Isbn: 9780854881857 - walid raad: miraculous beginnings (9 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Paperback. Zustand: new. Paperback. What is a photographic image? Can a photograph ever tell the truth? These are some of the questions artist Walid Raad (born 1967) has been investigating for the past 20 years, in a practice that encompasses photography, film and video, sculpture, installation and performance. This publication brings together three major bodies of work: the photographic and video works produced under the fictional collective name The Atlas Group; various series of seemingly "straight" photography of his native Beirut titled Sweet Talk: Commissions (Beirut); and his most recent project, Scratching on Things I Could Disavow: A History of Art in the Arab World. The publication includes an exchange between the artist and curator Achim Borchardt-Hume; an essay on conceptions of truth by poet and writer Alan Gilbert; a text on Raad's use of photography and its ties to Beirut by Blake Stimson; and an essay by Helene Chouteau-Matikian. Published to accompany the exhibition Miraculous beginnings held at the Whitechapel Art Gallery, October 16th 2010-January 6th 2011. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Zustand: Very Good. 4to. Paperback. Clean, very good indeed.

Paperback. Zustand: new. Paperback. What is a photographic image? Can a photograph ever tell the truth? These are some of the questions artist Walid Raad (born 1967) has been investigating for the past 20 years, in a practice that encompasses photography, film and video, sculpture, installation and performance. This publication brings together three major bodies of work: the photographic and video works produced under the fictional collective name The Atlas Group; various series of seemingly "straight" photography of his native Beirut titled Sweet Talk: Commissions (Beirut); and his most recent project, Scratching on Things I Could Disavow: A History of Art in the Arab World. The publication includes an exchange between the artist and curator Achim Borchardt-Hume; an essay on conceptions of truth by poet and writer Alan Gilbert; a text on Raad's use of photography and its ties to Beirut by Blake Stimson; and an essay by Helene Chouteau-Matikian. Published to accompany the exhibition Miraculous beginnings held at the Whitechapel Art Gallery, October 16th 2010-January 6th 2011. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Zustand: New. New softcover with no marks or flaws, and no sign of handling or wear.

Paperback. Zustand: New. What is a photographic image? Can a photograph ever tell the truth? These are some of the questions artist Walid Raad (born 1967) has been investigating for the past 20 years, in a practice that encompasses photography, film and video, sculpture, installation and performance. This publication brings together three major bodies of work: the photographic and video works produced under the fictional collective name The Atlas Group; various series of seemingly "straight" photography of his native Beirut titled Sweet Talk: Commissions (Beirut); and his most recent project, Scratching on Things I Could Disavow: A History of Art in the Arab World. The publication includes an exchange between the artist and curator Achim Borchardt-Hume; an essay on conceptions of truth by poet and writer Alan Gilbert; a text on Raad's use of photography and its ties to Beirut by Blake Stimson; and an essay by Hà là ne Chouteau-Matikian.…