category: (P) Professional & Vocational. Dimension: 227 x 145 x 20. Weight in Grams: 445. . 2000. Paperback. . . . .…

Paperback. Zustand: New. Raw Material analyzes how Victorians used the pathology of disease to express deep-seated anxieties about a rapidly industrializing England's relationship to the material world. Drawing on medicine, literature, political economy, sociology, anthropology, and popular advertising, Erin O'Connor explores "the industrial logic of disease," the dynamic that coupled pathology and production in Victorian thinking about cultural processes in general, and about disease in particular. O'Connor focuses on how four particularly troubling physical conditions were represented in a variety of literature. She begins by exploring how Asiatic cholera, which reached epidemic proportions on four separate occasions between 1832 and 1865, was thought to represent the dangers of cultural contamination and dissolution. The next two chapters concentrate on the problems breast cancer and amputation posed for understanding gender. After discussing how breast cancer was believed to be caused by the female body's intolerance to urban life, O'Connor turns to men's bodies, examining how new prosthetic technology allowed dismembered soldiers and industrial workers to reconstruct themselves as productive members of society. The final chapter explores how freak shows displayed gross deformity as the stuff of a new and improved individuality. Complicating an understanding of the Victorian body as both a stable and stabilizing structure, she elaborates how Victorians used disease as a messy, often strategically unintelligible way of articulating the uncertainties of chaotic change. Over the course of the century, O'Connor shows, the disfiguring process of disease became a way of symbolically transfiguring the self. While cholera, cancer, limb loss, and deformity incapacitated and even killed people, their dramatic symptoms provided opportunities for imaginatively adapting to a world where it was increasingly difficult to determine not only what it meant to be human but also what it meant to be alive.Raw Material will interest an audience of students and scholars of Victorian literature, cultural history, and the history of medicine.…

Zustand: New.

Zustand: New. In English.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: As New. Unread book in perfect condition.

Zustand: New. Analyses how Victorians used the pathology of disease to express deep-seated anxieties about a rapidly industrialising England's relationship to the material world. Drawing on medicine, literature, political economy, sociology, anthropology, and popular advertising, the author explores the industrial logic of disease. Series: Body, Commodity, Text. Num Pages: 288 pages, 50 b&w photographs. BIC Classification: 1DBKE; 2AB; 3JH; DSBF; HBJD1; HBLL; HBTB; MBX. Category: (P) Professional & Vocational. Dimension: 227 x 145 x 20. Weight in Grams: 445. . 2000. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Zustand: Brand New. 288 pages. 8.75x5.75x0.75 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - Raw Material analyzes how Victorians used the pathology of disease to express deep-seated anxieties about a rapidly industrializing England's relationship to the material world. Drawing on medicine, literature, political economy, sociology, anthropology, and popular advertising, Erin O'Connor explores "the industrial logic of disease," the dynamic that coupled pathology and production in Victorian thinking about cultural processes in general, and about disease in particular. O'Connor focuses on how four particularly troubling physical conditions were represented in a variety of literature. She begins by exploring how Asiatic cholera, which reached epidemic proportions on four separate occasions between 1832 and 1865, was thought to represent the dangers of cultural contamination and dissolution. The next two chapters concentrate on the problems breast cancer and amputation posed for understanding gender. After discussing how breast cancer was believed to be caused by the female body's intolerance to urban life, O'Connor turns to men's bodies, examining how new prosthetic technology allowed dismembered soldiers and industrial workers to reconstruct themselves as productive members of society. The final chapter explores how freak shows displayed gross deformity as the stuff of a new and improved individuality. Complicating an understanding of the Victorian body as both a stable and stabilizing structure, she elaborates how Victorians used disease as a messy, often strategically unintelligible way of articulating the uncertainties of chaotic change. Over the course of the century, O'Connor shows, the disfiguring process of disease became a way of symbolically transfiguring the self. While cholera, cancer, limb loss, and deformity incapacitated and even killed people, their dramatic symptoms provided opportunities for imaginatively adapting to a world where it was increasingly difficult to determine not only what it meant to be human but also what it meant to be alive.Raw Material will interest an audience of students and scholars of Victorian literature, cultural history, and the history of medicine.…

Kartoniert / Broschiert. Zustand: New. Analyses how Victorians used the pathology of disease to express deep-seated anxieties about a rapidly industrialising England s relationship to the material world. Drawing on medicine, literature, political economy, sociology, anthropology, and popular adv.

Paperback. Zustand: New. Raw Material analyzes how Victorians used the pathology of disease to express deep-seated anxieties about a rapidly industrializing England's relationship to the material world. Drawing on medicine, literature, political economy, sociology, anthropology, and popular advertising, Erin O'Connor explores "the industrial logic of disease," the dynamic that coupled pathology and production in Victorian thinking about cultural processes in general, and about disease in particular. O'Connor focuses on how four particularly troubling physical conditions were represented in a variety of literature. She begins by exploring how Asiatic cholera, which reached epidemic proportions on four separate occasions between 1832 and 1865, was thought to represent the dangers of cultural contamination and dissolution. The next two chapters concentrate on the problems breast cancer and amputation posed for understanding gender. After discussing how breast cancer was believed to be caused by the female body's intolerance to urban life, O'Connor turns to men's bodies, examining how new prosthetic technology allowed dismembered soldiers and industrial workers to reconstruct themselves as productive members of society. The final chapter explores how freak shows displayed gross deformity as the stuff of a new and improved individuality. Complicating an understanding of the Victorian body as both a stable and stabilizing structure, she elaborates how Victorians used disease as a messy, often strategically unintelligible way of articulating the uncertainties of chaotic change. Over the course of the century, O'Connor shows, the disfiguring process of disease became a way of symbolically transfiguring the self. While cholera, cancer, limb loss, and deformity incapacitated and even killed people, their dramatic symptoms provided opportunities for imaginatively adapting to a world where it was increasingly difficult to determine not only what it meant to be human but also what it meant to be alive.Raw Material will interest an audience of students and scholars of Victorian literature, cultural history, and the history of medicine.…